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The Red Menace

  • 1949
  • Approved
  • 1h 21min
NOTE IMDb
4,9/10
299
MA NOTE
The Red Menace (1949)
Film NoirDramaThriller

Ajouter une intrigue dans votre langueAn ex-GI becomes involved with the American Communist party, and falls in love with his instructor. The pair quickly realise their mistake, when they see how party leaders handle a member wh... Tout lireAn ex-GI becomes involved with the American Communist party, and falls in love with his instructor. The pair quickly realise their mistake, when they see how party leaders handle a member who questioned the party's principles. When they try to leave, they're marked for assassinat... Tout lireAn ex-GI becomes involved with the American Communist party, and falls in love with his instructor. The pair quickly realise their mistake, when they see how party leaders handle a member who questioned the party's principles. When they try to leave, they're marked for assassination and hunted by the party killers.

  • Réalisation
    • R.G. Springsteen
  • Scénario
    • Albert DeMond
    • Gerald Geraghty
  • Casting principal
    • Robert Rockwell
    • Hanna Axmann-Rezzori
    • Betty Lou Gerson
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    4,9/10
    299
    MA NOTE
    • Réalisation
      • R.G. Springsteen
    • Scénario
      • Albert DeMond
      • Gerald Geraghty
    • Casting principal
      • Robert Rockwell
      • Hanna Axmann-Rezzori
      • Betty Lou Gerson
    • 13avis d'utilisateurs
    • 17avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
  • Photos59

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    Rôles principaux35

    Modifier
    Robert Rockwell
    Robert Rockwell
    • Bill Jones
    Hanna Axmann-Rezzori
    Hanna Axmann-Rezzori
    • Nina Petrovka
    • (as Hanne Axman)
    Betty Lou Gerson
    Betty Lou Gerson
    • Yvonne Kraus
    Barbra Fuller
    Barbra Fuller
    • Mollie O'Flaherty
    Shepard Menken
    • Henry Solomon
    Lester Luther
    • Earl Partridge
    William Lally
    • Jack Tyler
    • (as William J. Lally)
    Lloyd G. Davies
    • Inspector O'Toole
    Norman Budd
    Norman Budd
    • Reachi
    Leo Cleary
    • Father O'Leary
    Kay Riehl
    • Mrs. O'Flaherty
    William Martell
    • Immigration Insp. Riggs
    James Harrington
    • Martin Vejac
    Duke Williams
    • Sam Wright
    Napoleon Simpson
    • Tom Wright
    Robert H. Purcell
    • Sheriff of Talbot
    • (as Robert Purcell)
    Royal Raymond
    • Benson
    Gregg Martell
    Gregg Martell
    • Schultz
    • Réalisation
      • R.G. Springsteen
    • Scénario
      • Albert DeMond
      • Gerald Geraghty
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs13

    4,9299
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    Avis à la une

    10RickeyMooney

    The "Reefer Madness" of Cold War films

    And throw in a touch of "Plan 9 From Outer Space" and you've got the idea. The commies are using sex and booze to lure all-American boys to do ... just what isn't exactly clear, but the ultimate goal is to promote atheism and destroy freedom. Meanwhile, all they seem to be doing is killing their own members when not turning them in to the INS. An added treat for 50's TV fans is that the dimwitted hero is played by Robert Rockwell, who later portrayed Mr. Boynton, the suspiciously uninterested biology teacher eternally pursued by Eve Arden in "Our Miss Brooks"
    8morrisonhimself

    Will be hated just because it's anti-communist

    Most of the other reviews here fall into two groups: anti-communists like it, to one degree or another; pro-communists or anti-anti-communists hate it.

    One, from a supposed relative of that excellent director, R. G. Springsteen, sneers at it, claiming the director called it his worst film. If Mr. Springsteen hated it, then he would not have done his best on it.

    In fact, despite the actors not being well known, they -- most of them -- gave very good performances.

    Nathan Scott, credited with the music, gets my respect for his use of "The Internationale" sprinkled suitably throughout the film.

    The writers also did generally good work, though I have one hesitation: The leaders of the Communist Party, U. S. A., were shown to be very cynical, not very strong or honest believers in their party.

    Some years ago, I worked at university radio station, and our manager, Tom Duval, was like that: He would go out to some individuals or groups to raise money, then come back and laugh at the suckers who gave.

    But I can't help thinking members and leaders of the Communist Party were as sincere as members of other political parties -- even though the CPUSA was, in fact, a wholly-owned subsidiary of the CPUSSR, getting its orders and much of its money from Moscow.

    (The CPUSA was, it is important to remember, also used for espionage and sabotage, as well, especially in Hollywood, to propagandize. Look at, for example, how its "keep out of the European conflict" changed, literally over night, when Hitler invaded the Soviet Union. Then the CPUSA was "this is a people's war and we need to fight.")

    Some of the Hollywood people who joined the CPUSA, especially the ones who quit and who testified before the congressional committee, said the party seemed to offer solutions to such problems as poverty and unemployment.

