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Chaînes du destin

Titre original : No Man of Her Own
  • 1950
  • Tous publics
  • 1h 38min
NOTE IMDb
7,3/10
3,1 k
MA NOTE
Barbara Stanwyck and John Lund in Chaînes du destin (1950)
Official Trailer
Lire trailer2:20
1 Video
63 photos
Film NoirDramaRomance

Ajouter une intrigue dans votre langueA pregnant woman adopts the identity of a railroad-crash victim and starts a new life with the woman's wealthy in-laws, but is soon blackmailed by her devious ex.A pregnant woman adopts the identity of a railroad-crash victim and starts a new life with the woman's wealthy in-laws, but is soon blackmailed by her devious ex.A pregnant woman adopts the identity of a railroad-crash victim and starts a new life with the woman's wealthy in-laws, but is soon blackmailed by her devious ex.

  • Réalisation
    • Mitchell Leisen
  • Scénario
    • Sally Benson
    • Catherine Turney
    • Cornell Woolrich
  • Casting principal
    • Barbara Stanwyck
    • John Lund
    • Jane Cowl
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,3/10
    3,1 k
    MA NOTE
    • Réalisation
      • Mitchell Leisen
    • Scénario
      • Sally Benson
      • Catherine Turney
      • Cornell Woolrich
    • Casting principal
      • Barbara Stanwyck
      • John Lund
      • Jane Cowl
    • 58avis d'utilisateurs
    • 33avis des critiques
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 1 victoire au total

    Vidéos1

    No Man of Her Own
    Trailer 2:20
    No Man of Her Own

    Photos63

    Voir l'affiche
    Voir l'affiche
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    + 57
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    Rôles principaux52

    Modifier
    Barbara Stanwyck
    Barbara Stanwyck
    • Helen Ferguson
    John Lund
    John Lund
    • Bill Harkness
    Jane Cowl
    Jane Cowl
    • Mrs. Harkness
    Phyllis Thaxter
    Phyllis Thaxter
    • Patrice Harkness
    Lyle Bettger
    Lyle Bettger
    • Stephen Morley
    Henry O'Neill
    Henry O'Neill
    • Mr. Harkness
    Richard Denning
    Richard Denning
    • Hugh Harkness
    Carole Mathews
    Carole Mathews
    • Blonde
    Harry Antrim
    Harry Antrim
    • Ty Winthrop
    Catherine Craig
    Catherine Craig
    • Rosalie Baker
    Esther Dale
    Esther Dale
    • Josie
    Milburn Stone
    Milburn Stone
    • Plain-Clothes-Man
    Griff Barnett
    Griff Barnett
    • Dr. Parker
    Jean Andren
    • Louise Russell
    • (non crédité)
    Georgia Backus
    Georgia Backus
    • Nurse
    • (non crédité)
    Virginia Brissac
    Virginia Brissac
    • Justice of the Peace's Wife
    • (non crédité)
    Ivan Browning
    • Porter
    • (non crédité)
    Ashley Cowan
    • Justice of the Peace's Son
    • (non crédité)
    • Réalisation
      • Mitchell Leisen
    • Scénario
      • Sally Benson
      • Catherine Turney
      • Cornell Woolrich
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs58

    7,33.1K
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    10

    Avis à la une

    wisewebwoman

    One of the best melodramas of the forties

    Barbara shines as the deceiving wife and does so much with her eyes. Jane and John are also very good. Strong script and not too overly sentimentalized for its era. A very enjoyable soaper with a great supporting cast. Gee, I miss all those great bit players of the thirties and forties. They added so much sparkle and credibility and a type of reassurance not seen in today's movies. Bravo to the entire cast in this little gem.
    7David-240

    A little silly, but enjoyable.

    Top notch performances from Barbara Stanwyck and Jane Cowl make this film worthwhile. The plot's a bit silly - but these two extraordinary actors make it all seem utterly convincing. Moody cinematography and strong direction help too. Interesting to see the same story turn up a few years ago as "Mrs Winterbourne" with Ricki Lake and Shirley MacLaine in the Stanwyck and Cowl roles respectively. A less serious treatment, but also less successful.
    bdhammond46

    Good movie, great acting

    I really like this movie. OK, so the plot is unbelievable. When you've got good acting and excellent directing you can overlook it all. I especially like Lyle Bettger's portrayal of the heel boyfriend and blackmailer and Jane Cowl as the kindly mother in law. And what can you say about Barbara Stanwyck that hasn't been said - steady, compelling, convincing. She's the best.

