Ajouter une intrigue dans votre langueThe Bowery Boys run into a smuggling operation when Slip checks out a manor he mistakenly believes he's inheritedThe Bowery Boys run into a smuggling operation when Slip checks out a manor he mistakenly believes he's inheritedThe Bowery Boys run into a smuggling operation when Slip checks out a manor he mistakenly believes he's inherited
- Réalisation
- Scénario
- Casting principal
William 'Billy' Benedict
- Whitey
- (as Billy Benedict)
Benny Bartlett
- Butch
- (as Bennie Bartlett)
Hans Schumm
- Karl
- (as Andre Pola)
Gene Roth
- Capt. Franz Drum
- (as Gene Stutenroth)
Avis à la une
This is one of my favorite Bowery Boys comedies, minus Bobby Jordan. Slip (Terrence Mahoney)played by the great LEO GORCEY, "thinks" he inherits a mansion, but he's mistaken, because the letter is addressed to "Terrence Mahoney, Esq.", and Slip just happens to be cleaning this other Mahoney's office when the letter arrives, great pretense aay?
Well then the hijinks begins as Slip, Satch (Huntz Hall), Whitey (Billy Benedict) & the rest of the boys go to the mansion & discover that there's a diamond smuggling racket going on right in the house. One great scene is when the bad guys have our heroes locked up in a room, Satch loses it and begins to jabber "Oooh Whitey, Whitey, Whitey..." but Whitey just keeps on pacing the floor and doesn't notice Satch's frustration.
Well, the real Terrence Mahoney shows up just in the nick of time as does Gabriel Dell, another original Dead End Kid, and the boys get saved & Slip gets the house. If you get a chance to, see this movie, it'll make you laugh.
Well then the hijinks begins as Slip, Satch (Huntz Hall), Whitey (Billy Benedict) & the rest of the boys go to the mansion & discover that there's a diamond smuggling racket going on right in the house. One great scene is when the bad guys have our heroes locked up in a room, Satch loses it and begins to jabber "Oooh Whitey, Whitey, Whitey..." but Whitey just keeps on pacing the floor and doesn't notice Satch's frustration.
Well, the real Terrence Mahoney shows up just in the nick of time as does Gabriel Dell, another original Dead End Kid, and the boys get saved & Slip gets the house. If you get a chance to, see this movie, it'll make you laugh.
Leo Gorcey comes to the mistaken conclusion that he has inherited an estate on Long Island's North Shore; actually, it is series semi-regular Paul Harvey, also named 'Terence Mahoney' who has done so. They all wind up at the house where diamond smuggler Martin Kosleck has set up shot. The usual low hijinx ensue.
The Bowery Boys movies are held in disesteem by serious cineastes, and there's no sensible way to elevate them to high art -- although the same thing can be said about the Lemmy Caution movies, which didn't stop the New Wave. Cheaply made, formulaically written and directed by William Beaudine at his trough, no one ever claimed these were made to do more than to give jobs to the men who had started out as the gang in DEAD END, entertain the kids at weekend matinees, and show a profit.
They did that, in the tradition of Samuel Johnson, who said "No man but a blockhead ever wrote except for money." While people maunder on about the cinematic arts and who wins the Academy Awards, they seem to forget that the movies are business, and the businessmen are there to make money. Ignoble as that sounds, the great actors, directors, cameramen, writers and others who make movies also want to make some money too. The Bowery Boys offer no advancement in the arts, no examples of great moments, but they did what they were supposed to do.
The Bowery Boys movies are held in disesteem by serious cineastes, and there's no sensible way to elevate them to high art -- although the same thing can be said about the Lemmy Caution movies, which didn't stop the New Wave. Cheaply made, formulaically written and directed by William Beaudine at his trough, no one ever claimed these were made to do more than to give jobs to the men who had started out as the gang in DEAD END, entertain the kids at weekend matinees, and show a profit.
They did that, in the tradition of Samuel Johnson, who said "No man but a blockhead ever wrote except for money." While people maunder on about the cinematic arts and who wins the Academy Awards, they seem to forget that the movies are business, and the businessmen are there to make money. Ignoble as that sounds, the great actors, directors, cameramen, writers and others who make movies also want to make some money too. The Bowery Boys offer no advancement in the arts, no examples of great moments, but they did what they were supposed to do.
Terrence "Slip" Mahoney (Leo Gorcey) and Sach (Huntz Hall) are cleaning an empty office. A delivery boy mistakenly gives a letter addressed to Terrence Mahoney which tells him that he has inherited the Mahoney Manor. Only he's the wrong Terrence Mahoney. He and his friends go take possession of the mansion but it's being occupied by criminal smugglers.
