The Weaker Sex

A rather inconsequential drama that offers a post-war pat on the back to all the housewives that kept the home fires burning while their menfolk and daughters were off fighting Nazis. Ursula Jeans is the anchor of both the film and the family that faces the typical highs and lows of domestic wartime life. It's watchable enough, but feels awfully rushed and episodic the longer it goes on, and is probably the only film in which Cecil Parker plays the romantic lead...

This is rather a strange film with an even stranger title.The film has a substantial amount of newsreel film intercut with the drama.Also there are newspaper headlines shown often when they seem to be of little dramatic point.Cecil Parker and Thora Bird steal the acting honours.I do wonder what contemporary audiences would have made of this film.Particularly being reminded of the austerity that everyone was having to suffer.Films like this were far better made during the war.

Cheap-looking, studio-bound and obviously based on a play, but it looks good and is to be cherished as a very rare film lead for the charming Ursula Jeans.

This movie could easily have been an unmitigated disaster -- no plot to speak of, not much in the way of memorable dialog, the uneasy feeling a viewer has nowadays that it's all a great big stiff-upper-lip and tally-ho-for-rationing exercise. What saves it is the transcendent acting -- lines spoken so perfectly, body movements so in sync with the spirit of the situations -- and a sure sense of editing that keeps the story (slim pickins as it is) moving. So what have we here, after all's said and done? I think we've been given a good postcard for future generations, a card which says, "Yes, this is how it was; this is how we got through it all. We behaved well toward one another, and we all came out of it all right." I often stop movies to take breaks if they seem a little long-ish. This one played right through to the end, and I was sorry to see it finish. I could have spent much more time with these lovely people.

This is what the war years British film industry excelled at. Ursula Jeans and Cecil Parker are a widow and friend of the late husband and her assorted adult children and relatives. The action of the film starts with Mrs. Dacre (Jeans) being given a fresh hen by a random soldier-which might be stolen. Parker is seen vacuuming the floor. War has switched their roles. Their growing friendship is nice to watch. Mrs. Dacre's sister is directly involved in the war so has the luxury of a free uniform, and they frequently clash. A son and daughter are in uniform too. The small issues set the restrained tone, not unlike Mrs. Miniver and Since You Went Away. But inevitably the war and DDay inflict a series of tragic events onto the people connected to Mrs. Dacre.

Now that the last of this generation is down to a few, films such as these will become more important as a cultural record.

If you have any interest in home front history, you'll enjoy this. I found it remarkably moving. The action sequences are terrific and the sets help to remind us how we live in relative luxury compared to life during wartime.

Definitely recommend.