Le Trésor de la Sierra Madre

In the 1920's, labor was hard to find. If you happened to be a laborer, work was almost non existent. Indeed, if you were unemployed and in Mexico, your chances were dismal. Yet, these were the times, which attracted many South of the border. The place was barren, yet many a fortune could spring up directly before you, . . .if you were luckily enough to see it. That is the story behind this incredible film. The legend of El Dorado was only one of the many myths which lured the adventurous to Mexico, another was "The Treasure of the Sierra Madre." The gold of the Mother of Mountains was passed from father to son for generations. Thus when the film adaption was made, it was sure to be sculpted by men of vision. One such man is legendary John Huston who directed this film. Three common men are lured by the promise of discovering a lost treasure. The first is Fred C. Dobbs (Humphrey Bogart) a nice enough guy who wants only to be fair, but is hungry to 'strike it rich.' The second is Howard, (Walter Huston) as honest as you expect him to be and a man of considerable experience. The last is Bob Curtin (Tim Holt) who if given a chance, will use it. The trio make a PAC to share and share alike all the treasure they find. However, only Howard is aware of what the possession of Gold can do to a man. To find the treasure, they need the mountain, some hard work, a little luck. To bring it home, will require something only one of them possesses. The film is a Classic and is due to the combined talents of all the stars and the director. If you look closely, you'll see Robert Blake (Barreta) and John Huston in brief roles. ****

Two penniless Americans (Humphrey Bogart and Tim Holt) during the 1920s in Mexico join with an old-timer (Walter Huston, the director's father) to prospect for gold. The old-timer accurately predicts trouble, but is willing to go anyway. The film is fictional, but presents a very realistic scenario: By the 1920s the violence of the Mexican Revolution had largely subsided, although scattered gangs of bandits continued to terrorize the countryside. The newly established post-revolution government relied on the effective, but ruthless, Federal Police, commonly known as the Federales, to patrol remote areas and dispose of the bandits. Foreigners, like the three American prospectors, were at very real risk of being killed by the bandits if their paths crossed. The bandits, likewise, were given little more than a "last cigarette" by the army units after capture, even having to dig their own graves first.

The film shows the Americans doing just about anything for money: drilling oil, digging for gold, begging and more. And once gold comes into the picture, the men who once claimed they were not greedy see things differently. Bogart actually goes mad, after he gets greedy and paranoid... during which he encounters a gila monster! The most memorable scene of this film involves the bandits, who don't need any "stinking badges". While the line is much more quotable in "Blazing Saddles", we couldn't have "Blazing Saddles" (or "UHF") without this film... just about everyone, even those who never saw or heard of "Sierra Madre", knows the badges line.

Humphrey Bogart's best film is probably "Casablanca", but this one features him in a nice, rough exterior. Yes, sometimes leading men have beards and are covered in dirt. Pretty boys do not stay pretty boys after digging in the hills, or at least that wouldn't be realistic. This film does a fine job trying to "keep it real", so we have to commend Huston not only on his directing, but his wonderful location scouting.

The Treasure of the Sierra Madre (1948)

This is a weirdly contemporary film. I mean, it's certainly set in the past, and it's made in the heyday of Hollywood genius top to bottom which is long gone. But because it's about this old time and about raw black and white issues (often), the film and the filming are really appropriate. The whole thing just fits, and beautifully.

And I mean beautiful. As rugged as it all is--the landscape as well as the beards, all very real--the movie is lyrically filmed. The story is told with visual clarity. And the script, speaking of story, is sophisticated and believable. In all, under the direction of legend John Huston, this is a spot on terrific movie.

Of course, there are two actors who are just amazing in their roles (and a third, Tim Holt, who is just fine, if not stellar). I mean of course Walter Huston, who nearly steals the show in every scene. He's a character, but not a caricature. His wisdom--real wisdom, based on smart observation over decades of experience--is sterling. Great stuff, well put. And of course he's the father of the director, which is a fun, and slightly Freudian twist. He gives one of the great performances of the decade.

Humphrey Bogart is not far behind, actually. If you like him in Maltese Falcon or Casablanca, you'll be surprised at first by the scruffy, raw character played here. But it's clear-headed, brilliantly delivered Bogart all the way, and a joy to watch him really act. See it for him, too.

Then there is the story itself, which is as important now as ever. That is, what matters in life? And what is the price to pay to get it? It's all rather bold and emotional even though it's delivered by some rough guys out of money prospecting in the wilderness of Mexico.

Are there downsides here? I suppose. You certainly can wonder about the way the Mexicans--good ones and banditos both--are portrayed. I think it's not bad, tinged with clichés, of course, but in Spanish without translation or stilted half-English, so it's the real thing. And no subtitles. Nicely done for an early Hollywood affair. Huston, the son, the director, if you don't know, is famous for doing things raw and right and slightly off the charts. He is making a commercial film, to be sure, but it has many small aspects that are just not pandering to anyone. This makes it work.

