John Loves Mary

This was Patricia Neal's film debut, and in the first fifteen minutes I had to wonder if somebody was going to haul out the vaudeville cane, get her by the neck, and take her offstage. She was completely over the top. But then she gets more believable and settles down. On the surface it is light romantic fluff - Mary (Neal) is waiting for her soldier, John (Ronald Reagan), to come home from war. If you find the first fifteen minutes taxing, stick around. It gets much better.

Very quickly this plot becomes what was intended to be a good deed that turns into a tangle of problems. You see, John ran into his war pal Fred's (Jack Carson's) best girl in England. They would have been married, but Fred could never find her after the war and she was presumed dead. The only way that John could figure to get Fred's best girl -Lilly - into the US was to marry her himself, bring her to the US, get a quickie Reno divorce, and then Fred and Lilly can be married. The problem is, John never bothered to run this idea by anybody else - specifically his fiancee, Mary, and even Fred himself! Very quickly John finds his good deed overcome by events. Let's just say that in Fred's case he made peace with the fact that Lilly was dead and "life goes on". Specifically life is going on when John returns with Fred's wife in labor at the hospital. Plus Mary's parents - her dad is a Senator (Edward Arnold) - want John and Mary to be married in a week!

How will this all work out? Watch and find out. Ronald Reagan just fills the screen with that beaming smile of his. Jack Carson was always great as the guy who would like to be the villain but is just not smart enough to be anything but a patsy. Here though, he is just the nervous victim of circumstance. There are lots of twists and turns in this one and there isn't a boring moment in it. Highly recommended and a great surprise.

What a cute, funny movie. Even though it is obviously taken from the Broadway stage, and even though the "marriage comedy" is a dead subgenre, it's still delightful. And it's no wonder, when you learn who wrote it: Henry and Phoebe Ephron, Nora's parents. It's silly, it's fluffy, and yet, it's hilarious. With quips and long situational set-ups, it has a great blend of comedy that keeps you on your toes - and keeps you laughing the entire time.

Patricia Neal is anxiously awaiting the return of her beau, Ronald Reagan, after WWII. They've been engaged for years and are finally going to seal the deal. When Ronnie does show up, he's all hugs and kisses to Pat - but he's also anxious to see Jack Carson. They were old war buddies and he has some extremely important news to share. Jack fell in love with an English girl but was sent home before he could marry her. It turns out, Ronnie found her later and did the only thing that would allow him to bring her back with him to the States: he married her. It's in name only, of course. They're going to Reno for a quick divorce, and then Jack can marry his one true love. But with Pat's impatience, her father's (Edward Arnold) insistence, and Jack's "help", things don't go as planned. The result is a very funny comedy of errors.

There are some naughty bits that miraculously made it past the censors, like joking about how European women didn't need any more "incentive" than the choice between bars of soap or chocolate. It's an absolute time capsule of the 1940s, a time when people used expressions like "Holy Maceral!" and it was a scandal for a man to change his clothes in front of his fiancé. "What's it like west of New Jersey?" Virginia Field asks. "Republican!" Edward Arnold shouts decisively. Ah, the 1940s. Folks involved in show business will appreciate the end credits: everyone gets a curtain call, just like they would have on stage. It's very sweet. If you like this movie, check out The Voice of the Turtle, another dated but funny sex comedy.

Ronald Reagan was usually not at his best in comedy, but here he was excellent, possibly with help from director David Butler.

Some people have complained of Patricia Neal's performance, saying she didn't fit, but she was supposed to be the daughter of a rich couple and I thought she was perfect. In fact, I liked her better as Mary than as any other character I've seen.

Jack Carson could have been toned down a little; on the other hand, Wayne Morris gave one of his best performances, with just the right shading.

Oh, and Paul Harvey (NOT the radio announcer), as the general, was utterly charming, one of his best roles and performances out of hundreds. Interestingly, one of his first movie roles was as a colonel.

The whole cast, in fact, was great.

The story was cute, and there were some really funny moments, although I was fidgeting occasionally when it seemed on-screen delays were about to get everybody caught and in worse trouble.

That problem came from the stage origin. It didn't work perfectly in this film adaptation, but, heck, how much in life is perfect? All in all, "John Loves Mary" is a very good movie, with wonderful players in a generally enjoyable script. I recommend it.

Just saw this today on TCM and really enjoyed it. While the story was in some ways like an extended TV sitcom plot, it was very clever. It kept me smiling and I got at least one big laugh and several smaller ones from this movie. It involves servicemen returning from WWII, problems the war created for separated lovers, and how a little lie escalates to cause big problems. Most of the movie takes place in just a couple of locations making me wonder if it was originally written as a play. The movie had a very good cast. I always have liked Jack Carson and Ronald Reagan had a good touch for this comedy. There were a number of other familiar faces like Edward Arnold and Wayne Morris who were very dependable actors. And the guy who played the general must have been on dozens of TV shows in the 50's through the 70's. While I wouldn't rush out to buy the DVD, it certainly is worth a look on TV. BTW, it wasn't listed in my older version of Maltin's Movie Guide which seems like a curious omission.

Even at a much younger age, PATRICIA NEAL looked too smart, strong-willed and intelligent to play flighty feminine leads in the kind of wacky romantic comedies the Warner studio was used to churning out. She looks almost ill at ease in a role which calls for a bright-eyed ingenue like Joan Leslie who would have been ideal for this sort of thing.

But the rest of the cast has a high time playing the hi-jinks of a script based on Norman Krasna's Broadway play. Jack Carson is especially able as the sort of lovable dumb guy (with those great double takes that he specialized in) caught up in a situation involving a British woman (Virginia Field) who is supposed to be coming to the states to marry him. When the arrangements are delayed, he meets and marries someone else without telling her. She finally makes it to the states and he and pal Ronald Reagan get caught up in a series of lies that complicate Reagan's relationship with fiance Patricia Neal.

Of course, all of the misunderstandings could have been cleared up if someone just told the truth--but then there would be no picture.

Edward Arnold as a pompous senator (was there any other kind?) and Wayne Morris as a serviceman friend hired to help deceive everyone are both experts in this kind of farce. Kathleen Alexander does a nice job as Arnold's patient wife.

Patricia Neal would have to wait awhile before Warners found some suitable roles for her--but this film debut was almost successful despite the obvious miscasting.