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This is a solid Gable movie with superb supporting actors. You've got a star cast with many cameos, and some strong performances.

There are rich storylines: Gambling and the psychology of it How to keep a successful long-term marriage Father-son issues Stealing and the principles against it - moral lesson An attempted robbery and more!

Many of the star cast - Wendell Corey, Mary Astor, Barry Sullivan - you wanted to understand more and to know more. But then the movie might have been too long. Perhaps the writing could have explored one side line/side story a little more.

We wanted more backstory from all these stars. Wendell is a timid man who is conned and cheats Gable - where does he come from? Why does Gable employ/trust him? Is it just family loyalty? Alexis' sister is jealous and we want to know why she and her husband and living with her.

Barry Sullivan is an excellent actor and we want to know more about his partnership with Gable. He's exciting and compelling to watch. You have the guy from the Wizard of Oz try to take Gable for all he's worth. What's his backstory.

It's amazing to have all these stars, but not have for them more writing/depth on their characters.

Still, Gable, and Alexis are compelling, and it's a compelling story about family development, life choices, high stakes life. These are many issues we face in our day-to-day lives, and we get to see how they navigate them.

I enjoyed this movie and recommend it for viewing once.

Not a great film but a very entertaining one with some wonderful performances from a cast of pros.

Gable holds the spotlight effortlessly as the gambling house owner at a crossroads ably assisted by some of the best character actors working at MGM at the time. Used as both a launching pad for some actors just starting out, Wendell Corey and Barry Sullivan, and a chance to see many wonderful character actors with years of experience, Lewis Stone, Frank Morgan etc. all get their moment in the spotlight.

It's hard to pick best in show with so many marvelous players but some that stand out are: Mary Astor is a nice cameo as a lonely woman with a longstanding yen for Clark who through the years has settled for friendship. Both Stone and Morgan add pathos to their individual roles as does Audrey Totter as Alexis Smith's worn down sister. Marjorie Rambeau is an absolute joy as a rambunctious dowager who swoops right in and steals her scenes without breaking a sweat. Lastly Alexis Smith who often was wasted in decorative roles bites into her role as Gable's tough wife. She initially seems a complacent and docile homebody but when the chips are down she emerges as somewhat of a tigress in a terrific performance.

As might be apparent from the long list of excellent work turned in, the film has many plot lines; really too many and that's its main weakness. Director Mervyn LeRoy juggles all the various happenings effectively but a bit of trimming would have sharpened the film's focus.

With an interesting subject that is very much relevant today, a more than capable director who has done some decent and more films and it is hard to go wrong with talent like Clark Gable, Mary Astor and Frank Morgan, have fondness for all three. Seeing them individually in different films is always great, seeing them in the same film together is even more of a treat.

'Any Number Can Play' is certainly an interesting film and does quite a good job with its serious subject. In terms of quality, everybody involved did much better in other things, especially previously, but mostly they are served well and 'Any Number Can Play' is a more than watchable and actually decent film in its own way. Some flaws here but also a lot of strengths, the film does try to do too much but the performances more than make up for it.

Like said above, 'Any Number Can Play' would have been better if it tried to do less. It can have too much going on that it's occasionally a bit hasty and muddled. It would have benefitted from not having as many characters and fleshed out some of the characters more.

Mary Astor and Audrey Totter should have had more to do. Astor deserved more than a cameo, but actually comes off better but she is quite touching here. Didn't really get very much from Totter, who is rather bland and her role fairly underwritten.

Clark Gable however is excellent in the lead role, charming yet hard-edged. Frank Morgan, Marjorie Rambeau and particularly Lewis Stone are more than solid in support, Rambeau is a delight and Stone is quite affecting and understated. Morgan has a knack for stealing scenes without over-egging. Alexis Smith is fetching and has charm.

The film is nicely shot and while the settings are few they are hardly ugly. The music doesn't intrude yet has enough presence to stop it from being bland. Mervyn Le Roy may have bring the most distinguished of all directing jobs but he keeps things moving and doesn't undermine the cast in any way.

Overall the script is thoughtful and taut and the story may have its faults but the intrigue factor is high and it does a good job showing the dangers and horrors of gambling and how it affects the family without trivialising or overdoing. Didn't think that the moral was a weird one at all.

In summation, interesting and worthwhile but with room for improvement. 7/10 Bethany Cox

Clark Gable stars as owner of a legal, small-town gambling house but his heart condition is about to make him quit. It's then he realizes that he's alienated his wife (Alexis Smith), who has retreated to a "memory room," and his son (Darryl Hickman) who is ashamed of how he has become rich.

He's also got a sneaky brother-in-law (Wendell Corey) who is married to his wife's sister (Audrey Totter). But he also has loyal employees (Barry Sullivan, Edgar Buchanan, Caleb Peterson), and some women who are quite fond of him (Mary Astor, Marjorie Rambeau).

Stealing the film are two longtime MGM players. Franks Morgan plays the gambler who may break the bank, and Lewis Stone plays the has-been who's about to play his last hand. Each is excellent.

Others include his doctor (Leon Ames), a couple of thugs (William Conrad, Richard Rober), and dejected woman gambler (Dorothy Comingore), and Art Baker as the nightclub owner.

Scotty Beckett was originally signed to play the son and his picture is on Gable's desk, but he was replaced by Hickman.

Frank Morgan and Lewis Stone turn in terrific performances, and this ranks as one of Clark Gable's best post-war performances.

Clark Gable is a casino owner who has tried to give all he can to his wife and son, but maybe all they needed was his time. Alexis Smith and Dwayne Hickman is his wife and son, and the movie is peppered with great supporting actors like Frank Morgan, Wendell Corey, Mary Astor and Marjorie Rambeau. The film begins rather slow, but is rewarding to those who like character studies and get into family dynamics. This seems to be the type of film that doesn't rely so much on active plot but on the way the characters relate to each other, which in some ways, puts it ahead of its time. While others may find fault with the film and I do admit it has its faults, I thoroughly enjoyed it and appreciated what it was trying to convey, that in life we have to give a second chance not only to others but also to ourselves. A new beginning is always the best perspective. Watch Any Number Can Play and see what you get out of it.