Chaînes conjugales

You have here a situation that is rarer than you might imagine-a top-notch cast with an even better script. This is a delightful film with fine performances all around and some of the best dialogue! Strangely, none of the cast were nominated for their work here, although three were nominated for other performances in other films they did that year. The script deservedly won an Oscar as did the director. This is a joy to watch and the voice-over narration is perfectly handled throughout. Highly recommended!

Jeanne Crain was a very pretty girl, Ann Sothern was chiefly noted for her comic turns, and Linda Darnell was a memorable beauty--but although all three appeared in popular films none were particularly celebrated for their acting talents until Joseph L. Mankiewicz tapped them for the roles of three society wives in this poison pen letter to both sexes. Wickedly witty in script, and remarkably acid in tone, A LETTER TO THREE WIVES would put every one involved in the film firmly on the Hollywood map.

Three society wives (Crain, Sothern, and Darnell) are committed to hosting a children's picnic on an isolated island--and as the ferry prepares to depart they receive a letter from town femme fatale Addie Ross (never seen but memorably voiced by Celeste Holm.) Addie informs them that she is leaving town forever... but has decided to take one of their husbands along as a memento. And each of the three wives, cut off from the outside world for the day, is left to wonder: when I go home tonight, will my husband still be there? During the day each of the wives recalls scenes from her marriage. Deborah (Craine) arrived in town as a pretty but very awkward farm girl fresh out of the navy and with a wardrobe consisting of a single and very ugly mail-order dress; she has never felt entirely secure. Rita (Sothern) is married to a schoolteacher, and has committed the unpardonable sin of becoming the writer of a popular radio show that brings her more money than her husband will ever earn. And Lora Mae (Darnell) was a beauty born on the wrong side of the tracks who connived her way into a wealthy marriage and now specializes in bickering with her gruff and boorish husband. And always they have been victim to Addie--a woman who "has class," who stings them with competition and evil wit, and who has their husbands eating out of her hand.

Although the construction is artificial, the script is wickedly knowing, painting a truly subversive vision of American marriage and mores of the late 1940s. Of the three leads, Ann Sothern dominates with her spirited "Rita"--but Darnell has the best of the script, a series of manipulations and drop-dead quips and ripostes, and Crain is perfectly cast as the insecure beauty who is as out of place as a dove at a gathering of eagles. The supporting cast, which includes Kirk Douglas, Thelma Ritter, and Connie Gilchrist is remarkably fine as well. And before all is said and done, small town society gets raked over coals.

If A LETTER TO THREE WIVES has a flaw, it is the same flaw that would trouble Mankiewicz's later and even more celebrated ALL ABOUT EVE: the point of view that a woman is ultimately nothing without a man, an idea that tends to limit the scope of the film and at times even belittle its characters. Some viewers may also be disappointed with the film's conclusion, which--although extremely ironic--lacks the sharp bite you might expect. Even so, this is a truly memorable and often very funny film, and one that deserves to be seen more often today than it usually is.

Gary F. Taylor, aka GFT, Amazon Reviewer

Warning! - possible mini-SPOILER to follow...

Other comments herein attest to this film's amazingly well-achieved wit and sophistication, both for its time and, when viewed today, outclassing almost anything I can think of in recent release. Twentieth-Century Fox gave Joseph L. Mankiewicz top-notch professionals to help him win his eventual Oscars for direction and screenplay.

One moment that will always spring to my mind when I recall this film is that wonderful character actress, Connie Gilchrist (so perfectly partnered in her scenes with one of my all-time beloveds, Thelma Ritter), reacting to Laura Mae's announcement of her engagement to her boss, Mr. Hollingsway, so well-played by the great Paul Douglas. As she falls in a dead faint, she emits a jubilant exclamation on her way to the floor: "Bingo!" One of this film's best guffaws and a nice counterpoint to some of the more subtle examples of humor in this example of what Hollywood can do when everything meshes so superbly.

