NOTE IMDb
6,0/10
849
MA NOTE
L'ancien policier de Los Angeles Vince Kane est un agent de cautionnement qui libère le suspect d'un vol de titres, mais son client disparaît, ce qui incite Vince à enquêter.L'ancien policier de Los Angeles Vince Kane est un agent de cautionnement qui libère le suspect d'un vol de titres, mais son client disparaît, ce qui incite Vince à enquêter.L'ancien policier de Los Angeles Vince Kane est un agent de cautionnement qui libère le suspect d'un vol de titres, mais son client disparaît, ce qui incite Vince à enquêter.
- Réalisation
- Scénario
- Casting principal
David Bauer
- Matthew Dawson
- (as David Wolfe)
Barry Brooks
- Detective
- (non crédité)
Harry Brown
- Room Clerk
- (non crédité)
Dick Dickinson
- Thin Man
- (non crédité)
Don Dillaway
- Young Drunk
- (non crédité)
Gloria Gabriel
- Kane's Secretary
- (non crédité)
Mack Gray
- Fred - Taxi Driver
- (non crédité)
Jonathan Hale
- Roger Lennert - Lucy's Attorney
- (non crédité)
Charmienne Harker
- Cigarette Girl
- (non crédité)
Avis à la une
A career police detective turned bail bondsman (George Raft) meets his ex-flame (Ella Raines) (he knows it's her because of the scent of the perfume that's in her and her husband's hotel room which he and detective Jim Backus search) in a fairly intricate story about her husband (Bill Williams) whose arrested for suspicion of killing a cop and then bailed out by Raft, against the wishes of his partner (Pat O'Brien). Why he's bailed out and who actually comes up with sufficient money to get him out of jail make for interesting viewing. As well, Ella Raines hits some of her more sultry looking scenes in this movie, which may not be the best movie she's ever been in, but still percolates along more than acceptably, especially when the real killer emerges as the sharp little film heads out of LA and into a convenient canyon.
A Dangerous Profession is a mildly diverting crime picture featuring a fine cast headed by veterans George Raft and Pat O'Brien, both of whom had seen better days by the time they appeared in this picture. Nor is the direction of the usually reliable Ted Tetzlaff up to his usual standard. This is the kind of small scale but not quite grade B movie that television was about to make obsolete, and as such an interesting historical footnote of a bygone era for those who care for such things.
I'll admit the first 30 mins were tough-going; Raft's blank-faced, ironing-board-stiff acting had me dream-casting other actors in his place. Then, with the whole blandness of the scenes and the drabness of the sets along with the byzantine storyline and ambivalence of attitude and the femme fatale lite and the grey moral dilemmas aplenty, suddenly I started to really love it - even Raft's flatness fit right in with the dreary decor and one-dimensional bit players - besides the labyrinthine plot, there is the sheer variety of locations and interaction, including some fascinating outdoor shots in the latter half. It would never win awards - but with the qualities mentioned above - the odd great shot and the occasional catchy zinger - this has an exquisite pleasure all its own. I commend this to your good self.
A Dangerous Profession is directed by Ted Tetzlaff and written by Warren Duff and Martin Rackin. It stars George Raft, Ella Raines, Pat O'Brien, Bill Williams and Jim Backus. Music is by Frederick Hollander and cinematography by Robert De Grasse.
The scene is set, it's Los Angeles and Police Lt. Nick Ferrone (Backus) explains to us with stentorian narration about the whiles of bail bond brokers. This story is concerned with one in particular, Vince Kane (Raft), a one time policeman who followed the lure of the coin into a partnership of a bail bonds operation. It's all going swimmingly well, he's making lots of cash, has gals eating out of his hand, but when a pretty face from his past turns up requesting a favour? Vince suddenly finds himself in a quagmire of murder, deceit and emotional discord.
What cop ever reformed?
Shall we cut to the chase here? This is not a "great" film, though I do believe that it's very under seen and therefore the meagre internet ratings it has - and the lack of reviews for it - don't quite tell the whole story.
There's nothing particularly striking about the visual aspects here, De Grasse's photography occasionally falls in line with what film noir fans consider standard procedure, which has led a few critics to question the film's film noir status. This is all about Vince Kane and how he is thrust into a murky new world by a slinky femme, it may be a whodunit in essence, but the Vince and Lucy Brackett (Raines) axis is most assuredly noir.
