Mahal

Had seen this as a kid in bits n pieces. Saw this fully for the first time recently on YouTube. The print is passable but the sound quality ain't good. The English subtitles helped me a lot to dig this film very well.

The story is about a man Shankar who moves into an old n abandoned palace. He visits the palace on a dark stormy night. He is greeted by the gardener who tells him that the palace was inhabited by a couple forty years back and that the couple died one aft another cos of their intense love. Shankar is astonished when he sees the photo of the old owner which looks exactly like him. Suddenly Shankar hears a woman singing n the moment he approaches her, she disappears. He tells this to his friend n inspite of his friend's advice, Shankar gets drawn towards the mysterious ghost.

One of the best part is this is the first gothic horror from Bollywood n cinematographer Joseph Wirsching nailed it. Ther r some lovely shots from interesting angles, and shots cleverly framed. The lighting is used appropriately. The lead actress Madhubala became one of the most successful and iconic actress of Indian cinema. The film started with good suspense but slowly became a bit melodramatic aft the marriage. There is a pretty lol scene wher the wife follows the husband n she stands next to the husband n the ghost without getting noticed. The mountain top scene of the shack is pretty desolated n creepy. The tribal community's trial n execution is weirdly funny.

The twist is good for first time viewers who dont read synopsis. Very generous with a 9 cos it's a very creative idea n the original Bollywood gothic horror. Apart from the idea where a person falls in love with a dead person's photo (Laura), the entire script is very original.



Some major q's - Why the previous owner came at midnight and left at dawn? Was the gardener involved? What was the need for the gardener to climb n restore the clock? Why didnt Asha show any remorse aft her father's death? Why 2 am? Mayb Kamini used to sleep throughout the day. The wife stopped a different clock at her shack which resulted in affecting the main clock at the palace. How come? Anyways it is a solid attempt n the film is truly a poignant tale of love, destiny n reincarnation.

Cited as Bollywood's first horror film and also noteworthy for catapulting both its lead actress & playback singer into stardom, Mahal is as gothic as it is enchanting and as elegantly crafted as it is enigmatic in its storytelling. Making expert use of lighting, shadows & setting to establish its eerie atmosphere that brims with mystery & melancholy and further elevated by fine inputs from its committed cast, this haunted house horror juggles love, longing, death, reincarnation & class struggles with flair. Madhubala is an absolute delight but the long runtime, dated elements & plentiful songs do make the ride a bit tedious. However, the artistic rendition & neat camerawork leaves one wondering how Bollywood horror fell so low after starting on such an arresting & impressive note. In short, a fascinating gothic romance chiller.

Mahal (1949) : Breif Review -

A landmark in the Gothic-Horror-Fiction genre for Indian cinema, with complex romance theories that are still untouched. The gothic horror genre was set in mind when I saw the silent German classic, "The Golem" (1920). I never thought that world cinema could use Gothic horrors in such a manner to create a haunting viewing experience. Even Hollywood stayed away from it in the early days, so of course, Indian cinema was supposed to try its hands way later. I am surprised to see that Kamal Amrohi did it in 1949. Okay, one second, How??? Mahal is such an uneven mixture of Indian Gothic, horror, romance, drama and intellectual yet complex theories, it is hard to believe. I haven't seen such a unique combination in any Indian horror film yet - including every film made till 2022. Having a love story in a horror film is like having water in tea for Bollywood movies. Tell me, have you seen any hits or popular horror films that haven't got romance? The answer is probably No, I guess. But Mahal is way ahead of all those romantic horror films, despite being made early. Kamal Amrohi has been hailed for making "Pakeezah" (1972), but I believe he did a better job in Mahal, 23 years before the musical classic. This deserves to be hailed at a higher level than Pakeezah. Mahal is a prime example of human horror meeting gothic formulas, including an influential romance based on reincarnation. Rajesh Khanna and Hema Malini's Mehbooba (1976) was too late to copy it. There are many instances like this because Mahal is a textbook of multiple theories-right from romance to horror to crime to drama to a sad ending. Now you may want to argue with me for calling it a horror movie, as it's not a ghost horror film like the Ramsay Brothers. So what? Even Biren Nag's "Bees Saal Baad" was similar. It had "Kahi Deep Jale", while Mahal had an even better song, " Aayega Aane wala". Top class stuff. A little lengthy, but needed that time to absorb you as a viewer.

RATING - 7.5/10*

By - #samthebestest.

Full review on my blog max4movies: Mahal is a romantic drama with supernatural elements about a young man who is driven insane by the supposed ghost of his lover from another life. Several elements work great, e.g. the visual presentation and the eerie atmosphere. However, the movie lacks a more focused pacing, as it features several irrelevant songs and scenes that distract from the fate of the main characters. The theme song is very memorable but often the songs are entertaining which sometimes works against the serious notions of the tragic love story. Still, the main performances are captivating, and the atmospheric beginning and the clever ending make up for some of the apparent long-winded moments in between.

This is one of the greatest suspense movies of all times in any language. Kamal Amrohi was a genius, who could never reproduce at the same level, as in Mahal, his debut venture. In this respect, he reminds me of Orsen Welles, whose debut venture Citizen Kane was his best, and one of the greatest movie of all times. What upsets me most is that Mahal is considered a ghost story by many commentators. Nothing could be further from truth. It's a great suspense story, told in a straight forward way, and yet exceptionally hard to guess the surprise ending on first viewing. Khemchand Prakash's music is among the finest in Hindi movies. But for his early demise, he would have been as much an icon as Naushad he introduced to Hindi films.