    In fact, just as did Al Capone, the CPUSA set up soup kitchens for the hungry.

    Of course it intended to recruit members. And maybe that was a bit cynical. But advocates of even the most evil systems, including Nazism and communism, were probably as sincere, were probably true believers, as members of other parties and advocates of other causes.

    Just not very clear-eyed.

    Well, some want to make fun of the ending, of course, but I like it. It seems very Texan to me. At least for 1950.

    "The Red Menace" must be viewed in the context of its times. If I were the president of Republic, I would make some changes, though relatively minor changes. As it is, I give it a recommendation, with that caveat: Remember the times, and that the Soviet Union and its alleged communist belief system was the imperialist enemy of these United States. And, in fact, of the peace and freedom of all Earth.

    There is a too-dark print at YouTube.
    searchanddestroy-1

    Slightly above verage Red Scare stuff.

    During the late forties and early fifties, there was the Witch Hunt in USA, war hunt against communists anywhere. And In Hollywood in particular. This one is good, tense, but without any subtle element of any kind. It is very very didactic, especially the scene in the class room when a "student" asks his teacher what doesn mean democracy in a political system where there is the dictatorship of proletariat. It is too heavy loaded in terms of propaganda. However it remains a good film in line of BIG JIM MC LAIN or I WAS A COMMUNIST FOR THE FBI. Good tough directing and acting too. But this one is slightly better than the two, I think.
    5karlericsson

    equality and justice is communism - jaussa!

    When I grew up, the Iron Curtain existed. The Soviet Union was a Place that did not allow its Citizen to travel freely. And so it was easy to renounce the Place and look for no further explanations.

    At the same time, communism stood for equality and class warfare, allowing for only one class, the working class, since allowing for different classes of people was just Another Word for inequality and injustice.

    Now, if you could therefore renounce equality and justice by renouncing the Soviet Union, which, through communism, stood for these qualities, why, then you could defend the injustices and inequalities you wanted to keep by Calling every wish for equality and justice to be the same as a wish for communism and that is just what has been done in the USA for the last 70 years, which this film bears witness to.

    The Soviet Union was a failed system but that has Little to do with communism because, although the SU called itself "communist" it was not a system of equality and justice and instead just a dictatorship ensuring that a Little Group of people had all the wealth and all the Power just like in the USA, where the same was ensured by somewhat different means.

    How to achieve equality and justice is still a problem to be solved but it will never be solved by simply Writing these qualities off by Calling them "communism".

    This film illustrates the propaganda being used against the American Citizen and is helpful to understand the brainwash that Americans seem to suffer from. I therefore give it 5 stars.
    10Nostrama

    underappreciated warning

    Although the movie is 70 years old, its message rings ever more true now in the 2020s, as the evils it warned against then, are more thoroughly entwined into current day politics and society

    communism demanding slavelike servitude and obedience, and wilfully encouraging historical revisionism are an ever present threat as even today our history is under threat by people who seek to push a mandela effect on people and gaslight away truth, and act violently towards anyone who dares question it or seek to maintain truth

    of all movies that need a remake to keep the message alive, THIS is one badly in need to be revisited.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Debut of actresses Barbra Fuller, Betty Lou Gerson, Kay Riehl and Mary DeGolyer.
    • Citations

      [first lines]

      Nina Petrovka: No... Don't let them... I'm afraid.

      Bill Jones: Nina, stop it. It's me, Bill! They can't get us now.

      Nina Petrovka: They're gonna kill us!

      Bill Jones: Nina... Get a hold of yourself. Snap out of it.

      Nina Petrovka: That same dream. Those frightening, sadistic faiths chasing me. Turning guns at me.

      Bill Jones: It's nothing to worry about. They can't get us out here.

      Nina Petrovka: You don't really believe that. You know we can't get away.

      Bill Jones: They haven't caught us yet, have they?

      Nina Petrovka: No, but... they are real! Oh please Bill, let me get myself up. It isn't you they're after, want me, why don't you...

      Bill Jones: This is why.

      [kisses her on the cheek]

      Nina Petrovka: Well, we'll have to stop for the next gas station.

      Bill Jones: Bill... I hate to stop for anything.

      Nina Petrovka: Well, we can't run without gas.

    • Connexions
      Featured in Hollywood on Trial (1976)
    • Bandes originales
      My Country, 'Tis of Thee
      Lyrics by Samuel Francis Smith (1831)

      Sung by a male chorus at the end, over shots of the Statue of Liberty

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    FAQ13

    • How long is The Red Menace?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 1 août 1949 (États-Unis)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Underground Spy
    • Lieux de tournage
      • Republic Studios, Hollywood, Los Angeles, Californie, États-Unis(Studio)
    • Société de production
      • Republic Pictures
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 21 minutes
    • Couleur
      • Black and White
    • Rapport de forme
      • 1.37 : 1

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