Ajouter une intrigue dans votre langueWith her gangster boyfriend under investigation by the police, a nightclub singer hides out in a musical research institution staffed by bachelor professors - one of whom begins to fall for ... Tout lireWith her gangster boyfriend under investigation by the police, a nightclub singer hides out in a musical research institution staffed by bachelor professors - one of whom begins to fall for her.With her gangster boyfriend under investigation by the police, a nightclub singer hides out in a musical research institution staffed by bachelor professors - one of whom begins to fall for her.
- Réalisation
- Scénario
- Casting principal
- Bubbles
- (as John William Sublett)
- The Page Cavanaugh Trio
- (as The Page Cavanaugh Trio)
- The Golden Gate Quartette
- (as The Golden Gate Quartet)
- The Samba Kings
- (as Russo and The Samba Kings)
- Professor Traumer
- (as Ludwig Stossel)
Avis à la une
There are surprises in the plot, especially if you don't recognize some of the actors until they perform.
Danny Kaye's form of humor is not fully appreciated now, but in his time he drew a large following. This movie is a good example of his artistry. His best movie was probably "Hans Christian Anderson." I watched it as a kid and I can still remember the song "Beautiful, Beautiful Copenhagen."
A group of dull music professors are studying the history of music. Two window cleaners urge Danny Kaye, a music professor, to go out and hear music around him.
In Damon Runyan-like atmosphere, he accidentally gets involved with gangsters and their moll-Virginia Mayo.
She hides out by Kaye and his other professors as she is wanted for questioning regarding a murder that her guy-Steve Cochran-may have committed. Remember Cochran and Mayo two years earlier in the Oscar-winning "The Best Years of Our Lives?"
When she hides out, she brings an assortment of musicians with her to join the professors and all belt out music. Thanks to Louis Armstrong and Tommy Dorsey, the music shines. Benny Goodman is unrecognizable as one of the corny music professors.
The hostage situation at film's end is hilarious at best.
A musical treat; funny and memorable when Kaye pops the question. Lots of good fun.
By changing the original premise from learning about slang to learning about the new popular rhythms that had come out during the thirties and forties, the creators thought they were updating the basic idea, and they succeed, at times. The best thing in this film is the array of talent we see. Some of the giants in popular music of that time, are seen at their best in musical numbers that are clever and that reminds the viewer how classic compositions could relate to the new expressions.
The central story is just a pretext to present Danny Kaye, who is the nerdy professor Frisbee, and his co-star, Virginia Mayo, a night club singer, Honey Swanson. Professor Frisbee gets in hot water because unknown to him, Honey is involved with a gangster, Tony Crow, who doesn't want to let go of his beautiful girlfriend. Besides the two stars, Steve Cochran puts in an appearance as Tony.
Some of the best known popular musicians of that era are seen doing wonderful music together. Tommy Dorsey, Mel Powell, Buck and Bubbles, Charlie Barnett, Louis Armstrong, Lionel Hampton, and Benny Goodman, who plays one of the professors.
The film, while not as original as its model, is worth watching for the music alone. Music fans are in for a treat thanks to Mr. Hawks.
The true big band aficionado will recognize some of the other musicians, but I will not list them here as I might spoil someone's fun.
Le saviez-vous
- AnecdotesProducer Samuel Goldwyn forced Virginia Mayo to watch Boule de feu (1941) over and over again so she could mimic Barbara Stanwyck's performance.
- GaffesAfter slipping her engagement ring on, it disappears only to reappear at the beginning of Miss Honey's long-hair jam session recording.
- Citations
Honey Swanson: [about Frisbee] Yes, I love him. I love those hick shirts he wears with the boiled collars and the way he always has his coat buttoned wrong. It looks like a giraffe, and I love him. I love him because he's the sort of a guy that gets drunk on a glass of buttermilk. And I love the way he blushes right up over his ears. I love him because he... he doesn't know how to kiss, the jerk.
- Versions alternativesThere is an Italian edition of this film on DVD, distributed by DNA Srl, re-edited with the contribution of film historian Riccardo Cusin. This version is also available for streaming on some platforms.
- ConnexionsFeatured in Louis Armstrong's Black & Blues (2022)
- Bandes originalesA Song Is Born
(1948)
Words and Music by Don Raye and Gene de Paul
Orchestrations by Sonny Burke
Sung by Virginia Mayo (uncredited) (dubbed by Jeri Sullavan (uncredited))
Sung and played by Louis Armstrong (uncredited)
Played by Tommy Dorsey (uncredited)
Sung by The Golden Gate Quartette (uncredited)
Meilleurs choix
- How long is A Song Is Born?Alimenté par Alexa
Détails
Box-office
- Budget
- 2 400 000 $US (estimé)
- Durée
- 1h 53min(113 min)
- Rapport de forme
- 1.37 : 1