In a small town, three couples are close friends: the upper class Brad Bishop (Jeffrey Lynn) went to the war and returned married with the insecure country girl and Navy military Deborah Bishop (Jeanne Crain); the university professor George Phipps (Kirk Douglas) is married with the writer of silly screenplays of radio soap operas Rita Phipps (Ann Sothern), who makes more money than him and financially supports their home; and the wealthy tradesman Porter Hollingsway (Paul Douglas) is married with the smart Lora Mae Hollingsway (Linda Darnell). In common, further to their friendship, the women hate and the men love the elegant and high-class Addie Ross. While going to a picnic in riverboat with the local students, the three wives receive a letter of their "friend" Addie Ross informing that she is running off with one of their husbands. Along the day, each woman recalls events that might have put her marriage in danger, while anxiously waiting for the end of the day.

One of my favorite movies ever is "All About Eve", of Joseph L. Mankiewicz. I know only a few movies of this outstanding director: "Sleuth", "Cleopatra", "The Barefoot Contessa" and "The Ghost and Mrs. Muir". A dear friend of mine gave me "A Letter to Three Wives" on DVD, I have just watched and I must confess that I am enchanted with such delightful, witty and intelligent screenplay. The romance is perfectly developed with the narrative in off and in an adequate pace, disclosing the lives of each couple and their problems in flashbacks and with a wonderful resolution. The cast is in state of grace, with awesome performances, and Linda Darnell is extremely sexy in the role of an opportunist woman and Jeanne Crain is very beautiful. There is a continuity goof not related in IMDb, when Lora Mae arrives with her car for the picnic, followed by Rita and Debbie's car, and the relative positions of the parked cars and buses change, but this mistake never diminishes this magnificent movie. My vote is nine.

Title (Brazil): "Quem É o Infiel?" ("Who Is the Unfaithful?")

In `A Letter to Three Wives,' Deborah Bishop, Lora Mae Hollingsway, and Rita Phipps are chaperoning underprivileged children on a day trip picnic. As they board the riverboat that will ferry them up-river to the picnic grounds, they are stopped by a messenger who delivers a letter from their dear, close friend, Addie Ross. Addie, who was supposed to accompany them on the day trip, quite unexpectedly, left town that very morning. After debating whether or not they should open the letter, with a bit of trepidation, they do. And so begins the story of three wives, three husbands, one letter, and Mrs. Addie Ross.

Addie Ross wrote in the letter to her dear, close friends Deborah, Lora Mae, and Rita, that she was so sorry to be leaving town, permanently. And, that by the way, she took one of their husbands with her.

Which husband has run off with Addie Ross? That question is the driving force of this drama, with just a bit of comedy to hone its edges. This movie is compelling, there are no gaps; from start to finish you're hooked. Be there no doubt, you'll be kept guessing until the end. All is not always what it seems.

`A Letter to Three Wives,' is a story nicely staged by a series of three flashbacks, each chronicling meaningful events in the lives and marriages of the three wives.

Jeanne Crain does well playing Deborah, the young, sometimes self-doubting and suspicious wife of the well-to-do Brad Bishop, played by Jeffrey Lynn. As we soon learn, Brad is a lifelong, close friend of the alluring Addie Ross.

The story is further fashioned by the immense talents of Kirk Douglas and Ann Sothern, who portray George and Rita Phipps. George is a devoted school teacher, and Rita is a social climbing script writer of radio plays. Both George and Rita are old, close friends of Addie Ross. However, Rita thinks George is just a little to close. Expect a stellar performance from Ann Sothern, because that's exactly what you're going to get.

This story's most interesting characters are portrayed by Paul Douglas, and the beautiful Linda Darnell. These talented actors play Porter and Lora Mae Hollingsway. They're a couple who tolerate a marriage of convince, he for her beauty, and she for his money. Lora Mae knows that Porter has helped Addie Ross with financial matters in the past, and perhaps other things in the present.

This movie has an excellent supporting cast in Thelma Ritter, and Connie Gilchrist. Look for them to relieve the natural tension of this story. Also contributing are Hobart Cavanaugh and Florence Bates, as Mr. and Mrs. Manleigh. Keep your ear tuned and listen for Celeste Home, as she is the voice of Addie Ross.

`A Letter to Three Wives,' is a festival of love, hate, jealousy, and suspicion. It's propelled by the energy of a very high caliber cast, and the directorial influence of Joseph L. Mankiewiez.

It should be noted that `A Letter to Three Wives,' brought Mankiewiez, two Academy Awards in 1949. Best Director and Best Writing, Screenplay.