Voyage interrompu

Notable for being penned by Jon Pertwee's brother, The Interrupted Journey is a particularly enjoyable film, it seems to go through different stages, melodrama to cat and mouse thriller, to murder mystery. It is very well crafted and particularly well paced.

I had difficulty trying to understand how the pulled cord could cause the accident, fortunately this is all explained.

Hobson and Todd are both excellent, although Carol's devoted wife act seems a total stretch by today's standards.

For 1949 it holds up incredibly well, a very god story, well acted, and features a really terrific twist.

It's truly worth a look. 7/10

Richard Todd (wearing a vat of Brylcreem on his hair) agonises over whether he should run away with his peroxided mistress (Christine Nordern) or return to to his stolid missus (Valerie Hobson). He jumps out of a train, and thinks he's caused multiple deaths. Lots of angst ensues, especially when it looks like the loyal missus won't believe in his innocence. As a melodrama it's not too bad, despite the cheat in the plot, and Todd's hammy performance. For once, horsey Ms Hobson's frigidity is welcome. As the loyal old stick, she refrains from chewing the scenery. Her hair, however looks as ugly as her clothes. Ms Nordern also acquits herself well. She's hefty, predatory and suitably tarty (she also sports an appalling hairdo)..but she seems genuine...there's a scene in which she kisses Todd with what looks like genuine sexual hunger - something you don't often see in twee British thrillers like this. The best thing in the film is probably the arty camera-work.. there are some really interesting angles. There's a sequence in an old hotel where the camera and direction becomes almost Bergmanesque. Todd and Vida Hope (the hotelier) all moodily lit, suddenly launch into some very slow dialogue as though there's some deep meaning to their standard mystery story exchange. Early on Dora Bryan (always a joy) appears briefly as a waitress, who serves Todd and Nordern with some rock cakes - which are integral to the plot. Non-British viewers may be baffled by these delicacies; but I urge them to inquire no further.

This movie is a pretty good surprise : the story with multiple twists and constant psychological details is really gripping, cinematography is impressive in the important sequences, and casting serves intelligently the story especially Valerie Hobson (so distinguished) and Richard Todd who form a handsome couple. Better than Hitchcock?

Richard Todd (John) and Christine Norden (Susan Wilding) elope on a train to begin a new life together, leaving behind their current spouses Valerie Hobson (Carol) and Alexander Gauge (Jerves Wilding). Whilst on the train, Todd bottles it at the 11th hour, pulls the emergency cord and jumps off the train to go back to his wife Hobson before she suspects anything. However, once home, the train, which he stopped near their house is involved in a crash that claims many lives, including that of Norden. The hunt is on for the person who pulled the emergency cord and Ralph Truman (Inspector Waterson) is suspicious of Todd. There is a good helping of suspense and there are some twists in the story along the way.

The cast are good in this film and there are plenty of good scenes. The film involves you from the beginning right up until the climax and the director throws in some surreal stuff towards the end. Watch out for Roger Moore sitting in the background at a cafe in Paddington Station while Todd and Norden order tea and rock cakes. The rock cake takes on a significance in this tale.

The Interrupted Journey is directed by Daniel Birt and written by Michael Pertwee. It stars Richard Todd, Valerie Hobson, Tom Walls and Ralph Truman. Music is by Stanley Black and cinematography by Erwin Hillier.

To Stop Train In Case Of Emergency Pull Down The Chain. Penalty For Improper Use £5.

That's a woman in a million.

Very tidy Brit noir this one. The story is a bit hokey as it enters Twilight Zone territories, but the twists, turns and mystery quotient keep it lively to hold the attention. The low budget is never a problem for Birt, who aided by the excellent Hillier, brings a feverish realm to the story by way of canted angles, shadow play and hazes, while certain images (shapes of doorways etc) are cunningly teasing the audience about what is going on. Cast are very strong to round this out as more than worth the time of the Brit noir film fan. 7/10