The Sign of the Ram

Since I was a teenager, I loved this movie! It had just the right amount of mystery, intrigue and drama. I loved the study of a controlling, manipulative woman, who was wheel-chair bound, who caused much heartache and death. I didn't know until recently that Susan Peters was actually wheel-chair bound from an automobile accident, I believe. I have been trying to find this movie to purchase it for my home for ages, but no luck! I also wanted to find out if the movie was based on a novel, and what the name is. I thought it was one of the best movies I ever saw, and loved the scenery, with the waves crashing on the shore. I have fond memories of it, and would like to relive them. My horoscope sign, incidentally is THE SIGN OF THE RAM! I don't believe the movie is still available, and would hope that Ted Turner or whoever owns the rights would reprint the movie, so that we could buy it!

The Sign of the Ram is directed by John Sturges and adapted to screenplay from Margaret Ferguson's novel. It stars Susan Peters, Alexandev Knox, Phyllis Thaxter, Peggy Ann Garner, Ron Randell, Dame May Witty and Allene Roberts. Music is by Hans J. Salter and cinematography by Burnett Guffey.

Wheelchair bound Leah St. Aubyn (Peters) manipulates everybody around her...

"It's the sign of the ram. People born under this sign are endowed with a strong will power and obstinacy of purpose"

The setting is a cliff top mansion, a lighthouse is nearby, its purpose is to steer ships out of the fog and away from harms way. This is the fictitious Cornish place known as Tremerrion, and our play unfolds in the mansion known as Bastions. It's film that has proved to be a bit illusive to pin down, for whatever reasons, and that is a shame because there are plenty things for fans of such devilish dramas to be excited about. The backstory of the leading lady is itself tragic, for Susan Peters would be paralysed from the waist down after a freak hunting accident, this would see her appear in her last film. She gave up on life, tortured by pain and the loss of her ability to walk, she would starve to death and pass away four years later. Thankfully, and it's not sympathetic praise here, she's excellent and leaves film fans a fitting farewell to the movie world.

"Haven't you sensed it? The undertone, like a warning drumbeat"

Stripped down it's the story of a woman who manipulates everyone close to her, cunningly so, her reasons deliberately shaded in grey, and the question constantly gnaws away as to just how come her family and confidants can't see it?. Sooner or later something is going to give, and it's the waiting that gives the pic an edginess that's most appealing. This woman has no shame, we are told by her loyal spouse that she's not bitter about her accident, but she so is, but wears it well. She's not only spell bindingly pretty, but she's pretty spell bindingly devious too. The fog rolls in, the waves crash against the coast to marry up with the psychological discord being set loose in Bastions. Salter's music swirls and bites, while genius cinematographer Guffey turns in some class frames (one scene involving criss cross shadows is film noir nirvana).

"They will stop at nothing to accomplice their purpose - and sometimes meet a violent death"

Pulsing with jealousies, betrayals, suspicions and a whole host of devious machinations, this be a crafty old devil, a pic deconstructing the human condition with malicious glee. 7/10

From the wheelchair to which the actress was confined as the result of a hunting accident three years earlier, Susan Peters builds a controlled, subtle, expert performance that's the centerpiece of John Sturges' The Sign of the Ram. As the paralyzed young stepmother of three children living in a great Gothic pile on the Cornish coast, she conceals her frustrations under a mask of serenity (she writes mawkish poems for a London newspaper under the name Faith Hope) only to unleash them in sly, vindictive manipulation.

The wheelchair may render her immobile, but her hands, restless and expressive, are ever on the move: posturing with cigarettes and lighter, picking out waltzes on the keyboard, plying her pen, knitting and purling. They seem to have a life of their own – a slithery, reptilian life, fueled by the cold instincts of the brainstem alone.

The cast around her pulls its weight, too, in particular husband Alexander Knox, best remembered as the president in Darryl Zanuck's overblown biopic Wilson; Phyllis Thaxter as a hired secretary/companion; and Peggy Ann Garner, as an adolescent girl whose warped loyalty to Peters almost has irreversible consequences. Sturges maintains the pace, a brooding andante, while Burnett Guffey coaxes the most out of the labyrinthine house and crashing Irish Sea.

But it's Peter's movie, and her last (she died four years later). When her machinations come to light, with the fog rolling in, Sturges devises a superb final scene – a cinematic `schlussgesang,' as they called those overwrought soprano passages that rang down the curtain in German opera. She deserved nothing less.

SUSAN PETERS had been an Oscar nominee already(RANDOM HARVEST) and a star-on-the-rise when a hunting accident led to paralysis. But this gifted young performer did not stop acting. Despite difficulties, she starred in THE SIGN OF THE RAM and gave a remarkable performance. As a manipulative, youthful stepmother, she creates dangerous problems for all those around her. Ms. Peters' performance is all the more striking, because it is not the kind of sympathetic role one might expect from a true-life actress in pain. She blithely moves from decent, lovely, caring woman to a woman desperately seeking control of all those around her. Her growth in the characterization is powerful, and she deserved award consideration. Everything else in the film works well -- from the work of Alexander Knox, Peggy Ann Garner, Phyllis Thaxter, Allen Roberts, Dame May Whitty, etal. to the cinematography of the cliffside house, to the art direction, music, etal. John Sturges' direction manages to avoid the pitfalls of melodrama as much as possible. But it is Susan Peters' charisma that makes this an important, albeit forgotten, work of art. She would go on to touring the country in THE BARRETTS OF WIMPOLE STREET and onto TV in the MISS SUSAN series, but she deserved further critical acclaim. This film should be given more prominence; it is a strong work starring a fine actress.

The big screen career of Susan Peters came to a farewell with this film The Sign Of The Ram. It was her only big screen appearance after the tragic hunting accident that left her a paraplegic. The only other performance like it was that of Christopher Reeve when he did a TV remake of Rear Window after his accident that left him a quadriplegic.

Certainly both Peters and Reeve brought a dimension to their roles that wouldn't be possible any other way. Peters plays the paralyzed wife of Alexander Knox, his second wife to be sure. Some years back she saved the lives of her two stepchildren while they were swimming, but at the cost of her own mobility as her back was smashed against rocks.

The kids have grown up and are played by Ross Ford and Peggy Ann Garner. Both are contemplating matrimony and Peters with her manipulation tries to sabotage things.

In one of his earliest directing assignments, John Sturges kept Peters tightly in check and the result was a beautifully controlled and mannered performance. There's so much beneath the surface of a woman who has gotten kudos for the way she's handled her accident. But we only see what Sturges and Peters let us see.

The title role refers to Susan Peters astrological sign of Aries and people who are born under that sign are said to be in tight control of their emotions and possessed of an unconquerable will and stubborn fixation about any goal they want, good or evil. Peters is determined that no one will ever have real happiness as she feels she cannot, but especially those kids whom she gave her legs for.

All around the cast delivers well and Sturges did capture the gloomy mood on the Cornish sea shore where the story is set. But Peters is absolutely unforgettable in The Sign Of The Ram.