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IMDbPro

Mon héros

Titre original : A Southern Yankee
  • 1948
  • Approved
  • 1h 30min
NOTE IMDb
6,6/10
576
MA NOTE
Arlene Dahl and Red Skelton in Mon héros (1948)
Official Trailer
Lire trailer2:15
1 Video
43 photos
BurlesqueFarceComédieGuerreL'histoireOccidental

Ajouter une intrigue dans votre langueA hapless bellboy in a St. Louis hotel near the end of the Civil War is recruited by the Union secret service to impersonate a notorious Confederate spy.A hapless bellboy in a St. Louis hotel near the end of the Civil War is recruited by the Union secret service to impersonate a notorious Confederate spy.A hapless bellboy in a St. Louis hotel near the end of the Civil War is recruited by the Union secret service to impersonate a notorious Confederate spy.

  • Réalisation
    • Edward Sedgwick
    • S. Sylvan Simon
  • Scénario
    • Harry Tugend
    • Melvin Frank
    • Norman Panama
  • Casting principal
    • Red Skelton
    • Brian Donlevy
    • Arlene Dahl
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,6/10
    576
    MA NOTE
    • Réalisation
      • Edward Sedgwick
      • S. Sylvan Simon
    • Scénario
      • Harry Tugend
      • Melvin Frank
      • Norman Panama
    • Casting principal
      • Red Skelton
      • Brian Donlevy
      • Arlene Dahl
    • 23avis d'utilisateurs
    • 2avis des critiques
  • Voir les informations de production sur IMDbPro
  • Vidéos1

    A Southern Yankee
    Trailer 2:15
    A Southern Yankee

    Photos43

    Voir l'affiche
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    + 36
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    Rôles principaux84

    Modifier
    Red Skelton
    Red Skelton
    • Aubrey Filmore
    Brian Donlevy
    Brian Donlevy
    • Kurt Devlynn
    Arlene Dahl
    Arlene Dahl
    • Sallyann Weatharby
    George Coulouris
    George Coulouris
    • Maj. Jack Drumman aka The Grey Spider
    Lloyd Gough
    Lloyd Gough
    • Capt. Steve Lorford
    John Ireland
    John Ireland
    • Capt. Jed Calbern
    Minor Watson
    Minor Watson
    • Gen. Watkins
    Charles Dingle
    Charles Dingle
    • Col. Weatherby
    Art Baker
    Art Baker
    • Col. Clifford M. Baker
    Reed Hadley
    Reed Hadley
    • Fred Munsey
    Arthur Space
    Arthur Space
    • Mark Haskins
    Joyce Compton
    Joyce Compton
    • Hortense Dobson
    Byron Foulger
    Byron Foulger
    • Mr. Duncan
    • (scènes coupées)
    Edward Gargan
    Edward Gargan
    • Male Nurse
    • (scènes coupées)
    Bert Moorhouse
    Bert Moorhouse
    • Capt. Jeffreys
    • (scènes coupées)
    Addison Richards
    Addison Richards
    • Dr. Clayton
    • (scènes coupées)
    Pierre Watkin
    Pierre Watkin
    • Major
    • (scènes coupées)
    Richard Alexander
    Richard Alexander
    • Bartender
    • (non crédité)
    • Réalisation
      • Edward Sedgwick
      • S. Sylvan Simon
    • Scénario
      • Harry Tugend
      • Melvin Frank
      • Norman Panama
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs23

    6,6576
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    Avis à la une

    7aimless-46

    "Uncivil Warrior"

    This fun 1948 comedy by Edward Sedgwick is like a cross between "Uncivil Warriors" (the 1935 Three Stooges short with the stooges playing Capt. Dodge, Lt. Duck, and Lt. Hyde) and "Advance to the Rear" (a 1964 comedy starring Glenn Ford and Stella Stevens). It is not quite as zany as the Stooge classic but has more physical comedy than Ford's film, including stunts designed by Buster Keaton.

    Red Skelton plays Aubrey Filmore, a bumbling hotel bellboy in 1865 St. Louis, who spends most of his working hours tracking down imaginary spies among the guests. Aubrey's bumbling pays off one afternoon when he accidentally knocks out a guest who turns out to be a legendary Confederate spy called the "grey spider". His good fortune continues when a southern belle, Sallyann Weatherby (Arlene Dahl) mistakes him for the spider. Wanting to exploit these events, the Union secret service gives him phony plans to pass along to the enemy and instructions to pass along to another union agent behind enemy lines. Predictably Aubrey gets the two packets of information mixed up and places the union agent and himself in jeopardy.

