Les Trois Mousquetaires

The Hollywood of the classic studio system is not known for its kindness in adapting great literary works. Often overwrought or oversimplified, cut down or bastardized, the movie versions rarely capture the essence or the form of the books they pretend to adapt.

This one is exceptional. Both the pathos and the verve of the Dumas novel (itself a roman-feuilleton - a serial- which it is rumored Dumas didn't actually write) are wonderfully captured, and Kelly is the dream D'Artagnan. Every bit of physicality and fun that he brought to his choreographies in the musicals is used beautifully to bring grace and energy to the duels. The humor of the star is used quite brilliantly. Compare the toungue-in-cheek pastiche THE DUELLING CAVALIER in SINGING IN THE RAIN with this earlier work. Look up a few of his directorial efforts (The Cheyenne Social Club) with the humor here.

Each fan of Dumas will have his favorite version of THE THREE MUSKETEERS, but we all must agree this is a noble and (overall) successful effort.

M-G-M presents Dumas' exciting story of love and adventure ,¨The three musketeers¨ . For the first time is adapted in the greatest Hollywood splendor , the complete romance , the historical characters, the full novel just as Alexandre Dumas write it . It is packed with comedy , derring-do , intrigue, a love story , action , drama and moving swordplay . An awesome casting and lavish production shot in Metro Goldwyn Studios make for a fairly amusement swashbuckler . This is the classic version of the Dumas's novel with a handsome Gene Kelly in a brave role as a young and handsome soldier of fortune , a dashing , audacious lover . This is a slight and high budgeted retelling about the durable Alexandre Dumas's novel with all-star-cast . This delightful adaptation based on Alexandro Dumas classic novel starts with the youngster D'Artagnan who arrives in Paris to find Mister Treville(Reginald Owen) , chief of Musketeers . But he meets three two-fisted Musketeers , Athos (Van Heflin) , a rollicking adventurer , fighting to live and living to love , Porthos (Gig Young) and Aramis (Robert Coote) . DÁrtagnan to be aware they are Musketeers and is invited to unite them in their objective to struggle against guards of Cardinal Richelieu , his deputy Rochefort (Ian Hunter) , and an astute secret agent named Milady De Winter (Lana Turner) who is lovely as a jewel , deadly as a dagger the wickedest woman in all Christendom . Meanwhile , D'Artagnan falls in love with a gorgeous young named Constance (June Allyson), daughter an innkeeper , she is a golden-haired beauty entangled in a web of treachery and intrigue . Furthermore , there is developed an intrigue between Luis XIII (Frank Morgan ) , Queen Anna of Austria (Angela Lansbury) , dazzling as her gilded palace for her , men dared a thousand perils , and Duke of Buckingham (John Sutton) ; and , of course ,the nasty Richelieu (Vincent Price) . The musketeers join forces for royal vengeance with the shout : ¨One for all and all for one¨.

It's a magnificent rendition from the immortal novel in big budget and breathtaking scenarios . The picture contains rousing action , intrigue , romantic adventure , mayhem and a lot of fencing . Entertaining swashbuckling with lavish production by Pandro S. Berman , glamorous gowns and luxurious sets by Oscar winning Cedric Gibbons . Sympathetic performances by main star cast and enjoyable secondary cast ; as the marvelous main actors are completed by stellar support cast full of classical and veteran players as Vicent Price , Reginald Owen , Keenan Wynn , Frank Morgan and several others . Colorful cinematography in the splendor of Technicolor by Robert Planck . Evocative musical score by Herbert Stothart based on Tchaikowski themes . Lush production design is well reflected on the luxurious interiors and exteriors filmed at Hollywood . The motion picture was well realized by George Sidney (Scaramouche , that he subsequently made in similar style). This classy story is subsequently remade on several versions , firstly take on this classic turns out to be the following : 1921 silent version by Fred Niblo with Douglas Fairbanks . And going on 1935 adaptation by Rowland V. Lee with Walter Abel and Paul Lukas ; 1973 amusing version by Richard Lester with Michael York , Oliver Reed and Raquel Welch ; 1993 modern adaptation by Stephen Herek with Charlie Sheen , Kiefer Sutherland , Oliver Platt and Chris O'Donnell , and 2001 rendition by Peter Hyams with Justin Chambers , Mena Suvari and Tim Roth , among others. ¨The three Musketeers¨ is an outstanding and entertaining adaptation of the classy that will appeal to the costumer genre buffs and it results to be an excellent adaptation with big budget based on the classic tale .

