Tête folle

Susan Hayward foolish? Dana Andrews a can't-get-a-date loser? No, I didn't think so either. But they are both so good in their roles that they no only make the film work, they make it a triumph. Hayward was nominated for an Oscar, as was Victor Young's glorious title-song. Both Hayward and Young should have won.

"My Foolish Heart" is essentially a "woman's film," a label that is frequently pejorative. (But then so is "Gone with the Wind.") What makes "Heart" so transcendent, besides Hayward and Andrews, is that the entire film is so well-crafted. The dialog is first rate--by turns poignant, rueful, comic, and sarcastic--from the Epstein twins of "Casablanca" fame. Mark Robson's direction is spot-on, and he has a great cast to work with. As Hayward's father, Robert Keith contributes a beautifully shaded performance. Kent Smith and Lois Wheeler are sympathetic as two who are injured bystanders. In her film debut, Jessie Royce Landis creates the first of her flighty women who are much more than they initially seem.

Victor Young's song is reprised several times during the film and was one of the first title-songs to achieve popularity. It is especially well used in the scene near the end when Hayward is waiting for Kent Smith to bring her a drink. She hits all her marks beautifully, and the song is stunningly used as background.

I doubt that any attempt at a remake would be nearly as successful as the original. They don't make 'em like his any more--no nudity, no questionable language, no violence: just top-notch acting, writing, direction, all set to a marvelous Victor Young score.

And it should be noted that Hayward, despite her Oscar and four other nominations is regrettably underrated and largely forgotten today. Andrews never was given his due when he was alive, and he had an impressive body of work-- for example, "Laura" and "The Best Years of Our Lives" (especially his scene in the moth-balled bomber)--that put him at the forefront of talented leading men of the Forties and Fifties.

I have this movie on Laser Disk. It has been and continues to be one of my all time favorites. I've been waiting YEARS for this to come out on DVD but alas no go as of yet. I have almost all of Susan Heyward's films and this is still my favorite. She plays against type in her soft portrayal of a young woman in love. Chemistry between Heyward and Andrews is great. You can actually believe that they love each other. Robert Keith plays Heyward's father and turns in his best performance. Even though done in a studio the movie has a genuine "New York" feel. And of course the song...which I guarantee once you hear it you'll be humming or singing it all day long. My Laser copy of this movie is very good I just don't know how much longer my laser disk player will hold out. Why no DVD??

When I saw Susan Hayward in "My Foolish Heart," I immediately thought back to her other successes "With A Song in My Heart," and "I'll Cry Tomorrow." There are so many similarities in her acting, especially at the beginning of Foolish Heart. She even brushed her hair the same way as in "Tomorrow."

As always, Susan Hayward got the role of the troubled woman. She evokes such sympathy in this particular role as Eloise, a woman who recounts a tragic love affair at the start of World War 11.

Dana Andrews, a very fine actor, is perfect for the part of her ill-fated lover.

Special acting kudos should also go to Robert Keith for his portrayal of her understanding father. Keith was quite a good actor. He really was in top-notch films. Besides this gem, he was Barney Loomas in "Love Me or Leave Me" and the doomed father to Robert Stack and Dorothy Malone in "Written on the Wind."

Notice that the term pregnancy is not used in the film. I guess that in 1949 we didn't talk of women being pregnant while not being married.

Unfortunately, this movie would probably be regarded as corny today but 1949 was such a different world in movie history.

Susan Hayward and Dana Andrews will take you to the heights of joy and deepest despair as two lovers who are forced to live a lifetime in a few weeks as America enters World War II. As the film begins, the war is over and Eloise Winters (Hayward) is married to college sweetheart Lou Wengler (Kent Smith). A visit from college roommate Mary Jane (Lois Wheeler) prompts Hayward to relive the wartime memory of her true love, Walt Dreiser (Andrews). You will be enchanted by Andrews and Hayward's first meeting when sparks fly and an extremely handsome, charming Andrews sweeps Hayward off her feet to the tune of Victor Young's heart stirring theme. I dare say no man looked better on the 1940s screen than the sophisticated, yet easy-going Dana Andrews in this film. Nominated for an Academy Award, Hayward is exceptional in her ability to wear her emotions as a woman deeply in love. Don't miss whimsical moments with outstanding characters actors Robert Keith and Jessie Royce Landis as Hayward's parents. Based on a story by J.D. Salinger, "My Foolish Heart" is a fine film to curl up with on a rainy Sunday afternoon to relive the first blush of your one true love.

There isn't a great deal of J. D. Salinger's short story "Uncle Wiggly in Connecticut" left in Mark Robson's supposed film version "My Foolish Heart" but it's a superior example of the 'woman's picture' nevertheless, thanks almost entirely to a superb Susan Hayward as the unhappily married woman recalling her first love, (Dana Andrews, always a good bet). The director was Mark Robson and it's one of his better pictures while the Epstein's (Julius J. and Philip G.) did the screenplay, again a good sign. Hayward was Oscar-nominated, as was the famous title song which, in its many incarnations, has outlived the film. No classic, then, but an intelligent and likeable picture that deserves to be better known.