I'm sure to some this is a masterpiece. I'm giving that some thought. See it.

This film made a huge impression on me when I first saw it at the age of 15 or 16. A recent rewatching on DVD really served to bring home for me what makes this film so special.

The whole thing is quite good, but it really hits you when Howard goes off to celebrate with the Indians, leaving Dobbs and Curtin to care for his gold and burros. The ensuing scenes of their spiraling mistrust and tension are absolutely spellbinding--the kind of thing that makes you lean forward in your seat just to get your eyes a little closer to the raw humanity unfolding in front of you. Their paranoia, the way you can SEE scenarios of betrayal dancing in their eyes, Dobbs' burgeoning madness--these are the moments that make this film one for the ages.

At its best, film noir (which this most certainly is--Western surroundings or no) makes the viewer complicit in the evil depicted on screen. We find ourselves scheming and plotting in our heads along with the unsavory characters we are watching--we start to feel the same temptations and desires that they do. "Treasure of the Sierra Madre" accomplishes this bond with the audience as well as any film you are likely to see.

A magnificent film--one of the few great screen tragedies.

Magnificent rendition of B. Traven's story of ambition and human nature at its worst and dealing with an unlikely trio of ambitious prospectors . As Fred Dobbs (Humphrey Bogart) and Bob Curtin (Tim Holt) , two Americans searching for work in Mexico, convince an old prospector (Walter Huston) to help them mine for gold in the Sierra Madre Mountains . Through a lot of troubles they eventually succeed in finding gold, but greedy outlaws (Alfonso Bedoya) , and most especially craziness lead to disaster . As they sold their souls for the treasure of the Sierra Madre .

It's an intelligent semi-western that scrutinizes the greed and paranoia that afflicts a misfit group , including their enormous difficulties and breathtaking taking on between protagonists and the Mexican enemies that stalk to them . The film blends thrills , emotion , intrigue , high body-count and it's fast moving and exciting ; being filmed in Mexico, though Warners' studio head Jack L. Warner had the unit return to Hollywood when the budget started to exceed $3 million . Thought-provoking screenplay by the same Huston , concerning about greed and ambition that threaten to turn their success into disaster . Director John Huston had read the book by B. Traven in 1936 and had always thought the material would make a great movie . Based on a 19th-century ballad by a German poet , Traven's book reminded Huston of his own adventures in the Mexican cavalry . When Huston became a director at Warner Bros. , the smashing success of his initial effort, The Maltese Falcon (1941), gave him the clout to ask to write and direct the project, for which Warner Bros had previously secured the movie rights . Although by many to be director John Huston's finest film , this is a tale of fear , greed and murder , as three partners fall out over the gold they have clawed out of the inhospitable and bandit-ridden deserts and mountains . It also has probably the most brutal gold bar fight ever put on film along with "The Ruthless Four" . Overrated by some reviewers , but very interesting and attractive to watch . It above all things mostly also remains a real characters movie, in which the three main roles are the essentials . Their dynamic together is also great and is what mostly keeps this movie going . They are three totally different characters, which is the foremost reason why they work out so great together on film . Bogart is superbly believable and gives a nice portrait of an increasingly unhinged prospector , Walter Huston is very good as a cunning veteran and Tim Holt is also pretty well . John Huston has a cameo as an American tourist , this scene was directed by Humphrey Bogart, who took malicious pleasure on his director by making him perform the scene over and over again. And the little boy who sells Bogart the portion of the winning lottery ticket is Robert Blake . The bum seated near Walter Huston in the first scene in the Oso Negro flophouse is Jack Holt, father of Tim Holt . Walter Huston, father of director John Huston, won the Academy Award for best supporting actor , John won for best direction . This was the first father/son win .

The musician Max Steiner composes a vibrant soundtrack and well conducted ; including a catching leitmotif and considered to be one of the best . Atmospheric scenario with barren outdoors , dirty landscapes under sunny exteriors and a glimmer sun and fine sets with striking cinematography by Ted McCord , this was one of the first American films to be made almost entirely on location outside the USA . Also shown in computer-colored version . The picture was shot on location in Tampico, Mexico ; just as John Huston was starting to shoot scenes in, the production was shut down inexplicably by the local government ; it turns out that a local newspaper printed a false story that accused the filmmakers of making a production that was unflattering to Mexico . Fortunately, two of Huston's associates, Diego Rivera and Miguel Covarrubias, went to bat for the director with the President of Mexico , then the libelous accusations were dropped . The motion picture was stunningly realized by John Huston and the film took 5-1/2 months to shoot and was 29 days over schedule ; Robert Rossen submitted at least nine drafts of rewrites on the screenplay when John Huston was away during the war . Rating : Above average . Well worth watching , essential and indispensable seeing . In 2007: The American Film Institute ranked this as the #38 Greatest Movie of All Time.