Un homme change son destin

Made in 1949 - at about the time that WWII veteran amputees were emerging from their VA hospital prosthetics rehab program and thus beginning to appear among the general population - 'The Stratton Story' topic of a man working hard to overcome the wound he suffered was timely, and it helps to explain the film's resonance with the audiences of its day.

Well crafted in all respects 'The Stratton Story,' though certainly a rather fictionalized Hollywood treatment, gives a straightforward, honest look at a man, a farmer, a baseball player, a husband, a father facing his amputation squarely and making the best of himself despite his handicap - and the real Monty Stratton accomplished this feat in the days before every mosquito bite or knee-scrape prompted the callout of armies of professional counsellors. The pairing of June Allyson with James Stewart proved to yield attractive screen power as the two thespians work together very well here in their first effort as a movie couple. The supporting cast give solid performances, though I give special mention to Agnes Moorehead for her restrained, dignified portrayal of Stratton's mother which in the hands of a lesser actress could have been turned into a cliché of the farm-earth-mother.

There's fraught drama here as well as lighthearted and inspiring moments, and none are overindulged or wrung out beyond their intrinsic value. 'The Stratton Story' is a nicely balanced example of forthright cinematic storytelling of a self-reliant man supported unflinchingly by his clear-eyed, plain-spoken family and his baseball fraternity. Over time the film stands up well and it needs no third millennium explication or embellishment; it's fine fare for adults and children alike.

Before Hollywood took to making "feel good" movies, this is what they made: apparently simple stories that were intelligently and not at all simply written, performed by actors who knew how to act so well that, if you don't pay attention, you think they are just "being themselves," whereas they are actually building characters, a little piece at a time.

Yes, James Stewart is the star of this picture, and for very good reason. His Stratton is not a country rube. He's a young man with certain ideas, certain goals, and certain ideals. He's not perfect, and Stewart and his director, Sam Wood - who directed such a variety of masterpieces as the Marx Brothers' A Night at the Opera, Goodbye Mr. Chips (one of my favorite movies), and For Whom the Bell Tolls - do not sugarcoat that part of his character. Stewart builds a very complete, human individual from a lot of small details. He also looks like a real baseball pitcher on the mound, which amazed me.

Allyson is not one of my favorite actresses, but she is good here, if not at Stewart's level. She doesn't seem cute - nothing like Meg Ryan at her worst, say. She, too, seems real. And when she has to play catch, she doesn't throw like a girl, which is pretty impressive!

You don't have to know a thing about baseball to enjoy this movie, since it actually has very little to do with baseball. It's the story of a fundamentally good man who is badly mistreated by fate, but who rises above that, eventually, not because he is a goody two-shoes, but because he has certain very fundamental values that he will not abandon.

It's not surprising that this movie won the Oscar for best script. The story seems simple, and it is, but it is developed in a very careful, very intelligent way.

Baseball means little to me, living in Scotland, so it was with some ignorance of the sport's finer points that I approached this lesser known James Stewart vehicle. Whilst ball-game live-action, with some real-life baseball personalities in the cast, does play a major part in the movie, the underlying story is simply a true tale of overcoming unexpected adversity, a prototype role Stewart delivered time and again in his distinguished career. Following on from the above, Monty Stratton as a sporting hero means nothing to me so I have no idea how far Hollywood bowdlerised the story, so I'll take the narrative at face value and give kudos where they are due to a well-paced film, with natural dialogue and well-crafted scenes, even the baseball match recreations. Stewart's "pitching action" looks natural and he acts his disability convincingly. The Stewart/Allyson pairing gets its first outing here and their natural playing and obvious simpatico from the start has you rooting for them both all the way through. The support is equally strongly played, particularly Agnes Moorehead playing her stock-in-trade "Whistler's Mother" come to life. The direction by Sam Wood is sure and I particularly appreciated the sensitivity shown in the lengthy scenes where Stewart initially broods and gives in to the loss of his leg before Allyson, in a memorable scene, encourages him to fight his disability and helps him achieve his self-respect as well as his place back at the pitching mound. In the main though, as ever, it's Stewart in all his drawling, winking, glory who garners your sympathy from the "Play ball" of a very entertaining family film. It's interesting too, to see his playing of the Stratton part as the unwitting precursor to his more celebrated part as an invalid in the later classic "Rear Window".

Highly entertaining biopic about baseball pitcher Monty Stratton (Jimmy Stewart). Stratton is on his way to becoming one of the major leagues' best pitchers when he loses a leg in a hunting accident. It looks like his career is over. But with the support of his loving wife (June Allyson), Monty begins to pitch again. First of three movies that paired Stewart and Allyson. They're both terrific. Good support from Frank Morgan and Agnes Moorehead. Also some nice work from real-life baseball players like Bill Dickey and Jimmy Dykes. The baseball parts are fun to watch and contrast the old with the new. The sport is a shadow of its former self today. Anyway, this is one of those fine uplifting biopics Old Hollywood did so well. They don't make 'em like this anymore.

James Stewart and June Allyson look twice as old as the roles they are playing! Still, "The Stratton Story" is enjoyable. In the early scenes, Mr. Stewart's frame, and natural acting style, make him somewhat believable as a boy interested in baseball. Ms. Allyson doesn't try to play too "girlish"; instead, she wisely acts her part as a woman complimenting (by being in love with) Stewart's character.

Allyson, and her character, save the film… the moment she appears, the focus is on the pair's relationship, and not on baseball. The Stewart/Allyson relationship is really what makes the film work, I thought -- the Stewart character could have been a golfer, doctor, whatever… The scenes beginning with Stewart and Allyson in separate beds, backs turned, and unable to sleep, have an understated dignity.

Stewart and Allyson's nice performances are enhanced by: Frank Morgan, aka "The Wizard of Oz"; and Agnes Moorehead, Endora from "Bewitched". The later baseball scenes are more realistic, and fun to watch. It's strange to see the older baseball style; today, many of the players would be pumped up with steroids. I wish the sport would return to being more based on fun and skills.

Love is not something a surgeon can cut.

******* The Stratton Story (1949) Sam Wood ~ James Stewart, June Allyson, Frank Morgan