Gene Kelly's athleticism which is usually on full display in his musical films is given full reign in MGM's big budget adaption of The Three Musketeers, a tale very often told on the big screen. Personally I don't think the movies ever got it quite right, especially when none of the three best actors suited to play D'Artagnan, Errol Flynn, Tyrone Power, and Douglas Fairbanks, Jr. never got a crack it on the big screen.

The Seventies had an all star epic filming of the Alexandre Dumas classic, but I'm betting that Richard Lester so wished he had all his players under contract to the same studio as Louis B. Mayer did. Look down the cast list, Mayer barely went outside his studio for a player.

I don't think I have to relate any of the plot, one of the most familiar in the world. Gene Kelly fresh off the farm from Gascony with the usual bumptiousness associated with folks from that area of France gets himself in hot water with three Musketeers of the King's personal guard Van Heflin, Gig Young, and Robert Coote. But before fighting any duels with them all three join forces to defeat and send packing some of Cardinal Richelieu's guards. The other three like Kelly's style and he's a musketeer from then on.

That particular duel is choreographed as Kelly would do in any of his numbers in his musicals. It's so good I expected a song to be coming forth almost any minute. This is where Kelly the dancer and choreographer gets to shine.

The rest of the cast is of high quality with Frank Morgan as King Louis XIII, Angela Lansbury as Queen Anne of Austria, Vincent Price as the clever Richelieu, Ian Keith as Price's attack dog Rochefort, Lana Turner as Milady DeWinter who attacks in other ways for Richelieu, June Allyson who's a little too much like her Americanized girl next door as Constance for my taste, John Sutton as the English Prime Minister the Duke of Buckingham, and Keenan Wynn as the loyal if not too bright servant of D'Artagnan.

Milady DeWinter is one of the most evil women in literature and Lana Turner was up to the job. Watching her it's like she channeled back her performance in The Postman Always Rings Twice for this role.

I was curious however that I could find no reference in the film to Richelieu being a Cardinal. In the film he's simply referred to as Richelieu. Note there is no trace of any clerical garb on Vincent Price. My guess is that MGM didn't want to offend the Catholic Church by having a prince of said church shown as the villain. Also as the Cold War was going into deep freeze, Pius XII and his church were seen as an anti-Communist bulwark.

Though I wish that one of the three stars I cited above had ever gotten to play D'Artagnan, The Three Musketeers from MGM in 1948 is not a bad version and Gene Kelly's fans will enjoy it immensely.

The true test of a filmed version of a famous novel is not how close the action is to the plot of the book - it's whether it's faithful to the spirit of the original, and above all, whether it *works*. I didn't think casting Gene Kelly as a non-singing, non-dancing D'Artagnan would work: it does. I didn't think censoring the religious references to suit the US market would work - it does. I didn't think this could possibly rival the 1974 Lester/Macdonald Fraser version... well, I'm still not sure about that one, but it's an unexpectedly close call.

Without any question, the outstanding performance in this film is that of Gene Kelly. His athleticism, unsurprisingly, is marvellous, his swordplay is dazzling - but most importantly, as an actor his characterization of the impetuous, susceptible, hot-headed but good-hearted young Gascon is spot on the mark. He plays the part with a humour and charm that leave us likewise loving and laughing in his wake, and the only character with a chance of upstaging him is that truly preposterous yellow horse... a piece of type-casting if ever I saw one!

Perhaps the most disappointing performance, in contrast, is Van Heflin as Athos, the high-minded musketeer who drinks to find oblivion from a dark secret in his past. This Athos is a sullen peasant rather than a tragic nobleman, perhaps because the scriptwriters chose to demote him from Comte to Baron de la Fere. He has none of the charisma that should have been brought to the part, and it's often hard to understand why his three companions put up with him.

