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Les femmes de la nuit

Titre original : Yoru no onnatachi
  • 1948
  • 1h 15min
NOTE IMDb
7,2/10
1,6 k
MA NOTE
Les femmes de la nuit (1948)
Drama

La maîtresse d'un trafiquant de drogues dans le Japon d'après-guerre est choquée de découvrir qu'il a une liaison avec sa soeur.La maîtresse d'un trafiquant de drogues dans le Japon d'après-guerre est choquée de découvrir qu'il a une liaison avec sa soeur.La maîtresse d'un trafiquant de drogues dans le Japon d'après-guerre est choquée de découvrir qu'il a une liaison avec sa soeur.

  • Réalisation
    • Kenji Mizoguchi
  • Scénario
    • Eijirô Hisaita
    • Yoshikata Yoda
  • Casting principal
    • Kinuyo Tanaka
    • Sanae Takasugi
    • Tomie Tsunoda
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,2/10
    1,6 k
    MA NOTE
    • Réalisation
      • Kenji Mizoguchi
    • Scénario
      • Eijirô Hisaita
      • Yoshikata Yoda
    • Casting principal
      • Kinuyo Tanaka
      • Sanae Takasugi
      • Tomie Tsunoda
    • 12avis d'utilisateurs
    • 18avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 1 victoire au total

    Photos14

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    Rôles principaux35

    Modifier
    Kinuyo Tanaka
    Kinuyo Tanaka
    • Fusako Owada
    Sanae Takasugi
    Sanae Takasugi
    • Natsuko Kimijima
    Tomie Tsunoda
    • Kumiko Owada
    Mitsuo Nagata
    • Kenzô Kuriyama
    Kôju Murata
    • Hospital Director
    Kumeko Urabe
    Kumeko Urabe
    • Brothel-keeper
    Kikue Môri
    Kikue Môri
    • Second Hand Clothes Shop Proprietres
    Minpei Tomimoto
    • Koji Owada
    Umeko Ôbayashi
    • Tokuko Owada
    Hiroshi Aoyama
    • Kiyoshi Kawakita
    Fusako Maki
    • Pureblood Society Lady
    Aizô Tamashima
    • Women's Home Director
    Kenzô Tanaka
    • Shuichi Hirata
    Kanichi Kato
    • Detective A
    Hideo Kato
    • Detective B
    Kazuko Okada
    • Apartment Lady
    Hisami Nishikawa
    • Yasuko, street prostitute
    Kimie Hayashi
    • Kazuko, street prostitute
    • Réalisation
      • Kenji Mizoguchi
    • Scénario
      • Eijirô Hisaita
      • Yoshikata Yoda
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs12

    7,21.6K
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    10

    Avis à la une

    6gavin6942

    Mizoguchi Explores the Darker Side of Being a Mistress

    Fusako Owada, a young woman in postwar Japan, is the mistress of a notorious drug dealer. Fusako's tenuous grasp on meaningful life is shaken when she learns that her lover is having an affair with her sister.

    This film is generally dismissed as one of Mizoguchi's "lesser" films, and has been called a "good melodrama" -- something of a backhanded compliment. I like to think it was a bit more than that.

    Aside from the drug aspect and the sister relationship, just the mistress status alone is worth examining. This is a very emotional part, as can be seen when the secretary asks if her boss really likes her. He gives a response along the lines of "I will try to be more affectionate." She is craving real love, and he is only acting the part...
    Michael_Elliott

    Raw Look at Some Taboo Subjects

    Women of the Night (1948)

