La nuit désespérée

George Raft is said to have turned down more than one role that ended up making someone else's career. Sam Spade in "The Maltese Falcon," for example. Yet the movies he did choose are for the most part flat and predictable.

I like him as a tough guy. He does it well. "Race Street" is strictly routine. He won't pay protection money, with predictable results.

Harry Morgan is excellent in a fairly small role. William Bendix, who always turned in a fine performance, is very good as a cop. And Marilyn Maxwell is the femme fatale.

She's OK. But her performance is unexciting. We neither hate her nor feel sorry for her. Maxwell essentially executes a plot contrivance.

George Raft is a well respected bookie in San Francisco. He's got a cute girlfriend in Marilyn Maxwell, a sister who's a lounge singer in Gale Robbins, and a cop friend in Lieutenant William Bendix. Raft doesn't play ball with him, but Bendix figures so long as things are quiet, he's doing his job. But when a mysterious stranger played by Frank Faylen decides to set up a protection racket for bookies, they resist. Harry Morgan winds up dead. Bendix investigates because it's his job. Raft, because Morgan is his friend.

The most interesting part of Raft's last film for RKO is the handsome shots of San Francisco shot by DP Roy Hunt. Miss Robbins' musical numbers are good, and Bendix is interesting in a straightforward, amiably corrupt role. Meanwhile, Raft continues to fail to impress me with his minimal performance, although he does manage to grit his teeth when he has been shot. With Russell Hicks, Tom Keene, Franklyn Farnum, and Charles Lane.

This is a superior crime noir let down by a most nondescript title! Harry Morgan ("Hal") is found at the bottom of a flight of stairs - George Raft ("Gannin") and detective "Barney" (William Bendix) know his death is a bit fishy, and decide to investigate (separately!). Soon it transpires that the former is involved in dodgy bookmaking, as was the deceased, and that someone is trying to muscle in on their business. Raft is good as he tries to avenge his dead friend, never quite sure to trust, as are femme fatale Marilyn Maxwell as "Robbie" and Gale Robbins as his sister "Elaine" who sings a couple of quite decent numbers too. It's quite a tense short feature with plenty of darkly lit scenes and a tight dialogue to keep the suspense going until, I have to say, a rather silly ending. Well worth a watch, though.

George Raft plays Gannin, a bookie who is, despite this, basically an honest guy. His pal, Hal (Harry Morgan) approaches him to say that some mobsters want in on his own bookmaking business. Well, these creeps turn out to mean business and when Hal refuses to cooperate, they murder him in a very vivid and brutal scene (one of the best in the film). Naturally, Gannin isn't happy but things are about to get rough for him as well, as the mobsters soon approach him as well. Now he could work with the detective (William Bendix) to expose these rats but, naturally, Gannin only likes to handle things alone. Does he possibly stand a chance?! Well, since it's George Raft, you certainly assume so!

This film turned out to be a lot better than I expected. No, George Raft was just as stiff and unbelievable as he usually was in films. However, the plot offered some nice twists and kept me guessing. Plus the ending came as a HUGE surprise to me! Well worth seeing...almost deserving an 8...but not quite making it due to Raft's very ordinary sort of performance.

Ironically, later Harry Morgan would play Bill Gannon on "Dragnet"...the show that helped make him a household name.

George Raft and director Edwin Marin made several films together: JOHNNY ANGEL, INTERIGUE; NOCTURNE and this very one, which is for me the best of them all, also showing William Bendix in an unusual cop character. Bendix should have made more films like this one, he had the face and charisma for it. This crime noir is excellent for me, a pretty exciting RKO feature which I watch regularely with great pleasure. Fast paced, not too long, the ending is also in the line of the story and far better than other movies from this era; Good directing and camera work emphasize the power of this story. I recommend it;