Puce Moment

Kenneth Anger is one of my favorite filmmakers of all time, and this is a film I've been wanting to watch for quite some time. After watching it, I enjoyed it. Although not as great as other Anger films like "Scorpio Rising", which has become one of my all time favorite films, it is still a great, little, experimental short.

It has no plot, like most of avant garde cinema, but it is a series of images, which, unlike other avant garde films, are all connected, involving the same one character, who, mainly just goes through a bunch of her dresses. Other stuff happens as well, but it is mainly a woman going through her dresses.

What is so good about that? Well, Anger's imagery and style make the film very visually interesting, and the soundtrack helps the film as well. It is ahead of it's time, and a great short film that you should probably have enough time to watch.

This is a small 6 minute fragment of what was supposed to title "Puce Women". It was to be about the types of Hollywood actresses from the 1920s.

It begins with a series of beautiful, colorful gowns being shoved at the camera. They were actual gowns worn by 1920s actresses. It shows a woman (Yvonne Marquis) looking for a gown to go out in. She finally finds one that is puce-colored (hence the title). Then we have her lying on a couch which moves around. Next we see her walking four dogs in the puce gown.

There's no real point or story but it IS beautiful to watch and the gowns especially will be a treat to see in color for any fan of old Hollywood movies. It's an interesting short for fans of old Hollywood movies. I give it a 7.

Anger. She looks through the wardrobe, not knowing what fits her style. The surreal orchestra plays as she finds the one that is the

best without a doubt-the black dress. It is beautiful and sparkling.

She places it on herself and walks around. Once she has had enough she

rests-awaking next morning to find herself in a distraught position outside. The dogs are lined up, she takes them for a walk-leaving her southern Californian house in mourning.

This is indeed one of Anger's best. It depicts his childhood fascinations with movie-stars and bizarre situations.

I recommend this film to every fan of avant garde or follower of a subculture/art.

'Puce Moment (1949)' is, oddly enough, my first film from director Kenneth Anger. As soon as it began, I realised I'd discovered a filmmaker who stood well ahead of his time. Is that folk rock playing on the soundtrack? Surely, I told myself, such a song has no place in a 1949 film – the technique has since become commonplace in movies and music videos. The film's vibrant colour photography clashes uncertainly with the shaky hand-held filming style, suggesting the rising experimental movement of the 1960s. It's peculiar that Anger wasn't even attempting to be "trendy" or "modern" with his film-making style. 'Puce Moment,' originally intended as a feature, was supposed to be emulating the opulent Hollywood lifestyles of the silent era. The film opens with a 1920s movie star (Yvonne Marquis) lavishly searching for a suitable dress from her extensive wardrobe of flapper gowns, before applying perfume, languishing lazily on a chair, and then taking her four dogs for a walk. Strangely, it all barely feels like the 1920s. Does this mean that the film failed in what it was attempting? Maybe, but it's a glorious failure. Anger's condemnation of the movie star's decadent daily routine preempts Billy Wilder's critique in 'Sunset Blvd. (1950),' and his film-making style clearly influenced the experimental cinema of the coming decades. This was my first film from Kenneth Anger, but it certainly won't be my last.

I probably shouldn't have reviewed this. I had absolutely no interest in the subject matter or the story. So I am not going to dis it but I didn't see anything that was eye popping. I suppose the fact that it was made in 1949 had something to do with its inclusion at this time.