Boston Blackie's Chinese Venture

Boston Blackie's Chinese Venture marks the end of the 14 movie series starring Chester Morris. The film remains true to the BB formula. The falsely accused Blackie & Runt being wrongfully suspected of a murder they didn't commit. Blackie must clear himself by solving the crime for Inspector Faraday and his dopey assistant Mathews.

Morris is one of my favorite actors, but this movie like all the other Boston Blackie movies tends to get very predictable and very boring. The well dressed Blackie lives with the Runt in a luxury apartment yet has no visible means of support. I also never understood why the handsome Chester Morris was never provided with a love interest in any of the BB films. What does this reformed ex-convict do for a living and why doesn't he have a girlfriend?

In one of the scenes Blackie and Runt disguise themselves as Chinese. It's so obvious that they are both wearing masks yet they slip right by Faraday and Mathews. In another scene a diamond cutter being held captive is forced to cooperate with the jewel thieves yet when given a gun and told to keep an eye on Blackie and Runt he remains loyal to the gang only to get shot in the back by it's leader.

Sid Tomack replaced George E Stone in the role of the Runt. I never cared for George E Stone's portrayal of the Runt. I didn't find him very funny and he was all too whiny. Tomack offered relief from the childish whiny portrayal of George E Stone. It's unfortunate that Sid Tomack only played the part once.

The lovely Joan Woodbury is featured as a villainous shill in this movie, but her part is too small and her talent is wasted. I believe Chester Morris should have starred in the Dick Tracy series. If you study his profile I think you'll agree that he looks just like him. As Tracy he would have had Tess Trueheart as a love interest too.

As usual, Blackie and Runt (oddly, NOT played by George E. Stone in this film) are at the wrong place at the wrong time and are accused of murder. However, as the film progressed, it was obvious that some deeper conspiracy was afoot. Stupidly, this conspiracy became unbelievably complicated--far more than common sense would dictate and you're left wondering why the thieves went to so much trouble. After all, after stealing diamonds and re-cutting them, why have all the complicated business involving the tour guide, the theater and the lady?! Also, the stunt doubles towards the end for the fight scene were just awful--making it pretty obvious that they were NOT the star fighting with a criminal.

While this movie is far from great, considering that it is much more original than many of the previous films in the series, it's a pretty good movie. Up until then, Chester Morris had played the title character in more than a dozen films in less than a decade and the scripts had become very repetitive and formulaic. Unfortunately, it still has Inspector Farraday AGAIN blaming Blackie for a crime--even though Blackie ALWAYS finds the real criminals by the end of EVERY film. But, apart from that, the film's change in locale (to Chinatown) is a welcome relief--thank goodness for SOME originality! What you think about this and other Blackie films probably does depend on how many you've seen. If you've only seen a few, this one is probably one of the lesser efforts but after seeing more than a couple, this is quite different.

By the way, in a very small scene you have a police lab scientist talking to Farraday about an analysis he did on a package of tea leaves. This lab man was very funny--too bad he was only briefly in the film, as he was sarcastic and offered a nice respite from the usual material.

It doesn't seem to matter just how many times "Blackie" (Chester Morris) helps the police, they alway jump to the conclusion that he's the guilty party whenever there is a body! This time, he leaves a laundry only for the owner to be found dead. "Insp. Farraday" (Richard Lane) and his nice but dim "Sgt. Matthews" (Frank Sully) is on the case and with the blame looming, it falls to our erstwhile crook and his pal "The Runt" (newcomer Sid Tomack) to explore the underground antics of the Chinese community and find out if it's a dodgy gambling racket, or maybe some seamy private dancing, or perhaps the Tongs really are chasing around the basements wielding axes with menace. The intrigue grows more mysterious as "Mei Ling" (Maylia) enters the fray and for just shy of an hour we have an entertaining little crime thriller. It's quite well paced with some light comedy and precisely no jeopardy. Passes the time fine, though.

The final chapter in the Boston Blackie saga starts off briskly and without surprises: Blackie drops off his laundry just moments before the laundry proprietor is discovered murdered; Inspector Farraday arrives on the scene to investigate and quickly deduces that Blackie is involved; Blackie chuckles along with Farraday but realizes he is going to have to find the real killer to clear himself. –That's all in the first five minutes, of course. The rest of the action includes stolen jewels, phony Chinatown underworld tours, and a couple of large piles of tea. It's all quite enjoyable…not the best in the series, but an adequate if unspectacular finale.

Chester Morris is as steady as ever as Blackie--smart, smooth and snappy. Richard Lane's Inspector Farraday is still (Wile E. Coyote-like) confident in the face of all previous experience that he will sooner or later make something stick to Blackie. The only real sign that the series was ending was the absence of George E. Stone as the Runt; Sid Tomack is passable in the role but not really a replacement.

The film's most shocking moment comes when Frank Sully's Detective Matthews has perhaps his first bright idea in fourteen films—noting that the gunshots just heard from inside the movie theater could not have been part of the movie playing, because it's a movie about Robin Hood! (And here he points out the movie poster for The Prince of Thieves; also coming soon to that theater, I noticed, was The Mating of Millie—nice advertising for a couple of 1949 Columbia features that I suppose I will have to put on my long list….)

One great moment: The Chinese "gamblers" dropping their act and resuming their real game when the door closes on the peeking tourists—"All right, fellas," one says, "let's pick up the bridge game where we left off."

It would have been a huge surprise if Blackie and the Runt had not disguised themselves as Chinese in at least one scene….Overall, it's a fair mystery with a few unique moments: a solid finish to the series.

"Boston Blackie's Chinese Venture" is the last in the Boston Blackie series, filmed in 1949. Thanks to Blackie, Chester Morris had to return to the theater, as he was quoted as saying, "After ... these films, a producer wouldn't put me in an 'A' movie even if I paid for the privilege."

Without the good-looking, amusing Morris as Blackie, the series would not have worked as well as it did. The stories were usually very formulaic, and you really had to love the Runt in order for him not to become annoying. (The Runt here is Sid Tomack and not George E. Stone.)

This story is actually kind of interesting - Blackie gets involved with a diamond smuggling ring in Chinatown after the owner of a laundry is found dead right after Blackie dropped off his laundry! Of course, as usual, he has to clear his name or be arrested by Inspector Farraday.

The fun part about this film is the underground Chinese tours for tourists showing gambling, dancing slave girls, etc. - all fake, with the performers dropping their acts as soon as the tour guide moves on.

Sorry to see Blackie go, but it became a TV show in the '50s starring Kent Taylor, a very different type from the amiable Morris.