Les Amants de la nuit

Nicholas Ray is mostly known for his work, "Rebel WIthout a Cause", but his first work, a dazzling, moving (if sentimental) film noir, is far better. Unjustly out-of-print, "They Live By Night" may have its minor flaws, but the stark, beautiful camerawork, stolid dialogue and (perhaps above all) exquisite performances make up for it. It has none of the often phony emotions and annoying characters that are found in "Rebel Without a Cause."

Bowie, the innocent, sympathetic outlaw hero of "They Live By Night" is a wonderfully drawn. By no means is he the cliched nice-guy-in-a-bad-situation; though essentially good-hearted, he can be frighteningly callous at times. Farley Granger, working with excellent direction, he gives us glimpses of a violent yet passionate nature, struggling against the condemnation of society. Cathy O'Donnell is also entrancingly tender, yet we can vaguely see that her character is trapped in a hopeless relationship with Bowie. She is also sadly obscure, which plainly has nothing to do with her talent.

The one significant fault of this film is over-restraint. At times, Ray's understated direction can be extremely effective, such as when he is dealing with violence. But at other times the characters' (and especially Keechie's) emotions are so tightly controlled that some of the impact on the audience is lost. Still, despite a few faults, "They Live By Night" is a wonderful film, and if ever you can find it, sell your hair but GET IT!!!

Farley Granger plays Bowie, a young con who escapes from the pen with two hardened criminals, Chicamaw and T-Dub played respectively by Howard Da Silva and Jay C Flippen in They Live By Night, an aptly titled film if there ever was one. Da Silva and Flippen are both terrific here, as is Cathy O'Donnel as Keechie, Bowie's equally young girlfriend. The movie revolves around the relationship between them and their efforts to get away from the life of crime that is always a few steps behind them and also to try living like normal people, during the day, instead of at night, like their criminal associates. This was Nicholas Ray's first film as a director and it certainly was a worthy effort, as it has fine performances throughout, especially O'Donnels. As the film comes to a close, you can pretty well figure out the ending, but that doesn't detract from its potency, as they are let down by one of their own, blackmailed it seems by the cops.

Nicholas Ray's first film is a fascinating, enveloping example of a filmmaker getting as much as he can out of so little. His film was made under the radar at RKO, despite having John Houseman as a producer. While also having a cast of really unknowns, he also uses it to his advantage to tell a small story very well. It's close to being one of the more 'text-book' examples, in the story's core, in the history of B-noir (film-noir that didn't get the hype of The Big Sleep or Out of the Past, star vehicles as much as unique thrillers). Bowie (Farley Granger, soon to be a Hitchcock stock-player) escapes from jail with the help of a couple of bank robbers who make him, as they say, "an investment." He meets a girl, Keechie (Cathy O'Donnell), daughter of a farmer they pass by, and he becomes friends with her, so to speak. She agrees to leave town with him and they also decide, almost on a whim, to get married (for twenty bucks no less). But soon, very soon, fall in love, however, despite the checkered and now notorious past catching up to Bowie.

Obviously, if you're looking for stellar, "method" acting, look elsewhere in the main performances. But they do have enough of a pull in their chemistry on screen- sometimes rough and spelling of their doomed relationship, other times tragically tender- to back up the best aspects to the film. The true pleasures in seeing They Live By Night are the details that Ray lays in the scenes, bits of life probably taken from the book the movie's based on. Godard once proclaimed that Ray "IS cinema". If this statement does hold validity to a degree, it shows for certain even in Ray's debut in the scenes with the secondary platers. Such as the wedding scene, or in general with the dialog in the script (i.e. "Between him and the chicken, I'd bet on the chicken", or "I'm the black sheep" "the only thing black about you are your eyelashes), or even with the strengths in Ray's camera as a simple storyteller. In a sense this cuts right to the chase with the theme of doomed youth, years before Rebel Without a Cause yet with the given desperation of the noir films.

While generally less seen than Ray's other films (though more attributable to being less available on video), it's likely one of his best; a powerful mix of the bittersweet tale of a criminal and his love that would decades later meld with other crime-film elements into a work like True Romance.

This was the first pairing of Farley Granger and Cathy O'Donnell and it was successful enough so that the two worked together two years later in "Side Street. I heard that this movie was sort of a early "Bonnie and Clyde," and it was, but only to a degree.

Granger and O'Donnell didn't really dominate the screen until after 40 minutes but after that, it was mostly them. Frankly, I enjoyed the first 40 minutes best when Howard da Silva and J.C. Flippen shared the screen time. They were great film noir characters in this movie (and they did come back in the second half, livening up the film again.) I liked their names in here: da Silva was "Chicamaw." and Flippen was "T-Dub." In most of the second half of this movie, it went from a noir to a romance. but that's not surprising knowing the director was Nicholas Ray.

This is the best I've ever seen O'Donnell, who never impressed me much but she's impressive here with a fine performance and a nice '40s look to her. She had a strange character name, too: "Keechie." Granger ("Arthur Bowers") does a nice job, too. For an uneducated thug, he sure comes across as a really nice guy. It's kinda of weird. He reminded me of John Dall in "Gun Crazy" (1950). Some of the camera-work also reminded me of "Gun Crazy."

However, one major detail should be noted: unlike "Gun Crazy" and "Bonnie & Clyde," the two lovers in this movie did NOT rob banks together. O'Donnell's character never gets involved in any crime, so comparing this film to those doesn't really fit. Most of "Keechie's" time is spent living in a remote cabin lodge, and suggesting periodically to her husband that he go straight - a far cry from the women Peggy Cummins and Faye Dunaway played.

Like a lot of good film noirs, this also has some very good supporting actors who play weird people, and say weird things. Some of the dialogue in this movie is fascinating because it's so odd. One example is the guy who marries the couple for $20. Another is Keechie's father.

This is a odd little "B" noir/melodrama and definitely one that film noir fans should check out. Romantics will like it, too. I'm glad it is now available on disc, as part of the Film Noir Classics Collection Volume 4.

Nicholas Ray made his directorial debut in They Live By Night that's a little bit Romeo and Juliet and a little bit Bonnie and Clyde. Bonnie Parker will no way recognize Cathy O'Donnell as herself, but The Bard will no way miss seeing her as Juliet Capulet.

As for Farley Granger he was always playing sensitive and misunderstood youths like this one back in his salad days. Ostensibly he starts as an innocent kid convicted for something he didn't do and is looking for money to get a good lawyer to clear himself.

A pair of rough customers, Howard DaSilva and Jay C. Flippen break out of their prison farm in Mississippi and as Flippen puts it recognize talent when they see it and he's an investment. If Granger was innocent before he sure isn't now. But the funny thing is that the media concentrate on Granger's baby face good looks and dub him as the gang leader.

While Granger heals up from injuries sustained in the escape he does it at Will Wright's farm and gas station where he meets Cathy O'Donnell and it's instant love. But this is passion that will burn hot and fast as this love is no way meant to last.

Ray did remarkably well capturing the doomed nature of the relationship and the people. Even viewing it today by someone who never heard of Bonnie&Clyde or even has seen the classic film. There is such an aura of sadness permeating the entire film from start to finish that even though you know it will end bad, you are drawn to these people.

They Live By Night is one of Farley Granger's signature roles and a great start for the career of Nicholas Ray.