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Pour toi j'ai tué

Titre original : Criss Cross
  • 1949
  • Tous publics
  • 1h 24min
NOTE IMDb
7,4/10
10 k
MA NOTE
Burt Lancaster and Yvonne De Carlo in Pour toi j'ai tué (1949)
Masters of Cinema Trailer
Lire trailer1:39
1 Video
54 photos
Film NoirHeistCrimeDramaThriller

Ajouter une intrigue dans votre langueAn armored truck driver and his ex-wife conspire with a gang to have his own truck robbed on the route.An armored truck driver and his ex-wife conspire with a gang to have his own truck robbed on the route.An armored truck driver and his ex-wife conspire with a gang to have his own truck robbed on the route.

  • Réalisation
    • Robert Siodmak
  • Scénario
    • Daniel Fuchs
    • Don Tracy
    • William Bowers
  • Casting principal
    • Burt Lancaster
    • Yvonne De Carlo
    • Dan Duryea
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,4/10
    10 k
    MA NOTE
    • Réalisation
      • Robert Siodmak
    • Scénario
      • Daniel Fuchs
      • Don Tracy
      • William Bowers
    • Casting principal
      • Burt Lancaster
      • Yvonne De Carlo
      • Dan Duryea
    • 117avis d'utilisateurs
    • 52avis des critiques
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 1 nomination au total

    Vidéos1

    Criss Cross
    Trailer 1:39
    Criss Cross

    Photos54

    Voir l'affiche
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    Rôles principaux46

    Modifier
    Burt Lancaster
    Burt Lancaster
    • Steve Thompson
    Yvonne De Carlo
    Yvonne De Carlo
    • Anna
    Dan Duryea
    Dan Duryea
    • Slim Dundee
    Stephen McNally
    Stephen McNally
    • Pete Ramirez
    Esy Morales
    • Orchestra Leader
    Tom Pedi
    Tom Pedi
    • Vincent
    Percy Helton
    Percy Helton
    • Frank
    Alan Napier
    Alan Napier
    • Finchley
    Griff Barnett
    Griff Barnett
    • Pop
    Meg Randall
    Meg Randall
    • Helen
    Richard Long
    Richard Long
    • Slade Thompson
    Joan Miller
    • The Lush
    Edna Holland
    Edna Holland
    • Mrs. Thompson
    • (as Edna M. Holland)
    John Doucette
    John Doucette
    • Walt
    Marc Krah
    Marc Krah
    • Mort
    James O'Rear
    • Waxie
    John 'Skins' Miller
    • Midget
    • (as John Skins Miller)
    Jean Bane
    • Girl
    • (non crédité)
    • Réalisation
      • Robert Siodmak
    • Scénario
      • Daniel Fuchs
      • Don Tracy
      • William Bowers
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs117

    7,410.2K
    1
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    10

    Avis à la une

    7David-240

    Well shot - but what about the story?

    This film looks great - a classic noir - but the story is dull and predictable. I'm sure this frustrated Robert Siodmak as he can never really make the film fire in the way that he did "The Killers". The other weak link is Yvonne De Carlo, who looks great but is never really convincing. Much better is Burt Lancaster, also looking great, but very convincing as the love-sick fool hero. And the supporting cast of hoods and odd-balls is interesting. Worthwhile, but not great - with an excellent finale.
    dougdoepke

    Follow the Corkscrew

    Sure, you've seen it all before: the snarling villain (Dan Duryea), the black widow babe (Yvonne DeCarlo), and the hapless fall guy who just can't help himself (Burt Lancaster). But this is vintage noir from the golden age, done with real style and conviction. What stays with me are those scenes that have since worked their way into the textbook. There's the nightclub scene, where Lancaster gazes longingly at lost love DeCarlo, while she sambas with new honey boy Tony Curtis. Meanwhile there's this pulsating Latin beat that keeps going and going and everybody's shaking it except poor Lancaster. You feel the doom in the air and know this has to end badly. Then there's that nervous scene in the hospital where Lancaster's all laid up. But who's this new guy. He looks like Joe Average, but is he.

    Director Siodmak really knows how to shift gears and make these quiet moments creepy. Everybody's been waiting for the robbery, but it seems like a cloudy dream, the kind you only half remember and wish you could forget. Ghostly figures drift in and out of focus, yet which one's Lancaster and who's got the money. Hollywood's fog machines were really working overtime on this one. Of course, it all leads up to the final scene, which is about as good as noir gets. The moment of reckoning when everything comes together, this time with a good view of eternity and in the moonlight, no less. The feeling that it all had to happen from the beginning is so thick you can cut it with the proverbial knife.