    There's one line in the movie that always makes me laugh. After Barbara has her baby, the doctor and nurse are talking about her progress and agree "if she continues to do well, she can see the baby in a couple of weeks". In our 21st century experience of instant parent/baby bonding, this seems so bizarre!
    7preppy-3

    Good film noir

    Barbara Stanwyck plays Helen Ferguson--pregnant and penniless deserted by her ex Steve (Lyle Bettger). On a train she meets Patrice Harkness (Phyllis Thaxter) and her husband Hugh (Richard Denning). Patrice is also pregnant and going to see Hugh's parents who have never seen her before. Then the train crashes. Patrice and Hugh are killed and everybody mistakes Helen for Patrice. She goes along with it for her child. Then her ex shows up in town with blackmail on his mind.

    Based on the excellent novel "I Married A Dead Man" by Cornell Woolrich. Now the plot is more than a little ridiculous but this movie (like the novel) is so beautifully done you don't notice. It's shot in beautiful black and white (which fits the mood) and has good acting--especially by Stanwyck. Technically she's too old for the role (she was 45 when she played this) but she's so good that you overlook it. She has a GREAT scene when she realizes what she has to do to get rid of Steve. The look on her face was perfect! When I first saw this in a revival theatre the audience laughed and applauded when that scene came on. The movie looks great with beautiful settings. Also fun to see Thaxter and Denning early in their careers. A very good unsung film noir. Recommended.

    Do NOT see the 1996 redo movie called "Mrs. Winterbourne". They turn it into an (unfunny) comedy!
    Doylenf

    Another mistaken identity story...but a good one...

    Leave it to Barbara Stanwyck and John Lund to make this film noir soap opera work on every level. Stanwyck, pregnant and unwed, meets another woman and her husband on a train, a wealthy woman going home to see her family. When the train is wrecked and the woman and husband killed, Stanwyck assumes her identity since the man's parents have never met her nor even seen a photograph of her. The plot gets thicker once Stanwyck assumes the dead woman's identity.

    The picture combines the suspense of a film noir with some soap opera touches but Barbara's strong performance makes it all work. John Lund, Jane Cowl, Phyllis Thaxter, Richard Denning and Lyle Bettger are all fine in support. It's all based on a Cornell Woolrich novel called "I Married A Dead Man" with the usual touches of irony found in his work.

    It's one of director Mitchell Leisen's better films (he did "To Each His Own", "Hold Back the Dawn", and many other interesting films.) Absorbing and well worth watching. Not a well-known film but it's one of Stanwyck's best.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      In-joke: The character played by Barbara Stanwyck is named Helen Ferguson; this is the real name of one of best-known Hollywood publicists of the era, who also represented Stanwyck.
    • Gaffes
      Patrice decides to go to the Country Club dance with Bill at short notice. Such an event would be limited to members and invited guests. Yet Steven Morley, who does not move in that social circle, is in attendance and makes contact with Patrice.
    • Citations

      Bill Harkness: [returns to car after dumping a dead body onto a moving train] He stayed on, caught on the catwalk or whatever it is, but his hat came off.

      Helen Ferguson: Don't.

    • Versions alternatives
      This film was published in Italy in an DVD anthology entitled "L'uomo con il mantello", distributed by DNA Srl. The film has been re-edited with the contribution of the film history scholar Riccardo Cusin. This version is also available in streaming on some platforms.
    • Connexions
      Featured in Film Review: Changing Faces (1968)
    • Bandes originales
      Molly Malone
      (uncredited)

      [Performed by Bill on the piano]

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    FAQ16

    • How long is No Man of Her Own?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 5 avril 1951 (France)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • La mentira candente
    • Lieux de tournage
      • Paramount Studios - 5555 Melrose Avenue, Hollywood, Los Angeles, Californie, États-Unis(Studio)
    • Société de production
      • Paramount Pictures
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 38 minutes
    • Couleur
      • Black and White
    • Rapport de forme
      • 1.37 : 1

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