Britannia Mews

What a wonderful film this is! It is difficult to catalogue all its vast variations of deserts, with sudden turn of events and charming details constantly renewing and refreshing the story, which is like a Dickens novel. Maureen O'Hara is always good but here better than ever, while Dana Andrews takes you by surprise with this virtuoso performance totally out of his ordinary style, vying in charm with Robert Donat; while the prize goes to Sybil Thorndike, who makes a really frightening witch with more than one bag of evil up her sleeve, which she uses with calculation and effective impact.

It's really an environmental film depicting a slum area with exciting intrigue and characters and fascinating idylls of the gutter. It's related with another environmental London film of the same time, "London Belongs to Me" with equally convincing documentary rendering of local life in London town, but here the events take place long before the turn of the century - Bernard Shaw is mentioned as a rising star in the beginning of his career.

The miracle of the story is how a tragedy is turned to its opposite. A failed painter leaves behind the result of his secret hobby work, making puppets, and these turn out to be his real masterpiece. A really hopeless tragedy of bleak dreariness with no way out is miraculously turned into comedy by his puppets coming alive. The process of this U-turn of fate is completely natural, and a tragedy of human decay, failure, alcoholism and dishonour is suddenly reversed into a cheerful comedy - the real comedian is Maureen O'Hara's helpful brother, who understands things his own way.

The end of it is how the dreadfully sultry slum turns into a wonderland of idylls and charm in spite of all, and there, ultimately, after all the heartbreaks, the heart nevertheless will remain.

(I wrote this review previously, but it was apparently lost in a power cut. Maybe it can be retrieved. If not, here is what I could do to recreate it.)

This film has not appeared on television since the 1970s, when it appeared as "Forbidden Street". It is a little film with some melodrama in it regarding the death of Dana Andrews' first character (who falls out of a window) and the blackmail of Maureen O'Hara by Sybil Thorndike, but it is really of interest in the second half when Andrews (in his second role) uses a set of hand carved puppets to change this street in the slums into a thriving middle class neighborhood. An odd way to prosperity, but interesting nonetheless.

Sybil Thorndike was a remarkable actress, whose film career is not as strong as the other actors and actresses of her generation who reached stardom. Her performances on film go back to the silent films (of England), but in sound films she appeared in good cameo parts, but she never had a set of critically acclaimed leading roles like Olivier, Richardson, Redgrave, Coward, Guilgud, Evans, Ashcroft, or Rutherford. Ashcroft and Rutherford also had supporting roles in film too but both actresses had "Oscars" to show for these, as did Olivier, Guilgud, and even Coward. Yet Thorndike did get recognition for her acting with a title as "Dame" Sybil Thorndike (like "Dame" Edith Evans, and "Dame" Peggy Ashcroft). Today, to catch her performances, one has to see her in MAJOR BARBARA as the Salvation Army General or in THE PRINCE AND THE SHOWGIRL as the Queen Mother (Lawrence Olivier's mother-in-law). Both roles certainly give you an idea of her range as an actress in comedy, but FORBIDDEN STREET shows how she was in a dramatic role - as a elderly hag who blackmails Maureen O'Hara into tolerating her continuous presence, and who actually just wanted O'Hara to love her as a mother (or so she claims). It is an odd role, and she handles it with great ability. One wishes that sound had existed in the films of her youth (the silent period). At that time Thorndike played the role of Ophelia opposite John Barrymore's Hamlet. It would have been worth seeing. Let us hope that FORBIDDEN STREET is released again on dvd or video, so we can see Dame Sybil in a dramatic part again.

Maureen O'Hara is a young girl who lives a well-to-do existence with her family until she takes a shine to her art teacher "Lambert" (Dana Andrews). Their relationship doesn't impress her family, but they press on anyway, set up on their own before, fairly soon, she rues the day. He turns out to be a bit of a lush. When an accident befalls him, she finds herself the subject of a pernicious blackmailing from an elderly neighbour - "Mrs. Mousey" (Dame Sybil Thorndyke) and her miserable life looks pretty set. Until, that is, another man enters her life - a man who bears a startling resemblance to her husband, and... It's quite a well paced story, this. Jean Negulesco keeps the story engaging without descending into melodrama, and Thorndyke is excellent as the avaricious old woman. The production detail is fine - the costumes and scenarios are decent enough, but the score - it really is weak, seemingly determined to slow the film down. There is some chemistry between O'Hara and Andrews that makes this just a little better than a routine costume drama and worth 90 minutes.

Dana Andrews first character in the movie was as 'Henry Lambert' not 'Herbert Lambert' and he didn't fall out a window - he fell down the stairs. I watched this movie today on Fox and I liked it - I didn't think that I would at first. This movie was also titled: "Affairs of Adelaide" and "The Forbidden Street". The story was a from a book by Margery Sharp entitled: "Britannia Mews". She also wrote the books from which the animated features "The Rescuers" (1977) and "The Rescuers Down Under" (1990) were drawn. I would buy this movie (The Forbidden Street/Britannia Mews/Affairs of Adelaide) if it were to come out on DVD. This is the first time I have commented on a movie in such a way.

A charming film, set in Victorian London, features gorgeous Maureen O'Hara as the daughter of a upper-class businessman, fascinated by the mews behind the family home (and which was forbidden territory to this gently-reared young woman); and Dana Andrews in a dual role...that of a fortune-seeking art teacher turned drunkard, and a decent young man fallen on hard times who proves to be Maureen's eventual savior. Wonderful performances by Wilfred Hyde-White as O'Hara's father, and Dame Sybil Thornedyke as a horrid old woman who blackmails O'Hara's character when she ends up living in those same forbidden mews. There's even a delightful dose of jolly good humor toward the end. One of my all-time favorite movies.