L'Obsédé

A wonderful, tight drama that begins with a British gentleman (Robert Newton) turning up unexpectedly to surprise his wife (Sally Gray) and her American lover (Phil Brown). Angered by her string of infidelities, he's planned the perfect revenge, but I won't describe the plot further. I loved the intelligent, British dialogue put side by side with a truly dark crime. The performances are fine, and director Edward Dmytryk creates a nice noir feeling. The detective played by Naunton Wayne is a forerunner of Columbo, turning up to ask 'one more question' with a veneer of innocence, but flashing his understanding and unnerving the culprit. A hidden gem.

Robert Newton is a Doctor and a gentleman. But even he can be pushed too far from his manipulative cheating wife, Storm. Sally Gray gives a devastatingly perfect performance as Storm. Her callow suitor-du-jour, an American sailor named Bill, doesn't have the faintest idea of the peril he's in for when he dates her. Newton's character has nothing in particular against Bill. In fact, he rather likes him. He just happens to be the straw that broke the camel's back.

It's all played out in a single hidden room that no one knows Newton owns, and the psychological effects the situation has on its three principal is explored to its utmost. If you enjoy film noir, and taut character studies, this is the movie for you. Don't miss the dark-humoured twist ending!

Since I first saw Obsession 30 years ago it's remained one of my favourite post War British thrillers – although directed by and starring Americans it's nowhere near noir but a very British take on a calculated attempt at a perfect murder. The idea shown is almost as foolproof and institutionally British as dismembered body parts in suitcases checked into railway station lockers. Some cogent concise acting, scripting, production and black & white photography all go to make an engrossing 93 minutes UK TV running time.

Erudite doctor Robert Newton plays a husband who gets terminally jealous of his philandering wife Sally Gray and decides to bump off her current lover Phil Brown in an ingenious and supposedly undetectable manner. Bomb ravaged London comes into play here with the kidnapped lover temporarily installed in a derelict hidden room underneath a broken brick wasteland to await his gruesome but quick death at manic Newton's hands. And it is Newton's picture - although Naunton Wayne gives him a run for his money later on - his perfect diction matching his impassive body language (maybe exhausted after all the gurning he'd just done in Oliver Twist) and creating a perfectly clinical analysis of the mind of a hopeful murderer. Monty sure was a lucky dog to have escaped a bath though!

A great little film with plenty for you to think about and an atmosphere all of its own when the British made good British films with only the British in mind – even with Yank input!

Obsession is adapted from a book by Alec Coppel (who also wrote the screenplay) and is yet another film based on the idea of a man in search of 'the perfect murder'. The film takes on a dark noir tone and the film focuses on both the story at hand, as well as the psychology of the lead character. The lead character is Dr. Clive Riordan; a prominent psychologist. He's an articulate and intelligent man and so when he discovers his wife is having a string of affairs right under his nose, he decides to do something about it, by way of shocking her into not having any more affairs. He drops in on his wife one night while she is enjoying an evening with a lover - an American named Bill Kronin - and holds the two of them at gunpoint. After humiliating his wife; she leaves the room, while he and the American leave shortly afterwards. The American then disappears; the wife believes her husband has murdered the man as he promised he would, but the truth is much more sinister as the psychologist goes in pursuit of the perfect murder.

The lead role is taken by Robert Newton, who makes for an excellent lead. His portrayal of the central character is thoroughly captivating, and much of the film's success is owed to this. The film also benefits from an excellent script, which really makes the characters seem real and provides some excellent lines of dialogue - a scene between the lead character a police officer over the varying skills of the police and murderers is a major highlight. The plot itself flows very well as the film moves along and more than does enough to hold the audience's attention; the psychologist's musings over his theories on how to commit the perfect crime are one of the main points of interest. The atmosphere of the film is very dark and director Edward Dmytryk lays style on very thick which is of great benefit to the story, which is very dark itself. Things get very tense as we near the ending and the end itself is strong and gives good closure to the story. Overall, Obsession is a great thriller and well worth the effort of tracking down. Highly recommended!

I have only just found this wonderful place to talk about films and I am thrilled to read that so many love The Hidden Room, as Obsession is called here, as much as I do.

Robert Newton has always been one of my favorite actors and it pleases me no end to discover his name on this thread.

When Newton made this film he was still interested in acting and it shows. There are subtle things that he does that are the hallmark of a great actor. His natural kindness comes through as well as his intelligence. You believe he really is this successful London psychiatrist with a wife who wanders.

The opening shot in the film establishes his character. There is tension in his casual posture at the card table. The viewer realizes that here is a man with his mind somewhere else. A troubled man, but one in perfect control of his surface emotions. Newton establishes in just a few shots a complex personality, a man capable of many actions.

Later there is a scene with the deaf butler that is both nerve-racking and sad.

My favorite scene is when he comes to visit his captive to bring him food. The way he instinctively walks just an inch beyond the reach of Bill. He is a tantalizing target for his victim, but just, just out of reach. To me a brilliant scene. A later, equally brilliant scene features the dog.

Another scene with many levels is the model train scene. Again as brilliant as anything Hitchcock ever presented to a viewer. As most of you know, Newton was in a very early Hitchcock film, Jamaica Inn. The Hidden Room is MUCH better.

Every chance I get, I show this film to friends, and without exception they say it is one of the best and most intense films they have ever seen. They wonder why it isn't better known. I have no answer to that. I am just grateful that I can visit that Hidden Room in the bombed-out building whenever I wish for some genuine chills.