You phony Gumshoe!
Action is in short supply, leaving much of the piece in talky territory. There's a few zinger lines of dialogue in the mix, but mostly it's screen writing 101. Yet in spite of the mixed qualities on offer here, it's a film that Raft fans are sure to enjoy, because he's very much great value as the stoic but emotionally troubled Vince. In fact O'Brien turns in one of his better performances and Raines is pleasingly sultry, meaning the cast perform well up to scratch, even if the screenplay does them few favours.
A mixed bag for sure, and hardly essential for fans of such cinematic fare, but there's just enough from the cast to make this one above average. 6/10
The scene is set, it's Los Angeles and Police Lt. Nick Ferrone (Backus) explains to us with stentorian narration about the whiles of bail bond brokers. This story is concerned with one in particular, Vince Kane (Raft), a one time policeman who followed the lure of the coin into a partnership of a bail bonds operation. It's all going swimmingly well, he's making lots of cash, has gals eating out of his hand, but when a pretty face from his past turns up requesting a favour? Vince suddenly finds himself in a quagmire of murder, deceit and emotional discord.
What cop ever reformed?
Shall we cut to the chase here? This is not a "great" film, though I do believe that it's very under seen and therefore the meagre internet ratings it has - and the lack of reviews for it - don't quite tell the whole story.
There's nothing particularly striking about the visual aspects here, De Grasse's photography occasionally falls in line with what film noir fans consider standard procedure, which has led a few critics to question the film's film noir status. This is all about Vince Kane and how he is thrust into a murky new world by a slinky femme, it may be a whodunit in essence, but the Vince and Lucy Brackett (Raines) axis is most assuredly noir.
You phony Gumshoe!
Action is in short supply, leaving much of the piece in talky territory. There's a few zinger lines of dialogue in the mix, but mostly it's screen writing 101. Yet in spite of the mixed qualities on offer here, it's a film that Raft fans are sure to enjoy, because he's very much great value as the stoic but emotionally troubled Vince. In fact O'Brien turns in one of his better performances and Raines is pleasingly sultry, meaning the cast perform well up to scratch, even if the screenplay does them few favours.
A mixed bag for sure, and hardly essential for fans of such cinematic fare, but there's just enough from the cast to make this one above average. 6/10
"A Dangerous Profession" is a decent enough film...the sort mildly entertaining stuff that George Raft made in the post-war years. It begins with Vince (Raft) working as a bail bondsman along with his partner (Pat O'Brien). Apparently Vince used to be a cop but decided to change careers. Why he wanted a change soon becomes apparently when his old girlfriend, Lucy (Ella Raines) shows up to try to bail her stupid husband out of jail. This IS a surprise...as Vince hasn't heard from her since she disappeared some time ago...nor did he know she was married...and had been when he knew her! Of course it's a surprise but Vince is a dope...so he helps her and her dopier husband. But when the husband soon is murdered, things get really, really confusing. So what's next?
This is a mildly interesting film but it suffers a bit from Raft's relatively dull screen persona as well as his being a bit too trusting to be realistic. The story also becomes a bit confusing and is, if you think about it, a bit like a reworking of "Casablanca"! Odd but worth seeing if you like old film noir movies.
This is a mildly interesting film but it suffers a bit from Raft's relatively dull screen persona as well as his being a bit too trusting to be realistic. The story also becomes a bit confusing and is, if you think about it, a bit like a reworking of "Casablanca"! Odd but worth seeing if you like old film noir movies.
Le saviez-vous
- AnecdotesVince's car is a 1947 Cadillac Series 62 convertible. In 2016, this car, if in excellent condition, could be worth more than $100,000.
- GaffesRobert Gist gets out of a cab and into a car to take George Raft up into the hills. When he opens the door to the car's back seat the door hits the rear of the cab that he just exited.
- Citations
Vince Kane: [pulling up in front of hotel] I'll go up with ya.
Police Lt. Nick Ferrone: Why don't you stay out here and neck?
[Elaine is also in the car]
Vince Kane: Not with the top down.
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- A Dangerous Profession
- Lieux de tournage
- 601 North Rossmore Avenue, Los Angeles, Californie, États-Unis(Vince Kane's apartment building)
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée
- 1h 19min(79 min)
- Couleur
- Rapport de forme
- 1.37 : 1
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