    Sure, the D-cup DeCarlo's not quite up to the acting challenge, and the great Duryea doesn't get enough scenes, but consider the screen time given to two deserving foot soldiers of the golden era. Once you've seen him, you never forget him: that raspy-voiced gnome Percy Helton as the bartender. There's been no one like him before or since, a sly little troll who's escaped from the pages of Grimm's Fairy Tales. Yet I've never seen him give anything less than an A-grade performance that lifted many a B-movie above the forgettable. On the other hand, there's the completely ordinary Robert Osterloh as the mysterious stranger. His face is sort of familiar. Maybe he's the guy who fixes your car or fills your prescription or on a really bad night, shoves a gun in your gut. But like Helton, he too never gave anything less than an expert performance. Too bad his little Hollywood star never glowed, but he sure made a lot of others brighter than they were.

    It's all there and in the kind of irreplaceable black and white that Hollywood's been trying to remake in Technicolor for years. So catch up with this original and find out why.
    Cajun-4

    Atmospheric but shakily plotted Noir

    As usual in a movie directed by Robert Siodmark there are striking compositions and some really tense moments in this sombre tale of cross, double-cross and revenge in a botched armored car robbery.Some convincing location scenes give us an authentic look at 1940's Los Angeles.

    Burt Lancaster more or less reprises his role in THE KILLERS as an honest guy led astray by a beautiful woman. Yvonne DeCarlo doesn't quite hack it as the femme fatale but Siodmark makes the most of her looks and there is a well edited sequence of her dancing in a night club. (An un-billed Tony Curtis is her partner).Minor characters, the hoods, bartenders etc are well cast and there are good performances by those two stalwarts of 1940's movies Stephen Mcnally and Dan Duryea.

    The story line is rather ragged and there are a few plot loop holes but the action when it comes is well handled.

    Doesn't rank with THE KILLERS but it's an interesting look at a heist movie before they became cliches. You can see harbingers of future similar movies like THE ASPHALT JUNGLE, THE KILLING, RIFIFI etc.
    8bob_gilmore1

    After repeated exposure, Criss Cross emerges as essential noir viewing.

    Like many viewers I was initially disappointed by Criss Cross. Some have claimed it to be a poor imitation of Lancaster's debut in "The Killers" but after repeated screenings I find that my appreciation increases with each viewing. The rather direct flashback plotting, the excellent supporting work of Dan Duryea and the whole stable of Universal bit players contribute to a delightful film noir experience. It does lack the irony and richness of story of "The Killers" and can't compare to "Out Of The Past" but the dynamic between Lancaster and DeCarlo ranks as some of the best interplay in the genre, even if a bit one dimensional.

    If you are new to the genre, Criss Cross is not a first choice. But as you work your way through the cycle this film represents one of the high points of the studio systems addressing this film-making trend with non of the drawbacks often associated with "B" films.
    Doylenf

    Gritty noir the way I like it...ranks with the best...

    1940's seedier side of Los Angeles makes a fitting noir background for this highly well made film noir starring BURT LANCASTER as the lovelorn hero foolish enough to go back to his ex-wife (extremely well played by YVONNE DE CARLO) who has taken up with a bunch of hoodlums headed by the sinister DAN DURYEA. True love never does run smooth, especially in this kind of fatalistic melodrama in which we have a hint from the very beginning of a dark conclusion.

    The fact that Lancaster works for an armored car service is worked into the plot and makes for the movie's most suspenseful and action-filled moments. Some nice support from Stephen McNally as Lancaster's wise friend and Richard Long as his brother. Percy Felton does a standout job as an inquisitive bartender.

    Robert Siodmak squeezes every bit of suspense as the story builds to a gripping climax. The hospital scene is extremely effective as Lancaster becomes aware of the dangerous situation he's in.

    Lancaster displays some vulnerability and sensitivity despite his rugged good looks and has one of his best early roles here, even more impressive than he was in THE KILLERS. Miklos Rozsa's superb background score gives a jagged edge to the suspense.

    Any lover of B&W film noir is guaranteed to find pleasure in this one.

    Trivia: If you watch real closely, you'll spot the young Tony Curtis as de Carlo's dance partner in the crowded nightclub scene.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Tony Curtis landed his first film role simply by walking through the Universal lot where he was spotted by director Robert Siodmak who asked him if he could dance.
    • Gaffes
      (at around 1hre 5 mins) As Mr. Lancaster is getting out of the armored truck, he pauses on the running board and looks around - as he does so, the side-view mirror pans across the film crew.
    • Citations

      Det. Lt. Pete Ramirez: I should have been a better friend. I shoulda stopped you. I shoulda grabbed you by the neck, I shoulda kicked your teeth in. I'm sorry Steve.

    • Connexions
      Featured in Histoire(s) du cinéma: Toutes les histoires (1988)
    • Bandes originales
      I'll Remember April
      (uncredited)

      Written by Gene de Paul and Don Raye

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    FAQ15

    • How long is Criss Cross?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 17 juin 1949 (France)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Criss Cross
    • Lieux de tournage
      • Angels Flight Railway - 351 S Hill St, Los Angeles, Californie, États-Unis
    • Société de production
      • Universal International Pictures (UI)
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 24 minutes
    • Couleur
      • Black and White
    • Rapport de forme
      • 1.33 : 1

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