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Je suis un nègre

Titre original : Home of the Brave
  • 1949
  • Approved
  • 1h 28min
NOTE IMDb
7,0/10
840
MA NOTE
Lloyd Bridges, Steve Brodie, Douglas Dick, James Edwards, and Frank Lovejoy in Je suis un nègre (1949)
DramaWar

Ajouter une intrigue dans votre langueDuring WW2, a reconnaissance platoon is sent to map out a Japanese-held island but racial tensions arise between the white soldiers and the only black member of the group.During WW2, a reconnaissance platoon is sent to map out a Japanese-held island but racial tensions arise between the white soldiers and the only black member of the group.During WW2, a reconnaissance platoon is sent to map out a Japanese-held island but racial tensions arise between the white soldiers and the only black member of the group.

  • Réalisation
    • Mark Robson
  • Scénario
    • Arthur Laurents
    • Carl Foreman
  • Casting principal
    • Douglas Dick
    • Steve Brodie
    • Jeff Corey
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,0/10
    840
    MA NOTE
    • Réalisation
      • Mark Robson
    • Scénario
      • Arthur Laurents
      • Carl Foreman
    • Casting principal
      • Douglas Dick
      • Steve Brodie
      • Jeff Corey
    • 36avis d'utilisateurs
    • 19avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 3 victoires et 2 nominations au total

    Photos36

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    Rôles principaux7

    Modifier
    Douglas Dick
    Douglas Dick
    • Maj. Robinson
    Steve Brodie
    Steve Brodie
    • Cpl. T.J. Everett
    Jeff Corey
    Jeff Corey
    • Doctor
    Lloyd Bridges
    Lloyd Bridges
    • Pvt. Finch
    Frank Lovejoy
    Frank Lovejoy
    • Sgt. Mingo
    James Edwards
    James Edwards
    • Pvt. Peter Moss
    Cliff Clark
    • Col. Baker
    • Réalisation
      • Mark Robson
    • Scénario
      • Arthur Laurents
      • Carl Foreman
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs36

    7,0840
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    Avis à la une

    rcj5365

    A movie that addresses the issue of race in the military,but falls short.

    If this curious little drama lived up to its intentions,it might have been one of the important war films. It was great in its premise with its performances and all,but it falls far short and is little more than a footnote in Hollywood's attempts to deal with American racism. Director Mark Robson starts out with two strikes against him. First off,Carl Foreman's script is based on Arthur Laurents's curiously contrived stage play. Second,Laurents's play is about anti-Semitism,and though it is easy to say that all bigotry springs from one source,discrimination against black people is different from discrimination against Jewish people. To claim that they are the same misunderstands both.

    The action takes place on a nameless islands in the Pacific during World War II. In the opening scenes,a psychiatrist(Jeff Corey)tries to find out how Peter Moss(James Edwards),a black soldier,came to be paralyzed from the waist down. Moss is also amnesiac and so he can't remember what happened to him on his last mission. Major Robinson(Douglas Dick),and Mingo(Frank Lovejoy)tell the doctor what they know. They say that it was a reconnaissance patrol to an island held by the Japanese. Robinson picked Mingo,Finch(Lloyd Bridges),and T.J. Everett (Steve Brodie) to "volunteer" from his outfit. He had recruited Moss,an engineer from another division,to make maps of the island. Robinson was then surprised to learn that Moss was "colored." T.J. is openly racist,but it turns out that Finch and Moss are old pals from high school,where they played basketball together. Tensions within the group rise to the surface and explodes as soon as they're dropped on the island to face the enemy. And against each other.