The fight scenes are excellently staged, as is to be expected in a precursor of 'Scaramouche', but I personally did feel that they went on for a little too long. Likewise, Anne of Austria was wonderfully imperious, but not as beautiful as the legend would have her. Constance Bonancieux, by contrast, gets a much larger part in this version than in Dumas' novel - and a somewhat less sleazy relationship with the young lodger - and makes the most of it.

The pivotal change in the plot during Milady's stay in England features Constance to a large extent, and is in my opinion actually very effective. The fact that even those of us who know the source material inside out have no idea *how* the inevitable is going to happen increases the tension enormously, and the change of emphasis to the relationship between the two women, rather than the seductive act we have seen several times before, gives both actresses a fresh chance to shine.

Richelieu, shorn of his Cardinal's title to avoid Church offence, has relatively little to do in this version, and D'Artagnan's nemesis Rochefort barely appears at all, though both actors make the most of what screen time they have. There is an effective scene at the end (again, owing nothing to Dumas) where Richelieu reminds the King of his dominion as the power behind the throne, only to save face in a graceful manoeuvre as Louis XIII temporarily asserts himself: we are quite certain that the King will soon be back under his thumb.

Overall, I was very impressed by the way in which this film captured the roistering, sometimes raucous, sometimes melodramatic spirit of its source material. Reading other people's comments about the silent version starring Douglas Fairbanks, I only wish I were likely to get the chance to see that as well!

MGM pulled out all the stops for this 1948 version of "The Three Musketeers." Filmed in color and directed by George Sidney, it has a large, all-star cast consisting of Gene Kelly, Lana Turner, June Allyson, Van Heflin, Cornell Wilde, Vincent Price, Angela Lansbury, Robert Coote, Frank Morgan, Keenan Wynn and John Sutton.

Gene Kelly is D'Artagnan, who arrives to join the Musketeers and ends up having to fight three duels in a day with Athos (Heflin), Porthos (Young) and Aramis (Coote). They all wind up friends.

The Musketeers' first assignment is to steal the Queen's jewels back for her - a gift of twelve diamond studs from her husband (Morgan). She has given them to her lover, the Duke of Buckingham, but now needs them back to wear in nine days' time.

Cardinal Richlieu (Price), anxious to reveal the secret relationship between the two, dispatches his evil mistress, Lady De Winter (Turner) to steal two of the studs. Richlieu wants France to declare war against England and completely destroy the King's powers.

The Musketeers have to get the jewels from the Duke and return with them to Paris. With two diamond studs missing, they have an added task of picking up two replacements from a jeweler and getting them to the Queen in time to wear them at a banquet.

In the process of all of this, D'Artagnan falls in love with the Queen's lady-in-waiting, Constance (Allyson).

All of the acting is wonderful, with the role of Lady De Winter expanded from the original book. Lana Turner is perfect as De Winter - gorgeous, cool, irresistible and deadly. The scenes between Constance and De Winter toward the end of the film are among the best in the movie, very suspenseful (and different from the book).

Turner to me looks carefully made up to hide some extra pounds, not to mention being tightly corsetted. The movie was filmed right after Lana had broken up with the great love of her life, Tyrone Power, which may have had something to do with it.

Van Heflin is sympathetic and strong as Athos, who has a past with De Winter and still loves her, and Vincent Price makes an excellent Cardinal Richlieu.

Gene Kelly is the ideal D'Artagnan, and his casting is very clever, giving him a chance to show the great athleticism that contributed so much to his dancing. His swordplay is amazing, really making the swordfights entertaining.

Though the role has very serious moments, Kelly gives it a lightness and humor when needed. Especially fun is the scene where D'Artagnan, in the dark, poses as Lady De Winter's lover.

There are, as mentioned, many versions of this Dumas classic. This one is vividly entertaining, colorful and energetic, with a very attractive cast, good direction, and a thrilling score. Highly recommended.