Les Trois Mousquetaires

While there have been many versions of the THREE MUSKETEERS, this is my very favorite thanks to wonderful writing, acting and cinematography. I just love the incredibly vivid colors of the 1940s Technicolor and this is perhaps the best example of this type of color film that emphasized very bright primary colors--more intense than real life but perfect for showy spectacles like this.

The film begins with Gene Kelly (as D'Artagnon) heading to Paris and accidentally insulting each of the three musketeers. He is challenged to all three to a duel, but the duels are cut short by the troops of the evil Cardinal Richelieu. Then, the story takes off and the intrigue begins.

The film is a perfect example of the "full MGM treatment"--top production values, crisp writing, excellent direction and the best ensemble cast around. See it and have a ball. If you don't, you must be dead.

It starts out as a broad slapstick comedy, and when Gene Kelly has the opportunity to showcase his acrobatic skills, it's good old-fashioned swashbuckling fun. But after the first 20 minutes it turns into mostly heavy drama, and the swordfights are actually few and far between. The problem with the script is that, trying to cover all the characters and subplots of the book, it has no time to develop them enough, and the story lacks a strong central focus. At times you wonder exactly what each person is trying to achieve, and where some of the characters you know are basic have gone (the main example: Richelieu, excellently played by Vincent Price, has only about three of four scenes in the entire film). Still, it's a good-looking, entertaining production. (**1/2)

"The Three Musketeers" is an adaptation of Alexandre Dumas' novel of the same name. The film features sweeping scenes, bright costumes and classical themes. Gene Kelly does well in an energetic performance as D'Artagnan. The rest of the cast is solid as well, particularly Lana Turner and Vincent Price as the scheming villains.

The film features a number of sword fights which are well staged, but become repetitive. The filmmakers tried to balance the action scenes with the intrigue of Dumas' novel. This was welcome, but I found the film had tedious stretches and didn't completely capture the excitement of the novel.

Still a spectacular and fun movie and an adaption of the work by Alexandre Dumas that got the spirit of the writings. The cast with Gene Kelly, Lana Turner and Vincent Price among others is superb. Still a movie to dream and one of my favorites regarding the adventures of D'Artagnan. Athos, Aramis and Porthos. Top movie for the whole family.

"The Three Musketeers" is unarguably an adventure film of great physical beauty and quite a bit of narrative power. It stands just after "The Best Years of Our lives" as one of the first Technicolor "A" films that broadened the palette used by filmmakers to include richness as well as, say, western or Arabian settings in adventure movies. To director George Sidney goes much of the credit for the film's swiftness of pace and attractive visual elements. With cinematography by Robert Planck, art direction by Malcolm Brown and the great Cedric Gibbons, elaborate set decorations by Edwin B, Willis and Henry Grace, and costumes by legendary Walter Plunkett, the film moves from rustic scenes to sumptuous interiors via scenes of swordplay that are often stunning. Add makeup by Jack Dawn, hair designs by Larry Germain and Sydney Guilaroff, sound by Douglas Shearer and Herbert Stothart's original music and use of Tschaikovsy themes--and the result I suggest is a quite satisfying viewing experience. But the plot has something more, perhaps, as well. The original Alexandre Dumas's (the father) storyline as treated by Robert Ardrey's screenplay comes out as an intelligent but somewhat satirical-cynical look at life in the France of the time of Cardinal Richelieu and King Louis XIII. In adopting an objective, light-hearted tone, similar to that in "North By Northwest', the producer Pandro S. Berman and the writers gain for the film the ability to do memorable comedy as well as occasionally far-more-serious scenes. What is lost in concentrated dramatic power is made up fin such an adventure if the actors are able to invest its goings on with the seriousness of their taking it seriously, bringing it to life professionally. I suggest that in the lavish production, this level of artistry was almost everywhere achieved. The large cast features such attractive artists as Angela Lansbury as the Queen, John Sutton as Buckingham, June Allyson very-well-used as Constance, Robert Warwick as D'Artagnan's father, Keenan Wynn as Planchet the servant, Reginald Owen and Ian Keith, Patricia Medina and Richard Wyler. In featured roles, one can enjoy stellar work by Robert Coote as Aramis, Gig Young as Porthos, Frank Morgan as the King and Gene Kelly as an athletic and often lyrical D'Artagnan. But the acting honors in the film belong to actor worthies Van Helfin, who dominates in the role of the hard-drinking Athos and Vincent Price, who makes immense amounts out of what he is allowed to do as an understated Richelieu. The curious casting is that of attractive Lana Turner as Lady De Winter; she is not capable yet of classical work, but she suggests some of her part's potential depths. This famous story of the young Gascon joining the three best swordsmen in France and learning more about life than he had bargained for is here given as much power perhaps as it can handle; and rich scenes of sword battles, interpersonal misunderstandings and a sense of controlled importance makes, I suggest, the story's dark moments memorable and the fun more important than it might have been. I find this to be a masterly understatement of a truly classic adventure.