    *** 1/2 (out of 4)

    Set in post WWII Japan, director Kenji Mizoguchi's film deals with a pair of sisters (Kinuyo Tanaka, Sanae Takasugi) who find themselves going into prostitution due to the rather dire living conditions. WOMEN OF THE NIGHT is certainly a hard-hitting little gem that manages to hold no punches in regards to its subject matter. Several countries released films dealing with the aftermath of WWII but what's so fascinating about this film is the fact that it deals with subjects that most other places wouldn't touch. This includes prostitution obviously but there's also abortion, drug use, sexual transmitted diseases and other subjects that were a big no-no during this era. This off-topic subjects certainly help keep the film very fresh for today's viewers. Another fascinating thing were some of the streets where it's obvious they haven't been fixed up since WWII. I'm guessing these streets with debris all over them weren't just made up for the film and instead they are actually locations and these images really make you understand the desperate situation of the people living there. We get three different women and their stories of how they were forced to go into the business and each of them are quite touching on their own. I will say that the ending was a bit over-the-top and didn't reach the punch it was going for but it certainly didn't ruin the movie. The two lead performances are certainly wonderful and they're just so raw that you feel as if you're watching real people struggling. There are some rather bleak and ugly images to be found here and especially during a sequence where we see the downside of this lifestyle as most of the women are suffering from various mental problems. WOMEN OF THE NIGHT runs a very quick 74-minutes and it's certainly quite memorable.
    7Quinoa1984

    good melodrama but not Mizoguchi's best

    Women of the Night is absorbing as a story of post-war malaise among women, of a lack of hope in their futures. It continues Kenji Mizogichi's body of work dedicated to showing women in a society that is perpetually against them, to greater or lesser degrees (usually greater, depending on time and place). While his final film, Street of Shame, is probably his best and most entertaining, this film does have some memorable moments. It tells of two women, one of whom finds out near the start of the film that her husband has died, and after this becomes a "fallen woman" by being a drug dealer's woman on the side. Another drifts into prostitution, or rather almost becomes it, and the two of them get swept up into a women's prison-cum-hospital. One of them, eventually, escapes (this is the most visually striking single shot in the film, by the way, tracking as she struggles across the wire fence).

    It's slow moving, even for 73 minutes, though to be fair the American cut feels like it's been cut up, so a recommendation may be half-hearted by default (sometimes it's hard to tell, other times, it looks like an editor cut right into a scene just when it's about to get really good). The performances by Tanaka and Takasuhi, and the actress playing Kumiko, a friend of their characters, are all strong to the degree they're asked, and the climax of the film carries some real power even in the midst of the melodrama and the whole "maybe we have screwed up our lives and should go home" conclusion forced on an audience. But Mizoguchi's aim is, for the most part, met: give the audience a view of this underworld of women without solid footing, and ask why this really is the way it is when these women could be doing other things or working as opposed to just being married or like this. And at the same time make them all human, and not (too) stereotyped. It's ultimately hopeful, but some cynicism in the process goes a long way.
    9crossbow0106

    Life In Post-War Osaka

    Mizoguchi is never subtle in his films. His films would work better in black and white even if color was the norm in Japan. In this film the great Kinuyo Tanaka, who has starred in other Mizoguchi films, is Fusako, a war widow who also buried a son who has to become a prostitute to live. Her sister Naksuko, played by Sanae Takasuga and their sister in law Kumiko (Tomie Tsunoda) also become ones also. Osaka is depicted as being full of prostitutes, and that could have very well been accurate at the time. Mizoguchi, fascinated in many of his films with the downtrodden, does his usual superior job but the film really is essential due to the acting of Kinuyo Tanaka and Sanae Takasuga. They bring a realistic, grim situation to live. Of course, this film is not a happy one, but if you can take that, this is another near masterpiece of Kenji Mizoguchi.
    6nitestar95

    Typical B&W WW2 movie

    I had seen this movie back when I was a kid, in the 1960's. Thought it was great. Today, though, I can see why I liked it so much back then, but how the acting is actually pretty bad, and the story is pretty inconsistent with actual history. Never the less, it was a nice trip into nostalgia for a Saturday afternoon. Just don't expect too much.

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      Referenced in Aru eiga-kantoku no shôgai (1975)

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    FAQ12

    • How long is Women of the Night?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 26 mai 1948 (Japon)
    • Pays d’origine
      • Japon
    • Langue
      • Japonais
    • Aussi connu sous le nom de
      • Women of the Night
    • Lieux de tournage
      • Osaka, Japon
    • Société de production
      • Shochiku
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 15 minutes
    • Couleur
      • Black and White
    • Mixage
      • Mono
    • Rapport de forme
      • 1.37 : 1

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    By what name was Les femmes de la nuit (1948) officially released in Canada in English?
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