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Le pirate

Titre original : The Pirate
  • 1948
  • Tous publics
  • 1h 42min
NOTE IMDb
6,8/10
5,9 k
MA NOTE
Le pirate (1948)
Official Trailer
Lire trailer2:25
1 Video
99+ photos
AventureComédieMusicalRomanceBurlesqueSwashbuckler

Une jeune fille est fiancée à un riche notable, mais elle se languit pour le légendaire pirate, Macoco. Un saltimbanque tombe amoureux d'elle et pour l'impressionner se fait passer pour le p... Tout lireUne jeune fille est fiancée à un riche notable, mais elle se languit pour le légendaire pirate, Macoco. Un saltimbanque tombe amoureux d'elle et pour l'impressionner se fait passer pour le pirate.Une jeune fille est fiancée à un riche notable, mais elle se languit pour le légendaire pirate, Macoco. Un saltimbanque tombe amoureux d'elle et pour l'impressionner se fait passer pour le pirate.

  • Réalisation
    • Vincente Minnelli
  • Scénario
    • Albert Hackett
    • Frances Goodrich
    • S.N. Behrman
  • Casting principal
    • Judy Garland
    • Gene Kelly
    • Walter Slezak
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,8/10
    5,9 k
    MA NOTE
    • Réalisation
      • Vincente Minnelli
    • Scénario
      • Albert Hackett
      • Frances Goodrich
      • S.N. Behrman
    • Casting principal
      • Judy Garland
      • Gene Kelly
      • Walter Slezak
    • 81avis d'utilisateurs
    • 52avis des critiques
  • Voir les informations de production sur IMDbPro
    • Nommé pour 1 Oscar
      • 2 victoires et 2 nominations au total

    Vidéos1

    The Pirate
    Trailer 2:25
    The Pirate

    Photos112

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    + 104
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    Rôles principaux57

    Modifier
    Judy Garland
    Judy Garland
    • Manuela
    Gene Kelly
    Gene Kelly
    • Serafin
    Walter Slezak
    Walter Slezak
    • Don Pedro Vargas
    Gladys Cooper
    Gladys Cooper
    • Aunt Inez
    Reginald Owen
    Reginald Owen
    • The Advocate
    George Zucco
    George Zucco
    • The Viceroy
    Fayard Nicholas
    Fayard Nicholas
    • Specialty Dancer
    Harold Nicholas
    Harold Nicholas
    • Specialty Dancer
    Lester Allen
    Lester Allen
    • Uncle Capucho
    Lola Albright
    Lola Albright
    • Isabella
    • (as Lola Deem)
    Ellen Ross
    Ellen Ross
    • Mercedes
    Mary Jo Ellis
    • Lizarda
    Jean Dean
    • Casilda
    Marion Murray
    • Eloise
    Ben Lessy
    Ben Lessy
    • Gumbo
    Jerry Bergen
    • Bolo
    Val Setz
    • Juggler
    The Gaudsmith Brothers
    • Poodle Act
    • (as Gaudsmith Brothers)
    • Réalisation
      • Vincente Minnelli
    • Scénario
      • Albert Hackett
      • Frances Goodrich
      • S.N. Behrman
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs81

    6,85.9K
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    Avis à la une

    7evilmatt-3

    A cute and eye-catching musical

    I'm not a fan of musicals in general, but I like this one. The visuals, though clearly 1948, and very vivid and pleasing to the eye. The story also manages to be cute and silly without degenerating into complete nonsense. Gene Kelly does a pretty impressive job during to musical numbers; at times he seems to defy gravity effortlessly. One can't help but be impressed. The real jewel of this film, though, is Judy Garland. I couldn't tell you exactly what it is about her, but she is absolutely fantastic in this film. Her facial expressions, body language, and tone of voice (especially when her character is irritated) and absolutely irresistable. Even if this movie was terrible, it would be worth watching just for her performance.

    On the downside, the musical numbers do get a little exhausting and seem just too long for their own good. Yes, Gene Kelly can sing and dance, but somewhere around the tenth minute of "Be a Clown" I felt like driving a dull steak knife through my skull.
    9BrentCarleton

    Luscious Garland in brilliant farce--one of her very best.

    Though Gene Kelly is superb as the athletic strolling player Serafin, and is given some of the best dancing opportunities of his career, this is Miss Garland's film all the way. And what a film! How strange that it isn't better known.

    In one of their rare moments of scenic largesse, Metro released Garland from the small town confinements of Hardy--ville, and/or the sweet girl who makes it to Broadway with the corn stalks still in her suitcase, and gave her something of genuine wit and sophistication.

