Un Yankee à la cour du roi Arthur

This movie is humorous, charming, and easily becomes a favorite for those who enjoy light entertainment. Hollywood is hardly the place for serious history lessons so I simply accept it as is. Bing, in his usual inimitable style, performs quite well as the blacksmith, Hank Martin, who by accident is transported back to another age, the time of King Arthur. The beautiful Rhonda Fleming is breathtaking as Alisande, or Sandy, the object of Hank's affections although she is betrothed to the brave and formidable Sir Lancelot, played by Henry Wilcoxon.

I just love that episode when King Arthur (Cedric Hardwicke), Sir Sagramore (Wm. Bendix), and Hank (Bing Crosby) dress up in tattered clothing and take to the high road with their knapsacks to experience the kingdom at firsthand. King Arthur's comment, "I say, we are not alone" while giving his scruffy garments a good scratch, is one of those hilarious moments in the film. William Bendix's portrayal is superbly ridiculous, not to mention his attempts at quaint "ye Olde English."

The story is not deep but it's well done in my opinion and I enjoy it more each time I see it. It's great family entertainment too.

I am a huge fan of Will Rogers' movies--and that's why I bought myself a gift set of his films for Christmas. Well, I bought them and then told my wife this would make a great gift for me! Regardless, his films were almost always wonderful. I say ALMOST because his film "A Connecticut Yankee" was an awful mess of a film. You really have to see it to believe how bad the movie is--particularly at the end. However, I can report that at least the Bing Crosby version from 1949 is much, much better. While I wouldn't consider it a great film, it is a pleasant time-passer.

The film begins with Crosby visiting a castle in 1912 and meeting with the lord of the manor. He notices that the man looks very similar to King Arthur and so he regales the guy with a story--a story of how he somehow time traveled back to the time of King Arthur. What follows is filled with a bazillion anachronisms--though considering that Arthur is an entirely fictional character, I can put up with all the silliness. During the course of the story, Crosby's character falls in love with a woman--a woman he unfortunately left behind.

This film works mostly because Bing Crosby is very pleasant in the lead. He makes less sarcastic quips than Rogers did and sings a couple tunes in his easy-going manner. Not a film to rush to see, but very nice viewing.

My youngest sister and I have a tradition of watching old movies that are set in older times. "Jason and the Argonauts" was classic; she's young enough to get scared by the realistic effects of present day, so the special effects in these movies just makes her--and I--laugh. But this movie was different. It was low on the special effects, which 86ed our tradition, but we had fun watching it all the same. It was enjoyable and funny, with an easy plot to follow (which always helps when one watches a movie with a seven-year-old).

If you want my advice, watch it. You'll be entertained, even if the same idea was copied 10,000 times.

It is fortunate that this musical doesn't have too many songs, because they are generally quite forgettable if not outright boring.

Visually, however, this is a great Technicolor film full of interesting views and almost but not quite campy colors. I ignored the music and enjoyed the film for its visual gaiety and its take on the plot.

There are many films based on Mark Twain's novel, and a general feature is that they replace Twain's original framing in late 19th century Connecticut by a different one more suitable for film. The present film stays close to the original framing but develops it further and in a different direction:

Hank, the Connecticut Yankee, is a blacksmith like in the novel. He arrives as a tourist at Pendragon Castle rather than Warwick Castle. Unlike in the real world, Pendragon Castle is in good condition and has preserved a lot of artifacts from King Arthur's court, which of course in the novel and this film is real 6th century history rather than fictional. Hank disturbs a guided tour by knowing too much, then meets the castle's owner and tells him, rather than Mark Twain, his story.

Since Hank is played by Bing Crosby, he is smooth and polished, quite unlike the electrician Hank in the early talkie Le fils de l'oncle Sam chez nos aïeux (1931), who was played by Will Rogers. Also, he doesn't modernize Arthurian Britain so much as he uses a few modern inventions or practices for his own advantage. As a result, this is little more than another knight and sword film, though with a few nice twists and the time travel framing.

Overall, this is a nice family film but nothing special. If they hadn't made it a musical and had cast a comic or character actor for Hank, this could easily have been a 7, perhaps even an 8.

I watched this merry movie the other day and enjoyed it

immensely, even though it was about the hundreth time I'd seen it.

It's a wonderful 'family' movie, in that it isn't offensive or overlong-

it's fun. My favourite part has to be the song "busy doing nothing", sung by

the unlikely trio of Bing Crosby, Cedric Hardwicke and William

Bendix (the first and last time they ever sang together!). There are nice touches all the way through, including the 'echoes'

every time king Arthur requests something: "MORE HOT WATER! . . . more hot water. . ." Or "CLOSE THE DOOR! . . .close the door. . ."

to which Murvyn Vye's Merlin replies, "the door closeth sire." While we are on the subject of Merlin, I'm surprised that with a

voice like his he didn't appear in more of Hollywood's costumers.

I've only ever seen him in one other film, and that was 'Green Fire'

(1955). Of course, I have to mention William Bendix's portrayal of 'Saggy' or

sir Sagramore. He turns up in Bing Crosby's prison cell

shame-faced and apologetic for calling him (Crosby) a dragon and

says the following: Saggy: If only there were ought we could do. Crosby: Well, ain't there ought? Saggy: Nought. Whoever heard of a knight of the round table with a thick Brooklyn

accent?! I usually detest musicals but this, along with 'White Christmas', is

an exception. The duet between Rhonda Fleming and Bing Crosby

('Once and for always') is brilliant. It's hilarious when he says she's

pretty, to which she replies enthusiatically, "oh, thou art pretty too

sire!" and he, looking round apprehensively says, "no, say I'm cute

or something!"