Kidnapping

By sheer luck reporter Dennis O'Keefe runs into Gale Storm in town looking for her sister and a baby she gave birth to. Sadly they find her in the morgue, but no trace of the infant. What O'Keefe does notice is a sleazy private eye played by Raymond Burr shadowing Storm.

That's the start of Abandoned a good noir film about a baby adoption racket where the queenpin is society matron Marjorie Rambeau. In a cast of some excellent character players she tops the list. Had this been an A and not a B film Rambeau might have been in Oscar contention, she's that good and that scary.

As for Burr he's really rather stupid and out of his league with Rambeau and her gang. It costs him big time.

Up and coming Jeff Chandler is 3rd billed playing the police chief and friend of O'Keefe. As he did in a few films for Universal Chandler also narrates. Will Kulava and Mike Mazurki play a pair of Rambeau's goons , Meg Randall plays a pregnant border at Rambeau's house and Jeanette Nolan is a socially conscious Salvation Army major.

A good B film from Universal which should be better known.

A young woman comes to town searching for her sister, who has been lost for some time. They find her at the morgue. Cause of death seems to have been suicide by gassing herself to death in a car. The sister refuses to believe and accept that. Fortunately there is a reporter at hand (Dennis O'Keefe) and they start digging. It proves the deceased sister Mary had a child without a father, caused it to be adopted, then wanted the child back, and was killed for it. There the story starts.

It's a great film with brilliant cinematography and a dialogue for Hollywood to be proud of, there were many films of Hollywood produced like this with the same extremely poignant dialogue, and they are all enjoyable forever. This is one of them and a perfect example as good as Henry Hathaway's best, in the same kind of documentary style, telling a story directly out of reality, without defining the location, like a page out of the "naked city". Dennis O'Keefe was never better, and Jeff Chandler is always more than reliable. Raymond Burr as the ominous crook turning soft and paying for it adds to the brilliance, while perhaps the cinematography gets the first prize.

In Abandoned's opening shot, that iconic edifice, the Los Angeles City Hall, looms menacingly into the night sky. From then on, it's a fast, rough ride through a brutal baby-adoption racket. Gale Storm is best remembered (if at all) as TV's My Little Margie, but she co-starred in a few noirs like Underworld Story and Between Midnight and Dawn; Abandoned is the best of them. She's come to town hunting for her vanished sister, knowing only that there's an out-of-wedlock baby girl involved. Storm links up with Dennis O'Keefe, a newspaper man, and Raymond Burr, a private detective supposedly hired by the missing girl's father back east (an enigmatic specter hanging over the story: Storm confides that her sister left home because "he wouldn't leave us alone"). Turns out that Sis was murdered for developing maternal instincts after having giving the baby up. The web of baby-nappers includes grandmotherly but lethal Marjorie Rambeau, some even less savory characters behind her, and, of course, Burr. Abandoned, despite its Hollywood-"happy" finish, stands as one of the grittier offerings in the noir cycle (Burr's being tortured with matches is one especially painful speck of grit).

I discovered this gem in Leonard Maltin's Turner Classic Movies guide. He'd only given it 2 1/2 stars, but I'm so glad I gave it the chance to prove itself. As others have already detailed, the cinematography, script and performances all make this relatively short film highly enjoyable, and suspenseful. Give it a try if you're looking for a serious topic dramatized in a slightly noir styling with a crime ring at the center of it.

(Here are a few more words to satisfy the IMDB requirement for a 600 character review. I'm keeping mine short and simple since others have already provided many fascinating facts, descriptions and details.)

This excellent thriller deals with the sale of stolen babies by baby broker racketeers. It is thus more relevant to today, when this problem is much more widespread, than it was in 1949. The plot is sound, the script first rate, and the acting is extremely good. It is interesting to see an early Jeff Chandler performance, in a supporting role, before his hair went prematurely white, and when he was so thin he looked like he needed a good meal. There is some crackling dialogue: 'I couldn't sleep, so I took my gun for a walk,' and 'The idea of you going straight is like a vulture becoming a vegetarian.' Raymond Burr, to whom the latter remark is addressed, is a heavy of suitably sour disposition. Dennis O'Keefe is an excellent clean-cut B hero, and Gale Storm is a rather sombre and expressionless 'good girl' from a small town who has come to the wicked city in search of her murdered sister and her stolen baby; she is convincing, though unexciting. A sinister sub-plot about the father of the two sisters making his daughter get rid of her illegitimate baby seems to have been cut because it was too shocking, but enough of it survives to show that it was clearly once there. Maybe the producers thought they had enough of a social message without getting that grim and frightening their audiences further. The sale of stolen babies was an issue that needed raising, and it was thoroughly portrayed in this film well ahead of its time. The director, Joseph Newman, did an excellent job, and at one point showed off by cutting from a match being struck by one character to a lit match being used by another character. Every thriller director is entitled to at least one arty moment, especially if it hypes the pace of the action, though this was probably in the script by Irwin Gielgud. Probably the few good one-liners constituted the 'extra dialogue' by William Bowers.