    For here, she is Manuela Alvarez, of the colonial Virgin Islands, a well born, cloistered 19th century maiden, (presumably convent educated, i.e., Gladys Cooper to Judy, "...we'll take refuge in the church!") whose only psychic escape from her self enclosure consists in fantasizing about the notorious pirate, "Mack the Black Macoco." That she is tricked into believing a dashing actor, Serafin (Kelly) is the real Macoco, while in fact he is none other than her lumpy affianced, Mayor Dom Pedro (Walter Slezak) is the spindle upon which this cinematic yarn spins its glories.

    And what phantasmagoric glories they are! This ranks with "Yolanda and the Thief," (sorry "American in Paris" fans) as Mr. Minnelli's most accomplished Technicolor visual achievement. For working with Jack Martin Smith, he concocts a Caribbean sea port a swirl with color and characters--one can almost smell the salt air a waft with spice and languor, and including as well: a quay brimming with turbanned negroe vendors, a village of Salmon and off white stucco walls, and black filagreed wrought iron against a cerulean sky, and bevys of extras dressed in a fortune worth of rainbow colored moire, velvet and brocade flounces, furbellows, snoods, and gauntlets. The shaded interiors are replete with empire furniture, carved ebony, and bamboo blinds and palmettos.

    The effect is dreamlike in an operetta sort of way and deliberately so. A storybook come to life but one which successfully combines the conventions of 19th century aristocratic propriety, (in which young women of quality do not walk out without their duennas) against 20th century show biz colloquialisms to great effect, (one thinks here of Mr. Kelly's delightful reference to a review in the "Trinidad Clarion comparing him to David Garrick","No Noose is Good Noose," and "You should try underplaying sometime."

    The players are at the top of their form: Mr. Kelly is in full command of his powers here: his partnering with the Nicholas Brothers in "Be a Clown," as well as the "Pirate Ballet" (in which he pivots with a javelin against a cinnabar sky lit with explosions) almost literally take ones breath away.

    But it is in "Ninia" that he achieves the most felicitous display of solo Terpsichore, with Robert Alton's choreography, Harry Stradling's fluid boom camera following his cat like moves over up and through the town, and the delightful Cole Porter lyric and melody, culminating in flamenco steps with torrid and tempting MGM contract dancers in and through the striped poles of a circular gazebo.

    Of Miss Garland enough cannot be said. No more Betsy Booth! Manuela offers her a chance to broaden her range in a direction in which (sadly) she would never venture again.

    Here her exasperated intonations wring humor out of every line and situation, "Oh Casilda I do wish you were a little more spiritual!" or "Do you call it fun to live in a tent? to go hungry ?, to be looked down on by all decent people?!" give full vent to the drollery the script affords. Indeed, she channels her trademarked nervous energy into her character in such a way, that she, (as "Parent's Magazine" noted in its review) gently spoofs some of her earlier film characterizations. Thus we get the Dorothy like: ("I know it, something dreadful is going to happen, something dreadful...") It's a performance that one cannot simply imagine any other actress playing. Thus, she claims the role and makes it her own.

    And who can forget the scene where she pretends to believe Serafin is Macoco once she has discovered the deception, "I can see us now, you with your cutlass in one hand and your compass in the other, shouting orders to your pirate crew, and I, I spurring you on to greater and greater achievements, won't that be magnificent?!" to which she pounds her fist against the table with sugar dipped venom.

    Musically she is also a delight from start to finish.

    Moreover, she has never been seen to such pictorial advantage in the post war period as she is here, gowned by Tom Keogh and Madame Karinska in one of the most arresting (and beaded!) wardrobes she ever wore on screen, and just as importantly, effectively coiffed throughout, (most particularly in the "Love of My Life" sequence where she is adorned with a coral diadem and matching earrings.)

    Similarly, her close-ups are meltingly lovely, such as the nightgown clad scene wherein she begs Gladys Cooper to take her to Port Sebastian, "I'll make him a good wife Aunt Inez--really." (what a vision in feminine charm she is here!) or slightly later when, clad in a broad brimmed straw hat she gazes upon the Caribbean, or perhaps best of all, with a conch shell at her ear, and under hypnosis, she whispers of Macoco to dazzled interlocutors.

    Supporting players are top of the mark, and it is interesting to see Garland interact with Gladys Cooper and horror veteran George Zucco.

