Amour poste restante

Quaint would really be the best way to describe this. Mild but colorful reworking of The Shop Around the Corner trades that films exquisite pathos for a sunny tone and loses something in translation but is miles ahead of the travesty that is You've Got Mail. The musical score is full of charming songs from the period socked across by the great Judy although she seems terribly jittery here. Of all her films this is the one where her resemblance to Liza Minnelli is the strongest so it seems fitting that Liza plays her daughter in a bit at the end. As for the rest of the cast, Spring Byington and Cuddles Sakall are cute and well matched in a much more gentle version of the shop keeper and his wife than the original film, but Buster Keaton is almost totally wasted in a small part.

Funny that a movie which has 'Summertime" in its title spends most of its duration in the Winter. No matter, this is a charming and quaint musical from MGM. Judy and Van are anonymous pen pals, who also happen to work together, each of them not knowing the other is their mystery 'friend'.

It's a little disconcerting watching Judy Garland, as lively as ever, in her second to last MGM musical from the studio's classic period. It's unfortunate she was dropped a couple years later, because even in this minor film, she is wonderful, using her talents to better the story with her cinematic personality and melodic singing. She had a gift for comedy and a talent for drama as well.

Van Johnson, in one of his few memorable musical film roles, is good as Judy's counterpart. His role seems more like a character Gene Kelly would have played, a bit of a 'smart Alec'. I think if Kelly were cast instead, there would have been more of a balance in this film, because as it is, much of the singing in this film comes from Judy...she really is the only singer in the whole cast. The songs, themselves, are period pieces which are pleasant enough. Aside from the title tune, there is the "Dreamland" number, which is nice, Judy's rousing "I Don't Care", and her amusing song with the Barbershop Quartet. The other actors in the cast are also good. Buster Keaton has a funny, but modest role as a shop worker, along with Spring Byington and S.Z. "Cuddles" Sakall, as the shop owner.

Overall, a pleasant film. Not quite what I would think of as a musical, as the songs are modest filler, not showstoppers. This is not on par with "On the Town" or "The Pirate", but it is enjoyable enough. Good costumes, charming sets, and lovely Technicolor contribute to the look of an antique hand-colored postcard. In that sense, it's something of a curio; amusing, but not quite a gem.

This story of two co-workers who loathe each other--and then perversely fall in love when they correspond anonymously through a lonelyhearts club--has been filmed three times, first in the 1930s as THE SHOP AROUND THE CORNER with stars James Stewart and Margaret Sullivan and most recently in the 1990s as YOU'VE GOT MAIL with stars Tom Hanks and Meg Ryan. This 1940s musical version, which sets the story in an early 1900s Chicago music shop, stars Judy Garland and Van Johnson.

Although the score is not in the least memorable, Garland is in fine voice, and although they lack any real chemistry she and Van Johnson play well together. More appealing is a romantic subplot concerning shop owner S.Z. Sakall and his long time ladyfriend Spring Byington, who are extremely charming in their roles and quite a bit of fun to watch. Fans of Buster Keaton will also enjoy seeing him in a small cameo role, and film buffs will be delighted to see Garland's daughter Liza Minnelli make her film debut in the movie's closing moments.

Although there is a great deal to enjoy here, the material is highly conventional, and the project would have benefited from a more gifted directorial vision. A quality product with remarkable stars--don't expect too much and you'll enjoy it quite a bit.

Gary F. Taylor, aka GFT, Amazon Reviewer

First came "The Shop Around the Corner" with James Stewart and Margaret Sullavan. Then "In the Good Old Summertime" with Judy Garland and Van Johnson, a musical remake. Then "She Loves Me", the Broadway musical with Barbara Cook and Daniel Massey based on the earlier version. Then "You've Got Mail" with Tom Hanks, which by no means was an original story idea but an update of all three previous versions.

MGM must have been in an inspired mood when they made this one, with Judy and Van at their best, both playing off each other with great charm and humor. Judy even gets to warble a few wonderful songs ("I Don't Care", "Meet Me Tonight in Dreamland", "Play That Barbershop Chord") aside from showing her gift for romantic comedy. The delightful supporting players are Spring Byington, S.Z. Sakall, Buster Keaton and Clinton Sundberg.

Garland is a music store clerk corresponding with her unseen pen pal (Van Johnson) who also happens to be her boss. The happy ending features Judy's daughter, Liza, taking her first stroll before the cameras at 2 or so.

One of those rare remakes that actually improves upon the original and manages to be just as charming with the addition of music. One of Judy's best--a complete delight. Too bad she and Van Johnson weren't teamed more often.

Having previously seen this movie twice before, I was very glad to show this film to Mom right now, as she had never watched this. Judy Garland is in fine form, as always, when both singing, dancing, and acting especially when doing comedy. Van Johnson is also fine as the leading man and matching her in getting laughs as well. Some of that may be because of Buster Keaton who besides being one of the supporting cast, also helped devise the hilarious scene when Ms. Garland and Johnson first meet, which isn't a pleasant experience for either of them, that's for sure! S. Z. Sakall is also funny in his own way as their boss and Spring Byington is also a fine match for him. Oh, and there's a nice surprise at the end if one is familiar with what a certain future star looked like when a toddler! So on that note, me and Mom recommend In the Good Old Summertime. P.S. Since I like to cite when anyone associated with my favorite movie, It's a Wonderful Life, is involved in something else, here, it's the writers Frances Goodrich and Albert Hackett who also wrote IAWL.