Ajouter une intrigue dans votre langueAn ex-GI becomes involved with the American Communist party, and falls in love with his instructor. The pair quickly realise their mistake, when they see how party leaders handle a member wh... Tout lireAn ex-GI becomes involved with the American Communist party, and falls in love with his instructor. The pair quickly realise their mistake, when they see how party leaders handle a member who questioned the party's principles. When they try to leave, they're marked for assassinat... Tout lireAn ex-GI becomes involved with the American Communist party, and falls in love with his instructor. The pair quickly realise their mistake, when they see how party leaders handle a member who questioned the party's principles. When they try to leave, they're marked for assassination and hunted by the party killers.
- Réalisation
- Scénario
- Casting principal
- Nina Petrovka
- (as Hanne Axman)
- Jack Tyler
- (as William J. Lally)
- Sheriff of Talbot
- (as Robert Purcell)
Avis à la une
One, from a supposed relative of that excellent director, R. G. Springsteen, sneers at it, claiming the director called it his worst film. If Mr. Springsteen hated it, then he would not have done his best on it.
In fact, despite the actors not being well known, they -- most of them -- gave very good performances.
Nathan Scott, credited with the music, gets my respect for his use of "The Internationale" sprinkled suitably throughout the film.
The writers also did generally good work, though I have one hesitation: The leaders of the Communist Party, U. S. A., were shown to be very cynical, not very strong or honest believers in their party.
Some years ago, I worked at university radio station, and our manager, Tom Duval, was like that: He would go out to some individuals or groups to raise money, then come back and laugh at the suckers who gave.
But I can't help thinking members and leaders of the Communist Party were as sincere as members of other political parties -- even though the CPUSA was, in fact, a wholly-owned subsidiary of the CPUSSR, getting its orders and much of its money from Moscow.
(The CPUSA was, it is important to remember, also used for espionage and sabotage, as well, especially in Hollywood, to propagandize. Look at, for example, how its "keep out of the European conflict" changed, literally over night, when Hitler invaded the Soviet Union. Then the CPUSA was "this is a people's war and we need to fight.")
Some of the Hollywood people who joined the CPUSA, especially the ones who quit and who testified before the congressional committee, said the party seemed to offer solutions to such problems as poverty and unemployment.
In fact, just as did Al Capone, the CPUSA set up soup kitchens for the hungry.
Of course it intended to recruit members. And maybe that was a bit cynical. But advocates of even the most evil systems, including Nazism and communism, were probably as sincere, were probably true believers, as members of other parties and advocates of other causes.
Just not very clear-eyed.
Well, some want to make fun of the ending, of course, but I like it. It seems very Texan to me. At least for 1950.
"The Red Menace" must be viewed in the context of its times. If I were the president of Republic, I would make some changes, though relatively minor changes. As it is, I give it a recommendation, with that caveat: Remember the times, and that the Soviet Union and its alleged communist belief system was the imperialist enemy of these United States. And, in fact, of the peace and freedom of all Earth.
There is a too-dark print at YouTube.
At the same time, communism stood for equality and class warfare, allowing for only one class, the working class, since allowing for different classes of people was just Another Word for inequality and injustice.
Now, if you could therefore renounce equality and justice by renouncing the Soviet Union, which, through communism, stood for these qualities, why, then you could defend the injustices and inequalities you wanted to keep by Calling every wish for equality and justice to be the same as a wish for communism and that is just what has been done in the USA for the last 70 years, which this film bears witness to.
The Soviet Union was a failed system but that has Little to do with communism because, although the SU called itself "communist" it was not a system of equality and justice and instead just a dictatorship ensuring that a Little Group of people had all the wealth and all the Power just like in the USA, where the same was ensured by somewhat different means.
How to achieve equality and justice is still a problem to be solved but it will never be solved by simply Writing these qualities off by Calling them "communism".
This film illustrates the propaganda being used against the American Citizen and is helpful to understand the brainwash that Americans seem to suffer from. I therefore give it 5 stars.
communism demanding slavelike servitude and obedience, and wilfully encouraging historical revisionism are an ever present threat as even today our history is under threat by people who seek to push a mandela effect on people and gaslight away truth, and act violently towards anyone who dares question it or seek to maintain truth
of all movies that need a remake to keep the message alive, THIS is one badly in need to be revisited.
Le saviez-vous
- AnecdotesDebut of actresses Barbra Fuller, Betty Lou Gerson, Kay Riehl and Mary DeGolyer.
- Citations
[first lines]
Nina Petrovka: No... Don't let them... I'm afraid.
Bill Jones: Nina, stop it. It's me, Bill! They can't get us now.
Nina Petrovka: They're gonna kill us!
Bill Jones: Nina... Get a hold of yourself. Snap out of it.
Nina Petrovka: That same dream. Those frightening, sadistic faiths chasing me. Turning guns at me.
Bill Jones: It's nothing to worry about. They can't get us out here.
Nina Petrovka: You don't really believe that. You know we can't get away.
Bill Jones: They haven't caught us yet, have they?
Nina Petrovka: No, but... they are real! Oh please Bill, let me get myself up. It isn't you they're after, want me, why don't you...
Bill Jones: This is why.
[kisses her on the cheek]
Nina Petrovka: Well, we'll have to stop for the next gas station.
Bill Jones: Bill... I hate to stop for anything.
Nina Petrovka: Well, we can't run without gas.
- ConnexionsFeatured in Hollywood on Trial (1976)
- Bandes originalesMy Country, 'Tis of Thee
Lyrics by Samuel Francis Smith (1831)
Sung by a male chorus at the end, over shots of the Statue of Liberty
Meilleurs choix
- How long is The Red Menace?Alimenté par Alexa
Détails
- Durée1 heure 21 minutes
- Couleur
- Rapport de forme
- 1.37 : 1