    Neither the depiction of jungle warfare nor the racial attitudes are remotely believable. Men on sentry duty at night chatter away like schoolchildren and smoke cigarettes constantly. T.J.'s expressions of racism and Moss's reactions are equally simplistic and false. And when,finally,the reasons for the paralysis are revealed,audiences today will groan in disbelief,which shocked audiences who went to see this picture in 1949. The resolution of the conflicts piles improbability upon improbability. That said,the filmmakers to deserve credit for addressing racial issues at a time when the entertainment industry generally ignored them,and when segregation was the law of the land. The year 1949 introduced not only this picture,but also another picture,Elia Kazan's "Pinky" that also address the issue of racism and segregation as well. As with "Home Of The Brave",the active recruitment of black soldiers,sailors,and airmen during World War II played a huge part in changing that,and the stories of that change have yet to be fully told. This movie was a small first step in addressing the issue of racism in America during the 1940's.
    10alli_katz

    "Coward, take this coward's hand"

    Wow, I would've never seen this movie on my own, but a friend invited me over to watch it on his tape, and I was just blown away. Even though it takes place during action in World War II, this is really much more of a character study than a war movie. Although the relationship between James Edwards and his comrades, especially Lloyd Bridges, who is also really good, is the core of this movie, the actor who plays Mingo (Frank Lovejoy) steals the film with a magnificent performance. I liked this a lot more than Saving Private Ryan.
    6lukela

    Good period piece

    To correct a previous commentary... "The Big Red One" is the 1st Infantry Division. The "Red Ball Express" was the name given to the truck convoys. My own opinions of the film: I think a movie like this needs to be appreciated within the context of the time period it was made. Considering that the country then was barely taking baby steps into the civil rights movement, the subject was handled pretty well. It sent it's message without being preachy or patronizing. A great cast also helps it make a worthwhile movie to watch. It's too bad that James Edwards died several years later while still relatively young. He might've made a real breakthrough to some leading roles.
    10bux

    superb social commentary-also a war movie

    Decades ahead of its time! Years before the services are integrated, a black soldier is sent on patrol with an all white squad. More than just a story of racial tension in combat, this is a character study, a study of the true inner feelings of men in war, and bigotry that was and has been a way of life for so long. Edwards and Bridges win the acting honors here...however the entire cast deserves kudos for having the guts to participate in a picture that was obviously not received well in all parts of the U.S. This one will have you on the edge of your chair and near tears on occasion-guaranteed.
    8gitrich

    A frank, often painful film that explores racism during WWII

    Home of the Brave, for its time, was considered daring as it brought racism to the big screen in a setting of war. James Edwards gives a sterling performance as Peter Moss, a Black man chosen to go on a dangerous mission with 4 white soldiers. The war becomes secondary to the characters and how they react to one another. Lloyd Bridges as "Finch" is excellent as is Frank Lovejoy as "Mingo". This is a fine effort and will keep you on the edge of your seat just watching the tensions rise and fall.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      This was the first Hollywood movie to be officially be permitted to use the word "nigger" after The Emperor Jones (1933). Previously, the Hays Code had forbidden it since 1934.
    • Gaffes
      The Army Recon Team's helmets are fitted with manufactured camouflaged covers. In W.W.II, these were strictly a Marine Corps- issued item.
    • Citations

      Mingo: Yeah, I'll never forget the first letter I got from my wife. It started, "My darling, darling, darling, I'll never again use the word 'love' without thinking only of you." And I remember the last one I got from her. It started, "Dear T.J., this is the hardest letter I've ever had to write."

    • Crédits fous
      The initial credits play over actual footage of battles from the Pacific campaign.
    • Connexions
      Edited into Dynamite Chicken (1971)
    • Bandes originales
      (Sometimes I Feel Like a) Motherless Child
      Traditional

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    FAQ18

    • How long is Home of the Brave?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 14 septembre 1949 (France)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • La demeure des braves
    • Lieux de tournage
      • Malibu, Californie, États-Unis(navy PT boat scene)
    • Sociétés de production
      • Stanley Kramer Productions
      • Screen Plays
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

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    • Budget
      • 375 000 $US (estimé)
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

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    • Durée
      1 heure 28 minutes
    • Couleur
      • Black and White
    • Rapport de forme
      • 1.37 : 1

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    Lloyd Bridges, Steve Brodie, Douglas Dick, James Edwards, and Frank Lovejoy in Je suis un nègre (1949)
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    By what name was Je suis un nègre (1949) officially released in India in English?
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