Ajouter une intrigue dans votre langueA GI marries the English girlfriend of his best friend to get her into the U.S. for his friend who lost track of her in the war only to find on returning home that he is stuck with the girl ... Tout lireA GI marries the English girlfriend of his best friend to get her into the U.S. for his friend who lost track of her in the war only to find on returning home that he is stuck with the girl because the friend has married someone else.A GI marries the English girlfriend of his best friend to get her into the U.S. for his friend who lost track of her in the war only to find on returning home that he is stuck with the girl because the friend has married someone else.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire au total
- Corporal
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- George Beachwood
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- Waiter
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- Nightclub Patron
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- Nightclub Patron
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- Orchestra Leader
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- Waiter
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- Soldier
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- Bartender
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Avis à la une
But the rest of the cast has a high time playing the hi-jinks of a script based on Norman Krasna's Broadway play. Jack Carson is especially able as the sort of lovable dumb guy (with those great double takes that he specialized in) caught up in a situation involving a British woman (Virginia Field) who is supposed to be coming to the states to marry him. When the arrangements are delayed, he meets and marries someone else without telling her. She finally makes it to the states and he and pal Ronald Reagan get caught up in a series of lies that complicate Reagan's relationship with fiance Patricia Neal.
Of course, all of the misunderstandings could have been cleared up if someone just told the truth--but then there would be no picture.
Edward Arnold as a pompous senator (was there any other kind?) and Wayne Morris as a serviceman friend hired to help deceive everyone are both experts in this kind of farce. Kathleen Alexander does a nice job as Arnold's patient wife.
Patricia Neal would have to wait awhile before Warners found some suitable roles for her--but this film debut was almost successful despite the obvious miscasting.
Very quickly this plot becomes what was intended to be a good deed that turns into a tangle of problems. You see, John ran into his war pal Fred's (Jack Carson's) best girl in England. They would have been married, but Fred could never find her after the war and she was presumed dead. The only way that John could figure to get Fred's best girl -Lilly - into the US was to marry her himself, bring her to the US, get a quickie Reno divorce, and then Fred and Lilly can be married. The problem is, John never bothered to run this idea by anybody else - specifically his fiancee, Mary, and even Fred himself! Very quickly John finds his good deed overcome by events. Let's just say that in Fred's case he made peace with the fact that Lilly was dead and "life goes on". Specifically life is going on when John returns with Fred's wife in labor at the hospital. Plus Mary's parents - her dad is a Senator (Edward Arnold) - want John and Mary to be married in a week!
How will this all work out? Watch and find out. Ronald Reagan just fills the screen with that beaming smile of his. Jack Carson was always great as the guy who would like to be the villain but is just not smart enough to be anything but a patsy. Here though, he is just the nervous victim of circumstance. There are lots of twists and turns in this one and there isn't a boring moment in it. Highly recommended and a great surprise.
On Broadway the cast included William Prince, Nina Foch, Tom Ewell, and Lyle Bettger in the roles that Ronald Reagan, Patricia Neal, Jack Carson, and Wayne Morris repeated on screen. The one that really doesn't compute is Lyle Bettger who played such a lovely variety of psychos on the screen. I just can't see him doing comedy or it must have been quite different his interpretation of the blowhard ex-officer that Wayne Morris was. Actually all the stage cast members did have some substantial screen careers.
Reagan is the John in the film who is coming home to his fiancé Mary played by Patricia Neal in her screen debut. He did real well for himself she being the daughter of US Senator Edward Arnold and Katharine Alexander with a lovely Park Avenue apartment. But it turns out that there's a slight hitch in the wedding plans.
What a guy won't do for a friend, especially one who saved his life during the war. Jack Carson who got his discharge earlier from Uncle Sam is pining over the British girl he left behind. Well Reagan knowing the problem that folks were having coming to America with immigration hurdles, marries Virginia Field and gets over as the bride of a GI. The idea being that they'd take a quick trip to Reno and then Jack Carson can marry her.
All that's needed is a ruse to get Reagan out to Nevada without Neal. And that's what the rest of John Loves Mary is about. It all resolves itself in an interesting way showing none of these people taking those sacred vows of marriage all that seriously.
John Loves Mary is a pleasant if dated comedy. But it's ironic as all heck that with people having real immigration problems and looking to the USA as a beacon of freedom, I think the joke would fall flat with them. Ditto with gay people who are now trying to get the right to marry seeing these people shifting partners like shooters switching off dice in a crap game.
Anyway I'm sure Norman Krasna who wrote this and Warner Brothers who brought it to the screen weren't thinking that deeply here.
Le saviez-vous
- AnecdotesPatricia Neal's film debut.
- Citations
Lilly Herbish: Tell me, what's it like west of New Jersey?
Sen. James McKinley: Republican!
- ConnexionsReferenced in Cinerama Adventure (2002)
- Bandes originalesSomeone to Watch Over Me
(uncredited)
Music by George Gershwin
Played during the opening credits and often in the score
Meilleurs choix
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Han kunde inte säga nej!
- Lieux de tournage
- 1579 Broadway, Manhattan, Ville de New York, New York, États-Unis(Strand Theatre - exterior establishing shot)
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 1 346 000 $US (estimé)
- Durée
- 1h 36min(96 min)
- Couleur
- Rapport de forme
- 1.37 : 1