L'assassin sans visage

Superb, little-known noir - from a story by Anthony Mann (reportedly, he even directed some of it)! - which is certainly Fleischer's best from the genre after THE NARROW MARGIN (1952). Although it took me a while to warm up to the two leads (especially William Lundigan, given his crucial role of an obsessive police detective who is virtually a mirror-image of the vicious killer, a concept done to death in subsequent thrillers), their relationship is nicely developed and the rest of the cast - particularly Jeff Corey as the hero's wise-cracking sidekick and Edwin Max as "The Judge", when finally unmasked (actually a meek little man, not unlike the Peter Lorre of M [1931]!) - also performs admirably.

However, where the film - a brisk, taut 60 minutes! - truly scores is in its brilliant direction of the suspense sequences: the startling revelatory zoom of the villain's blank-faced dummy is particularly striking, whereas the scene in which we realize that "The Judge" has effectively replaced the dummy in Lundigan's office is genuinely creepy; these two sequences, not to mention the 'look' of the dummy itself, uncannily predate the Italian giallo genre by about 15 years - and I just have to wonder whether Mario Bava had actually watched this film somewhere down the line, and was perhaps reminded of it, when making his own seminal thriller BLOOD AND BLACK LACE (1964)!! Besides, the climax by the huge water tanks is quite splendid, and rarely has the rain been so ominously used as in this film!

A classic of its kind and, in hindsight, an influential one which, hopefully, Warners will consider releasing on DVD soon - as it's actually better than some of the noirs which are out already or have been announced by them...

I saw this film when I was 10 years old and it has haunted me all my life. At first I could only remember a guy waiting in a room for someone to come back, but then there was the idea of a crazy murderer who goes bizerk when it rains and then the memory of all these dummies in the police station and the murderer gets in there somehow, I don;t know how, but as he is in the room someone comes in, a policeman, just to check out the dummies and the murderer goes and sits in a chair so he won't be discovered because he looks like all the other dummies that are sitting there, and as he is sitting he is facing a window...and we see that it is beginning to rain...and there is a close up of his hand gripping the arm of the chair...all this is from my memory of the film as a 10-year old - when I managed to discover what the film was with the use of IMDb and got a video and looked at it - it all seemed pretty harmless stuff - I saw the film in a little cinema in Shaftesbury Dorset with my brother. My parents left us there and had no idea what the film was. The memory of the American streets, and the cars and the black and white quality have all stayed with me...

I finally found this movie on video and enjoyed it immensely. I think the other reviewers are missing the point of this movie. They criticize the scene where the killer replaces a dummy of himself in the detective's office and no one notices the difference. This scene to me displays the imagination of the director, who went on to do "The Armored Car Robbery" and the original "Narrow Margin". These B movies are designed for entertainment, not for realism and beat the pants off of most of the junk put out today. So sit back and enjoy the ride!

Normally lightweight William Lundigan is quite good as the hero cop of this quickie programmer. The rest of the cast is also quite good and the suspense remains high throughout. The plot is deceptively simple which is what makes the whole thing work in this atmospheric thriller. The only disappointment you'll have is that it's over so quickly.

I've been on a film noir fix lately & finding these flicks on You Tube such as Private Hell 36, Crime Of Passion, The Killer Is Loose, Please Murder Me, Raw Deal, Black Angel etc. Most of these I enjoyed & I've watched them once but when I stumbled onto this one yesterday I watched it again today as it was a little more than what I expected. Follow Me Quietly is not really a film noir it's a crime drama & police procedural.

It's a bit experimental & unusual which makes it stand out from the others, the late 40's post war period was a time when filmmakers were trying out new gimmicks such as subjective first person camera like Lady In The Lake (1946) & Dark Passage (1947). The police create a dummy of the killer from what evidence & clues they have which is a little more than the usual routine bulletin description of a suspect.

Sometimes a person can be identified & recognized by the back of their head & ears & the size & shape of their body & physique. Since the police have never seen the killers face the dummy is faceless & startling. The scene where the killer replaces the dummy & sits in William Lundigan's office facing the window with it's back to him is clever but pointless & foolish. What if the detective was smart enough to notice it was really him ? Why would the killer take such a risk ? I think it was just a gimmick & for cinematic effect to satisfy the filmmakers & to give the audience a thrill. The silly trick worked & fooled me I thought it was the faceless dummy.

And when the killers face is revealed he's not what you expect, he's very insecure & nervous & seems incapable of doing anything right. How did he manage to kill 8 victims & get away with it ? The ending is similar to White Heat & this film isn't great but it's fun & interesting, different & memorable & worth watching. I've seen it twice & I may watch it again.