It's The Bowery Boys doing some Scooby Doo stuff. It's a bit light fun. It needs more but it's plenty silly anyways.
It's The Bowery Boys doing some Scooby Doo stuff. It's a bit light fun. It needs more but it's plenty silly anyways.
Smugglers' Cove (1948)
** (out of 4)
Terrance Mahoney (Leo Gorcey) is left a large mansion on a cliff overlooking the sea. Slip and the boys head out there to take a look not knowing that he's the wrong Terrance Mahoney and that there are some smuggler's working in the house. Number eleven in the series isn't at the bottom but it's no where near the top either. This is the first entry in the series that pretty much left me cold as there wasn't a single laugh to be found anywhere. That might make you think that the movie is a complete waste since this is a comedy after all but in fact I think the more dramatic moments work the best. The actual mystery of what's going on in the basement made for a good drama and director Beaudine actually handles it quite well. I thought he did a very good job at building up the mystery and making the drama work. So, why doesn't the film work better? Because the comedy is so poorly written that it really takes away from the drama. Sach (Huntz Hall) is so out of place here you can't help but wish they'd left him out like they did Louie. The comedy bits from the other players including Gorcey isn't anything special either and in the end we're left with a rather bland attempt at humor. What mild humor does work comes from Gabriel Dell who is once again playing the same character but with a different job. This time out he's playing a rather nerd-ish character who is constantly getting into trouble. I thought the actor did a good job with the role and helped keep the film moving at a decent pace.
** (out of 4)
Terrance Mahoney (Leo Gorcey) is left a large mansion on a cliff overlooking the sea. Slip and the boys head out there to take a look not knowing that he's the wrong Terrance Mahoney and that there are some smuggler's working in the house. Number eleven in the series isn't at the bottom but it's no where near the top either. This is the first entry in the series that pretty much left me cold as there wasn't a single laugh to be found anywhere. That might make you think that the movie is a complete waste since this is a comedy after all but in fact I think the more dramatic moments work the best. The actual mystery of what's going on in the basement made for a good drama and director Beaudine actually handles it quite well. I thought he did a very good job at building up the mystery and making the drama work. So, why doesn't the film work better? Because the comedy is so poorly written that it really takes away from the drama. Sach (Huntz Hall) is so out of place here you can't help but wish they'd left him out like they did Louie. The comedy bits from the other players including Gorcey isn't anything special either and in the end we're left with a rather bland attempt at humor. What mild humor does work comes from Gabriel Dell who is once again playing the same character but with a different job. This time out he's playing a rather nerd-ish character who is constantly getting into trouble. I thought the actor did a good job with the role and helped keep the film moving at a decent pace.
If this Bowery Boys comedy-melodrama doesn't make you laugh, then we could never be friends. Filled with wonderful moments, the "Shoveler" line is one I remember from childhood, and thanks to Rob Waggs for mentioning it.
I would disagree with Rob that this is the greatest Bowery Boys picture (for me that is Blues Busters, followed by Blonde Dynamite and then Live Wires), but it is certainly up there.
Piece of trivia: In 1949, Leo Gorcey married Amelita Ward, who played Teresa in the film. They met on the set, and given the hurried shooting schedules of Monogram pictures, it must have been a whirlwind romance.
I would disagree with Rob that this is the greatest Bowery Boys picture (for me that is Blues Busters, followed by Blonde Dynamite and then Live Wires), but it is certainly up there.
Piece of trivia: In 1949, Leo Gorcey married Amelita Ward, who played Teresa in the film. They met on the set, and given the hurried shooting schedules of Monogram pictures, it must have been a whirlwind romance.
Le saviez-vous
- AnecdotesThe 11th of 48 Bowery Boys movies released from 1946 to 1958.
- GaffesWhen Captain Drum rows the smugglers into the cave, he makes a very lame attempt to moor the boat to a post. The rope unravels and falls into the water as he walks away, risking the rowboat floating away. A real ship's captain would not fail to tie a stable nautical hitch.
- Citations
Sach: Whoops! A bagel tiger!
Terrence 'Slip' Mahoney: It's not "bagel" tiger, it's *beagle* tiger, ya moron!
- ConnexionsFollowed by Trouble Makers (1948)
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Cuatro delincuentes
- Lieux de tournage
- 100 Bush Street, San Francisco, Californie, États-Unis(Shell Building - used for the Metropolitan Building where Slip and Satch work)
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée1 heure 6 minutes
- Couleur
- Rapport de forme
- 1.37 : 1
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By what name was Smugglers' Cove (1948) officially released in India in English?
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