Relent d'amour

I quite like the Pepe Le Pew cartoons, and I quite like Pepe himself for how unique and how he stands out among the rest. For Scent-imental Reeasons is a very classy cartoon and one of Pepe Le Pew's best. From the hilarious beginning and familiar set-up to the classic talking through the class gag and the ending which is a table-turner, For Scent-imental Reasons works so well. Complete with beautiful, elegant looking animation, lilting and amorous music that couldn't have been more perfect for the cartoon's tone, fresh dialogue, very funny gags and Mel Blanc's infectious vocals particularly as Pepe, you have a near masterpiece. Pepe is wonderful and gives one of his best performances, and Penelope is not shabby either. In conclusion, classy and entertaining, perhaps it could have been longer, but so much works you don't necessarily mind. 9/10 Bethany Cox

This cartoon won an Oscar for Pepe Le Pew almost ten years before Bugs Bunny won for Knighty Knight Bugs. Pepe is one of my favorite characters and this is one of the better cartoons in the series, although not my personal favorite (that's Touche and Go). Pepe discovers wht it's like to have the shoe on the other foot in this one. Great fun in this one. It should be in-print. It has been in the past, most notably on the tape A Salute to Chuck Jones from the Golden Jubilee series. Cartoon Network shows it fairly often. Recommended.

Pepe Le Pew chases a female cat through a perfume shop, until an unexpected event reverses their roles. Sometimes, I interpret Pepe Le Pew as the sort of person whose attitude turns people off without him realizing it, much like Pepe can't help that he smells terrible. After all, isn't it good enough that he at least tries to strike up relationships with women? But even ignoring that, "For Scent-imental Reasons" is still a classic cartoon. I will say that there's a scene - you'll know it if you see the cartoon - that seems a little strange to put in a cartoon. But on the other hand, these cartoons weren't really intended as cute entertainment for children; they always had an edge. Anyway, this one definitely deserved its Oscar win.

Le meow. Le purr. Ha!

Chuck Jones's 'For Scent-imental Reasons' is a brilliantly witty cartoon for which Pepe Le Pew won a well earned Academy Award on only his fourth outing. As a child I hated the Pepe Le Pew cartoons for several reasons. Of course, I thought love was yucky but also the pseudo-French gags and more verbal approach to comedy went completely over my head. Bearing in mind that these sexually charged cartoons were never meant for young eyes, it's hardly surprising that I have come round to loving Pepe and his straight-to-camera witticisms. Having said all that, even as a Pepe-hating child I still enjoyed 'For Scent-imental Reasons'. There was something about it that made it stand out over the other Le Pew shorts and clearly the Academy agreed.

Set in and around a perfume shop, 'For Scent-imental Reasons' finds Penelope the cat locked in with the amorous skunk after a bottle of white hair-dye bestows the obligatory deceptive markings down her spine. There follows a series of great gags, two of which involve aborted suicides! The best gag in the whole cartoon is when Penelope locks herself in a glass case causing Pepe to go absolutely insane with frustration until finally he pulls out a gun, puts it to his temple and walks out of sight. Hearing the shot, the guilt-ridden cat unlocks the case and leaps out straight into Pepe's arms. "I meesed" he tells her! 'For Scent-imental Reasons' is a lovely piece of work and undoubtedly one of the best Pepe Le Pew cartoons. From its familiar setup through to the table-turning ending, it's a classy and classic short.

Pepe Le Peu is trying out various perfumes in a shop. A shocked shop owner retrieves a policeman who promptly runs away. A black and white female cat catches the shop owner's attention. He throws the cat into the shop and commands her to drive the skunk out. White hair dye falls off the counter and paints a white stripe down the middle of the female cat. Pepe Le Peu mistakes her for a skunk.

Pepe Le Peu is problematic in the modern era, but some allowances must be made for the times. It helps to have the table turned on him. The early part has a lot of French. I would suggest less French and just do the fake French accent. This is standard Pepe Le Peu and is probably fine even today.