Pas de pitié pour les maris

a nice film. seductive for the flavor of "40. and for Robert Cummings. for naive story and the amusing scenes. and, sure, for the unrealistic script. short, a nice film about a love story not original as duel between him and her but for few scenes who are good chances to remain, for long time, memorable. one of the temptations, at first sigh, could be the presence of Rosalind Russell. unfortunately, only at first sigh. because her performance has two sides - too loud, too bizarre in front with the partner work. but , in essence, it could be perceived as a page of history. this is the key of a charming film about the fight in couple.

This is a fantastic comedy, fast, dynamic, clever and played extremely well by Rosalid Russell and Robert Cummings. Their chemistry is what makes comedies like this work so well, not a moment of boredom, pure laughter!! It's a real pity this is not available on DVD in Europe, I would buy it straight away!! Well...I would buy any movie with Rosalind Russell, especially her comedies. Such actresses are rare to find, she was absolutely great, one of the best and is a real pity that she is so forgotten today. Her timing and skills were absolutely unique, not many actresses are able to carry a comedy like she used to! Also Robert Cummings was very effective, don't know this actor much but I think I will try to find out more about him now!

Tell It To The Judge finds Rosalind Russell cast once again as career woman, in this case a lawyer about to be made a federal judge through the machinations of her grandfather Harry Davenport. But Senator Thurston Hall is questioning her character on the grounds of a messy divorce. Shows you how old fashioned this film has become and how terribly dated.

Her ex-husband wants her back and Bob Cummings as the ex does get her back, kind of, sort of. But after that it all gets kind of wild as she uses Gig Young as a foil against Cummings and Bob keeps getting in trouble trying to hide witness Marie McDonald in one of his cases because Bob is a lawyer as well.

What director Norman Foster did well with were some great supporting player performances from a cast of seasoned Hollywood professionals. I think the two most memorable are Clem Bevans as a lighthouse keeper with a side contract from Cupid and Douglass Dumbrille as Cummings playboy client. That one was really a case of reverse casting because Dumbrille is best known for playing slick villains, but I wish there had been more of him as the merry making playboy.

Tell It To The Judge is certainly dated, but while it's not Rosalind Russell's best her fans will not be disappointed.

I watched this film again last night and turned in for the night in a thoroughly good mood. Not a character out of place, the players were perfectly chosen for their roles and on top of that, everyone is terrifically likable! Comments regarding thin plots or unnecessary scenes be darned, this film accomplishes what it sets out to do. Tell It To The Judge provides 87 mirthful minutes of diversion, taking the viewer from Washington D.C., to Miami and all the way back to the Adirondacks for it's mixed up, misunderstood and downright happy ending.

Probably my favorite romantic comedy, sharp dialogue, crazy twists, adorable characters and all.

Thin comedy rests solely on the appeal of the stars, and Rosalind Russell and Robert Cummings are a very companionable screen-team. She's a smart, sharp, yet somewhat clumsy lady lawyer--being nominated for judgeship--whose career may be hindered by her association with Cummings, the no-goodnik ex-husband still in love with her. Some funny set-pieces (such as Roz's bit involving a lipstick mistake) and a predictably sunny, smooth supporting performance by Gig Young as a dashing Romeo make it tolerable, but the script and characters are really second hand. There's a curious, but ridiculous skiing sequence that serves no purpose (except to make Cummings look foolish) and Norman Foster's direction is balky. ** from ****