Voyage interrompu

Richard Todd (wearing a vat of Brylcreem on his hair) agonises over whether he should run away with his peroxided mistress (Christine Nordern) or return to to his stolid missus (Valerie Hobson). He jumps out of a train, and thinks he's caused multiple deaths. Lots of angst ensues, especially when it looks like the loyal missus won't believe in his innocence. As a melodrama it's not too bad, despite the cheat in the plot, and Todd's hammy performance. For once, horsey Ms Hobson's frigidity is welcome. As the loyal old stick, she refrains from chewing the scenery. Her hair, however looks as ugly as her clothes. Ms Nordern also acquits herself well. She's hefty, predatory and suitably tarty (she also sports an appalling hairdo)..but she seems genuine...there's a scene in which she kisses Todd with what looks like genuine sexual hunger - something you don't often see in twee British thrillers like this. The best thing in the film is probably the arty camera-work.. there are some really interesting angles. There's a sequence in an old hotel where the camera and direction becomes almost Bergmanesque. Todd and Vida Hope (the hotelier) all moodily lit, suddenly launch into some very slow dialogue as though there's some deep meaning to their standard mystery story exchange. Early on Dora Bryan (always a joy) appears briefly as a waitress, who serves Todd and Nordern with some rock cakes - which are integral to the plot. Non-British viewers may be baffled by these delicacies; but I urge them to inquire no further.

Just take a few deep breaths when the film-makers over-stress the plot points, and you'll find this a fun movie with a tasty wee twist on it's tail. The acting is over the top at times, with Mr. Todd doing some ridiculous grimacing, but it was made in '49' when I think these particular film-makers must have thought that their audience was pretty stupid, so they threw subtlety out the window. A good performance by the great Tom Walls. Before watching ask yourself if you are in the mood for this type of film, if so you'll have a good time-I did.

Richard Todd (John) and Christine Norden (Susan Wilding) elope on a train to begin a new life together, leaving behind their current spouses Valerie Hobson (Carol) and Alexander Gauge (Jerves Wilding). Whilst on the train, Todd bottles it at the 11th hour, pulls the emergency cord and jumps off the train to go back to his wife Hobson before she suspects anything. However, once home, the train, which he stopped near their house is involved in a crash that claims many lives, including that of Norden. The hunt is on for the person who pulled the emergency cord and Ralph Truman (Inspector Waterson) is suspicious of Todd. There is a good helping of suspense and there are some twists in the story along the way.

The cast are good in this film and there are plenty of good scenes. The film involves you from the beginning right up until the climax and the director throws in some surreal stuff towards the end. Watch out for Roger Moore sitting in the background at a cafe in Paddington Station while Todd and Norden order tea and rock cakes. The rock cake takes on a significance in this tale.

Richard Todd has quarreled with wife Valerie Hobson and is running away with Christine Norden. He changes his mind, pulls the cord to stop the train and runs home. He tells some lies about where he's been, and there's a full reconciliation...until the train he was on gets into a terrible accident, killing most of the passengers, blamed on someone pulling the cord. Tom Walls -- in his last screen role -- shows up. He's been following Miss Norden on behalf of her husband. After a while, it's cleared up, and things are about to go back to normal...until it turns out that Miss Norden was killed with a missing guns before the crash. Todd is the prime suspect.

I can understand why a viewer might think the movie shifted gears too frequently, and agree that the ending is lame. Up to that insipid finale, I was having a great time, thanks to the increasing arc of insanity, and a fine, final performance by Walls. That ending, however, brought me up short.

This is a good film for anybody who likes Hitchcock, Film Noir, Detective or Romance movies. It manages to hit all these bases nicely. There is excellent cinematography, a reasonably involving script and some very surprising, yet natural, twists in the plot. While the tension does not match Hitchcock at his best, it does stand up well against a lot of lesser Hitchcock efforts. For example, it is better than "the Wrong Man," "the Paradine Case," or "Under Capricorn." and as good as "Secret Agent." The actors were all fine, with Christine Norden giving her usual better than they deserve performance. She was perhaps the sexiest women working in British cinema at the time.

Here's the basic plot setup. A married man and married woman leave their spouses and run away on a train together. Racked with quilt, the man decides to return to his home. It appears that the emergency chord on the train gets pulled and a train wreck ensues killing 10 people. The man soon becomes the chief suspect as the person who caused the accident, yet there is much more going on here than first appears.

Some people might find the style of the ending a bit of a disappointment, but I think it was actually pretty fresh in 1949, and not at all the cliché it later became when overused in later movies and television shows. It is more logical and more satisfying than most endings of this style.