Dangereuse profession

During the late forties, George Raft made several film noirs for RKO pictures, mostly directed by Edwin Marin: NOCTURNE, INTRIGUE, JOHNNY ANGEL, RACE STREET, but here he works with Ted Tetzlaff, who gave us WHITE TOWER, and several other good films, such as the terrific THE WINDOW, his most notorious movie. So that said, here, George Raft gives us Raft's stuff, but I was more interested by Ella Raines and her wonderful eyes. It is for me only a good atmosphere film, which plot is totally lame and forgettable. Only atmosphere and George Raft - Ella Raines presence justify the watching of this crime noir.

A Dangerous Profession is directed by Ted Tetzlaff and written by Warren Duff and Martin Rackin. It stars George Raft, Ella Raines, Pat O'Brien, Bill Williams and Jim Backus. Music is by Frederick Hollander and cinematography by Robert De Grasse.

The scene is set, it's Los Angeles and Police Lt. Nick Ferrone (Backus) explains to us with stentorian narration about the whiles of bail bond brokers. This story is concerned with one in particular, Vince Kane (Raft), a one time policeman who followed the lure of the coin into a partnership of a bail bonds operation. It's all going swimmingly well, he's making lots of cash, has gals eating out of his hand, but when a pretty face from his past turns up requesting a favour? Vince suddenly finds himself in a quagmire of murder, deceit and emotional discord.

What cop ever reformed?

Shall we cut to the chase here? This is not a "great" film, though I do believe that it's very under seen and therefore the meagre internet ratings it has - and the lack of reviews for it - don't quite tell the whole story.

There's nothing particularly striking about the visual aspects here, De Grasse's photography occasionally falls in line with what film noir fans consider standard procedure, which has led a few critics to question the film's film noir status. This is all about Vince Kane and how he is thrust into a murky new world by a slinky femme, it may be a whodunit in essence, but the Vince and Lucy Brackett (Raines) axis is most assuredly noir.

You phony Gumshoe!

Action is in short supply, leaving much of the piece in talky territory. There's a few zinger lines of dialogue in the mix, but mostly it's screen writing 101. Yet in spite of the mixed qualities on offer here, it's a film that Raft fans are sure to enjoy, because he's very much great value as the stoic but emotionally troubled Vince. In fact O'Brien turns in one of his better performances and Raines is pleasingly sultry, meaning the cast perform well up to scratch, even if the screenplay does them few favours.

A mixed bag for sure, and hardly essential for fans of such cinematic fare, but there's just enough from the cast to make this one above average. 6/10

A Dangerous Profession is a mildly diverting crime picture featuring a fine cast headed by veterans George Raft and Pat O'Brien, both of whom had seen better days by the time they appeared in this picture. Nor is the direction of the usually reliable Ted Tetzlaff up to his usual standard. This is the kind of small scale but not quite grade B movie that television was about to make obsolete, and as such an interesting historical footnote of a bygone era for those who care for such things.

I'll admit the first 30 mins were tough-going; Raft's blank-faced, ironing-board-stiff acting had me dream-casting other actors in his place. Then, with the whole blandness of the scenes and the drabness of the sets along with the byzantine storyline and ambivalence of attitude and the femme fatale lite and the grey moral dilemmas aplenty, suddenly I started to really love it - even Raft's flatness fit right in with the dreary decor and one-dimensional bit players - besides the labyrinthine plot, there is the sheer variety of locations and interaction, including some fascinating outdoor shots in the latter half. It would never win awards - but with the qualities mentioned above - the odd great shot and the occasional catchy zinger - this has an exquisite pleasure all its own. I commend this to your good self.

Richard Winnington was a bit unfair on George Raft when he accused him of just going through the motions "without a flicker of expression or removing his hat", since he takes his hat off quite often in this involved but uninvolving tale of bail bond officers, the Dangerous Profession of the title.

It's actually far more laid back that the rather dramatic title indicates and too brightly lit to qualify as 'film noir'. Pat O'Brien and Jim Backus (who also supplies the opening narration) seem to be enjoying cynically sauntering about in big suits more than Raft himself.