State Department: File 649

William Lundigan is appointed to the Foreign Service. Because his parents were missionaries in Mongolia, he speaks the language and is quickly assigned to a listening post in Inner Mongolia. Soon after he arrives, however, renegades warlord Richard Loo siezes the town and the consulate in his plan to establish his independent principality.

It's a very old-fashioned movie directed by Sam Newfield, now gone from the remnants of PRC, but still chugging along with his brother Sigmund Neufeld as producer. This one is even a color production, although it's shot in Cinecolor and the print I looked at was dark and the color values a bit faded.

There's no direct mention of current events in China; the Civil War was proceeding apace and eight months after this movie was released, the National government would be expelled from the mainland. In the meantime, several talented but out-of-favor performers try to make the lines sound good, actors like virginia Bruce, Jonathan Hale and Philip Ahn; and the easily recognized Iverson ranch pretends to be Inner Mongolia.

"State Department: File 649" is a film that is supposedly set in China. The film bebuted in February, 1949...and by October of the same year, the country had fallen to Mao and the Chinese Communists. This means that only a few months after the film was released, it was already obsolete.

As far as the film goes, it was produced by Sam Neufeld. This means that even with Cinecolor, the movie is a cheap affair--with none of the polish you'd find in a film from a major studio. Neufeld was known for cheap B-movies...and this one is as cheap as they come!

Something is up in China. The local American Consul knows something isn't right...but isn't exactly sure what. So, agent 649, Ken Seely (William Lundigan), is sent to Peking (before it was renamed Beijing) to investigate. Like Batman, Ken's parents were murdered long ago--though this was in Mongolia, not Gotham City.

So is this any good? No especially. Lundigan has little charisma and the quality of the production isn't great--with some sloppy edits and little to make it stand out in a positive way. Now I am not saying it's bad....just that it isn't very good. At best, an odd time-passer.

By the way, the copy I saw of this film was posted on one of the Roku channels. The copy they have is very poor--often extremely dark and grainy. This combined with the general shabbiness of the story make it a tough film for most viewers to watch and enjoy.

Ultra-cheap so-called thriller directed by the prolific (but not particularly talented) Sam Newfield under the pseudonym of Peter Stewart. A lot of talk and very little action makes for a dull experience.

"State Department" is a strange film because it's about politics in China but never mentions the communists--who assumed power the same year this film debuted! It's also a rather cheap and insignificant film.

The movie begins with a prologue about various workers in the foreign service who have given their lives for their country. One of these people is the subject of this film. Ken (William Lundigan) is the new vice-consul of a remote consulate in northern China. However, he just arrives at his new posting when a local warlord arrives and begins menacing everyone. This sort of stuff did happen in the 1920s and 30--and I assume that this is the time period in which the movie is based.

The film is decent but a bit dull. While it's not a bad film, it never rises to anything more than just barely average. Lundigan and the rest are pretty good--it's just that the story never seems too interesting.

You wouldn't expect a cold war drama with a title like that to be in colour, but here it is. (Soviet propaganda films of the period were also often in colour believe it or not.) Art director Edward Jewell also otherwise manages to suggest fairly lavish production values on a limited budget and the film was presumably waved through by the Breen Office as being politically useful in the grim new postwar climate (people get their tongues cut out and arms cut off - mercifully off camera - presumably to remind audiences just how dangerous the world still was outside the good old U. S. of A.)

Unfortunately, for all it's up to the minute, Torn-from-Today's-Headlines veneer Russia exploded its first atom bomb and China fell to the communists within months of the film's release in early 1949, rendering its storyline about a dastardly Chinese warlord even more irrelevant to current events; and it fell through a fissure in history that makes it interesting today for so precisely preserving a moment of faltering uncertainty and indecision as the tectonic plates of the United States' relations with the East began shifting in ways that still haven't settled yet.