Les Trois Mousquetaires

Boy is this thing all over the place. Sumptous to be sure it has the MGM touch in spades as far as lavishness goes but an inconsistent tone and some terrible casting choices.

The good-Vincent Price and Lana Turner are perfect in their roles with Lana looking astonishing in some beautiful and some ridiculous costumes. Angela Lansbury, wasted playing Queen Anne, campaigned for the role of Milady; in hindsight it seems incredible that Mayer said no, how great and truly evil she could have been but Lana was a huge star at the time and she is silkily wicked so no real harm was done to the film. June Allyson may not have been the ideal choice but she doesn't disgrace herself as Constance.

The average-Van Heflin, Gig Young and Richard Coote are merely adequate as the musketeers and while Frank Morgan is always a welcome sight he is just so wrong as the king of France.

The bad-Gene Kelly as d'Artagnan, and very bad he is, of course he handles the sword fighting episodes well with a dancers grace. It's his over eager and downright dreadful line readings and reactions that are painful and irritating to watch. Whenever he is on screen the movie stops dead in it's tracks. A very mixed bag.

The Hollywood of the classic studio system is not known for its kindness in adapting great literary works. Often overwrought or oversimplified, cut down or bastardized, the movie versions rarely capture the essence or the form of the books they pretend to adapt.

This one is exceptional. Both the pathos and the verve of the Dumas novel (itself a roman-feuilleton - a serial- which it is rumored Dumas didn't actually write) are wonderfully captured, and Kelly is the dream D'Artagnan. Every bit of physicality and fun that he brought to his choreographies in the musicals is used beautifully to bring grace and energy to the duels. The humor of the star is used quite brilliantly. Compare the toungue-in-cheek pastiche THE DUELLING CAVALIER in SINGING IN THE RAIN with this earlier work. Look up a few of his directorial efforts (The Cheyenne Social Club) with the humor here.

Each fan of Dumas will have his favorite version of THE THREE MUSKETEERS, but we all must agree this is a noble and (overall) successful effort.

MGM pulled out all the stops for this 1948 version of "The Three Musketeers." Filmed in color and directed by George Sidney, it has a large, all-star cast consisting of Gene Kelly, Lana Turner, June Allyson, Van Heflin, Cornell Wilde, Vincent Price, Angela Lansbury, Robert Coote, Frank Morgan, Keenan Wynn and John Sutton.

Gene Kelly is D'Artagnan, who arrives to join the Musketeers and ends up having to fight three duels in a day with Athos (Heflin), Porthos (Young) and Aramis (Coote). They all wind up friends.

The Musketeers' first assignment is to steal the Queen's jewels back for her - a gift of twelve diamond studs from her husband (Morgan). She has given them to her lover, the Duke of Buckingham, but now needs them back to wear in nine days' time.

Cardinal Richlieu (Price), anxious to reveal the secret relationship between the two, dispatches his evil mistress, Lady De Winter (Turner) to steal two of the studs. Richlieu wants France to declare war against England and completely destroy the King's powers.

The Musketeers have to get the jewels from the Duke and return with them to Paris. With two diamond studs missing, they have an added task of picking up two replacements from a jeweler and getting them to the Queen in time to wear them at a banquet.

In the process of all of this, D'Artagnan falls in love with the Queen's lady-in-waiting, Constance (Allyson).

All of the acting is wonderful, with the role of Lady De Winter expanded from the original book. Lana Turner is perfect as De Winter - gorgeous, cool, irresistible and deadly. The scenes between Constance and De Winter toward the end of the film are among the best in the movie, very suspenseful (and different from the book).

Turner to me looks carefully made up to hide some extra pounds, not to mention being tightly corsetted. The movie was filmed right after Lana had broken up with the great love of her life, Tyrone Power, which may have had something to do with it.

Van Heflin is sympathetic and strong as Athos, who has a past with De Winter and still loves her, and Vincent Price makes an excellent Cardinal Richlieu.

Gene Kelly is the ideal D'Artagnan, and his casting is very clever, giving him a chance to show the great athleticism that contributed so much to his dancing. His swordplay is amazing, really making the swordfights entertaining.

Though the role has very serious moments, Kelly gives it a lightness and humor when needed. Especially fun is the scene where D'Artagnan, in the dark, poses as Lady De Winter's lover.

There are, as mentioned, many versions of this Dumas classic. This one is vividly entertaining, colorful and energetic, with a very attractive cast, good direction, and a thrilling score. Highly recommended.

It starts out as a broad slapstick comedy, and when Gene Kelly has the opportunity to showcase his acrobatic skills, it's good old-fashioned swashbuckling fun. But after the first 20 minutes it turns into mostly heavy drama, and the swordfights are actually few and far between. The problem with the script is that, trying to cover all the characters and subplots of the book, it has no time to develop them enough, and the story lacks a strong central focus. At times you wonder exactly what each person is trying to achieve, and where some of the characters you know are basic have gone (the main example: Richelieu, excellently played by Vincent Price, has only about three of four scenes in the entire film). Still, it's a good-looking, entertaining production. (**1/2)

"The Three Musketeers" is an adaptation of Alexandre Dumas' novel of the same name. The film features sweeping scenes, bright costumes and classical themes. Gene Kelly does well in an energetic performance as D'Artagnan. The rest of the cast is solid as well, particularly Lana Turner and Vincent Price as the scheming villains.

The film features a number of sword fights which are well staged, but become repetitive. The filmmakers tried to balance the action scenes with the intrigue of Dumas' novel. This was welcome, but I found the film had tedious stretches and didn't completely capture the excitement of the novel.