Un homme change son destin

Highly entertaining biopic about baseball pitcher Monty Stratton (Jimmy Stewart). Stratton is on his way to becoming one of the major leagues' best pitchers when he loses a leg in a hunting accident. It looks like his career is over. But with the support of his loving wife (June Allyson), Monty begins to pitch again. First of three movies that paired Stewart and Allyson. They're both terrific. Good support from Frank Morgan and Agnes Moorehead. Also some nice work from real-life baseball players like Bill Dickey and Jimmy Dykes. The baseball parts are fun to watch and contrast the old with the new. The sport is a shadow of its former self today. Anyway, this is one of those fine uplifting biopics Old Hollywood did so well. They don't make 'em like this anymore.

I saw this movie many years ago with my father on television. He told me about his experience with Monty Stratton.

My father wanted to be a big league pitcher. He tried his luck with the White Sox in the late l930's. He only got as far as spring training before being sent down to the minors leagues. He liked to say that in the minors he made as much money as a soda jerk, but girls at parties were a lot more impressed with someone who played baseball than with some who made root beer floats.

As a rookie in spring training, My dad was too shy to walk with the veteran ball players to the field. He always walked a distance behind them.

One day, Monty Stratton turned back to him and said that if he wanted to be a big league ball player he had to walk with them.

My dad got to know Mr. Stratton very well that Spring. Years later, after WWII and marriage, my dad met Monty again at a ballgame. They talked and Mr. Stratton told him that Hollywood was going to make a movie about him.

My dad said they couldn't have picked a better man to make a film about.

James Stewart brings his patented gusto to this portrayal of real-life pitcher Monty Stratton, who lost his leg in a hunting accident, but refused to give up, wearing a prosthetic leg as he made a comeback (Stratton went on to play in the minors from 1946-53). Stewart's frequent leading lady June Allyson plays his wife, who really did help Stratton make it back. If the movie never quite scales the heights of "Pride of the Yankees," it's not for lack of trying. Old pros Stewart and Allyson lift what might have been corny and even maudlin or predictable to a high level and something we believe and care about. And they deserve extra points for playing characters who were still living (and watching). Not many can do that, and do it well. Schmaltzy but moving and perfect in its own way. (Full disclosure: I still can't get over players who would lay down a bunt with Stratton on the mound.)

Supposedly Jimmy Stewart did not really want to do this film. However, he changed his mind when it was pointed out to him by the bosses at MGM that it would inspire veterans of World War II who had limited mobility. One inspirational scene that occurs is the one where he and his son walk together for the first time. It is complemented nicely by June Allyson who is exceptional and perfectly cast as Stewart's wife (this was the first of three films they made together).

The supporting roles are worth noting, too. Agnes Moorhead refrains from chewing the scenery, in a performance that is very understated as the mother. And this is another film where Frank Morgan plays a paternal role to one of Stewart's characters. Morgan seems very lively in this offering. The game scenes are equally lively, and the film continues to remain uplifting with each viewing.

Baseball means little to me, living in Scotland, so it was with some ignorance of the sport's finer points that I approached this lesser known James Stewart vehicle. Whilst ball-game live-action, with some real-life baseball personalities in the cast, does play a major part in the movie, the underlying story is simply a true tale of overcoming unexpected adversity, a prototype role Stewart delivered time and again in his distinguished career. Following on from the above, Monty Stratton as a sporting hero means nothing to me so I have no idea how far Hollywood bowdlerised the story, so I'll take the narrative at face value and give kudos where they are due to a well-paced film, with natural dialogue and well-crafted scenes, even the baseball match recreations. Stewart's "pitching action" looks natural and he acts his disability convincingly. The Stewart/Allyson pairing gets its first outing here and their natural playing and obvious simpatico from the start has you rooting for them both all the way through. The support is equally strongly played, particularly Agnes Moorehead playing her stock-in-trade "Whistler's Mother" come to life. The direction by Sam Wood is sure and I particularly appreciated the sensitivity shown in the lengthy scenes where Stewart initially broods and gives in to the loss of his leg before Allyson, in a memorable scene, encourages him to fight his disability and helps him achieve his self-respect as well as his place back at the pitching mound. In the main though, as ever, it's Stewart in all his drawling, winking, glory who garners your sympathy from the "Play ball" of a very entertaining family film. It's interesting too, to see his playing of the Stratton part as the unwitting precursor to his more celebrated part as an invalid in the later classic "Rear Window".