    "A Southern Yankee" is quite funny if not especially noteworthy, the cast is solid and the production design of good quality.

    Then again, what do I know? I'm only a child.
    7jimo

    Morning Electra

    As a fan of old films I always look for the character actors. This film has a lot of notable ones: John Ireland, George Colouris, Reed Hadley (what a voice), Art Baker, Louise Beavers, Charles Dingle, Paul Harvey, and many others. This movie has a mix of slapstick, stunt gags, screwball comedy, and one-liners like "Morning Electra". I must admit I enjoy these no-limit comedies.

    Red Skelton and Bob Hope and Danny Kaye often did scaredy-cat but bluffing buffoon type characters in films. Skelton expanded this by adding his usual rubber-faced over-reacting but he managed to get away with it.
    7MissSimonetta

    Not a remake of The General-- keep that in mind

    THE GENERAL is my favorite movie of all time while Red Skelton is not a favorite of mine (I don't hate him, he's just not my cup of tea), so I am ashamed to admit I went into A SOUTHERN YANKEE fully expecting to hate it. To my surprise, it was not bad.

    Though often called a "remake" of the Buster Keaton classic, A SOUTHERN YANKEE's plot is entirely different: Skelton plays a bellboy/aspiring secret agent who bumbles onto a real Confederate spy plot. General farce ensues, with only a few gags lifted from Keaton's earlier film. For what it is, A SOUTHERN YANKEE is quite enjoyable. Even some of the dumber gags had me howling.
    6timniles

    Better than You'd Expect

    I remember Red mostly from TV in the 50s. To my knowledge I had not seen even one of his films until this one a few years ago.

    I found it amusing and well worth the viewing time.

    It's also in something of a counterpoint to most of his TV sketch comedy which was too broad and pointless to me even as a child.

    One of the interesting features of this film was that it was set in the American Civil War and was mostly a comedy. The film was produced in the late 40s (I think) in a period when most - if not all - Civil War films were completely dramatic ("Gone with the Wind" had a few pointedly amusing lines from Rhett Butler but was a serious film.) The Civil War by then was some 80 years in the past, but the South was still very much the South, so to lampoon the South in any way (even if also the Union received comic dusting) would seem to me as quite a stretch by the producers. Like they were willing to write the South off their distribution lists.

    Bottom line, Red was much better than I can ever remember seeing him and that alone was worth it.
    Big Cat 12

    A very funny movie

    This movie is about a hotel bell boy who wants to be a soldier in the Civil War (Red Skeleton's role). By sheer luck,he becomes a spy (Northern spy pretending to be a Southern). The flag carrying scene (I won't give it away anymore) is definitely one of the funniest scenes I have ever seen. My only critique is that the last part of the movie was not quite as humorous as the first part (at least in my opinion). However, this movie is definitely worth seeing.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      No one could figure out a simple, yet funny way to get Aubrey out of the house when he was being held captive by the angry dog. Buster Keaton, employed by MGM as a roving gag man, was called to the set, looked at the set up, and came up with the idea of removing the door hinges and letting the dog in as Aubrey got out. The most famous gag in the movie took Keaton all of five minutes to devise. Buster also contributed other gags some of which he'd done himself years earlier.
    • Gaffes
      Mention of prisoner exchange is mentioned by the colonel. Prison exchanges were stopped by Grant in 1864, the first union commander who realized the road to victory lay through attrition.
    • Citations

      Col. Clifford M. Baker: The paper's in the pocket of the boot with the buckle. The map's in the packet in the pocket of the jacket. Understand?

      Aubrey Filmore: Hmm?

      Col. Clifford M. Baker: And if you get them mixed up, you're a dead goose.

      Aubrey Filmore: Oh, well let's see now. The paper's in the pocket of the macket with a jacket, and the . . No, I see, the packet's in the . .

    • Connexions
      Featured in La grande parade du rire (1964)
    • Bandes originales
      Oh! Susanna
      (uncredited)

      Composed by Stephen Foster (1848)

      Instrumental version used as leitmotif under titles ad sung briefly by Skelton and Dahl.

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    Détails

    Modifier
    • Date de sortie
      • 5 août 1948 (États-Unis)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • El espía espiado
    • Lieux de tournage
      • Providencia Ranch, Griffith Park hills, Los Angeles, Californie, États-Unis(Photograph)
    • Société de production
      • Loew's
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 1 482 000 $US (estimé)
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 30min(90 min)
    • Couleur
      • Black and White
    • Rapport de forme
      • 1.37 : 1

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