    After it was completed, MGM relegated Garland back to formula vaudeville hokum, but thankfully "The Pirate" was already in the can. Musical film scholar Douglas McVay has declared it to be the best musical film of 1948. He's right. See it to find out why.
    8jotix100

    Be a clown!

    They certainly don't make movies like this one anymore! "The Pirate" shows how MGM dominated the musical genre with stars of the magnitude of Gene Kelly and Judy Garland under Vincente Minnelli's direction, and music by Cole Porter.

    The story is just a pretext to present the stars doing what they did best. The film is totally dominated by Gene Kelly, who makes a wonderful contribution to the film as Serafin, an itinerant entertainer who happens to be in Calvados, the Caribbean, a fictional island where the beautiful Manuela is about to get married to a powerful man, Don Pedro Vargas.

    After being pursued by Serafin, Manuela's resolve to marry the much older, fatter, and uglier, Don Pedro, is reduced to seeing the would be husband by what he really is, a bully and a man who she will never bring herself to love. The revelations at the end and the happy conclusion gives the film a great finale.

    Gene Kelly and Judy Garland were at the peak of their careers. Ms. Garland looks so beautiful in the film and she makes an adorable Manuela. Mr. Kelly gives an excellent performance as the song and dance man who can put people in a trance as he hypnotizes them. The musical numbers in which Mr. Kelly dances are superbly staged.

    The supporting players are a delight. Gladys Cooper, makes a great Aunt Inez. Walter Slezak is perfect as Don Pedro, a man who hides deeply rooted secrets. Reginald Owen and George Zucco are also seen. Best of all are the Nicholas Brothers who were amazing in their number.

    The glorious Technicolor utilized in the film has kept its luster as it has aged gloriously.
    8Isaac5855

    A Calculated Risk from MGM and Vincente Minnelli...

    THE PIRATE was a definite departure from the typical fare MGM was churning out during the 40's and 50's and audiences let MGM know immediately that this was not the kind of thing they were accustomed to because, for the most part, audiences stayed away in droves, and sadly, missed one of the most colorful and imaginative offerings to come from the MGM stable. THE PIRATE was the second of three films that Judy Garland and Gene Kelly appeared in together. Judy delivers a smart comic performance as Manuela, a Spanish princess engaged to a rich and sleazy nobleman (Walter Slezak)though at night she dreams of being with an enigmatic pirate she has heard tales of called Macoco or Mack the Black. Manuela meets Serafin (Gene Kelly) an actor in a traveling troupe and mistakes him for Macoco and it is this bit of mistaken identity upon which the thin plot thread resolves. Vincente Minnelli once again shows his penchant and eye for color with some outstanding scenery and art direction, as well as some state of the art special effects for 1948. Despite looking frail, Garland delivers an on target comic performance as Manuela and her voice, in fine form as usual, resonates on the rousing "Mack the Black" and is equally compelling on the beautiful ballad "Love of My Life". Gene Kelly is at the peak of his on screen charm and physical and dancing prowess as the witty Serafin and makes the Pirate Ballet fantasy a must see for musical fans and it goes without saying that his duet with Garland, "Be a Clown" is a classic. Kelly also does an amazing dance number with the Nicholas Brothers. Vincente Minnelli's magical eye, the voice of Garland, the charisma of Kelly, and Cole Porter music...what else do you need?
    jjewler1

    A classic I never tire of watching.

    I was a kid when I first saw "The Pirate." So I missed many of the nuances in this incredibly glorious farce. Garland and Kelly have never been funnier. Though the songs are few, the production numbers are astounding. Garland, of course, sounds incredible and Kelly does at least three long dance numbers that make for wonderful watching. Viewers must remember that the whole movie is a put-on to some degree, and the stars put it over marvelously. Great support, too, from Walter Slezak and Gladys Cooper. This is one of those films that validate the phrase "glorious technicolor." It also adds lustre to the memory of the golden age of MGM musicals.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Judy Garland missed 99 of the 135 shooting days due to illness.
    • Gaffes
      When Serafin is walking the tightrope to Manuela's balcony, the support wires can be seen.
    • Citations

      Manuela: I wish I had now. Now, will you get out of here?

      Serafin: You won't come with me?

      Manuela: No.

      Serafin: Very well then.

      [He goes through the window, turns to Manuela]

      Serafin: You know, it isn't essential for you to love me to be in the troupe. It helps, but it isn't essential.

      Manuela: Get out!

      Serafin: [leaves to go out window] Good-bye.

      Manuela: No, not that way! You'll kill yourself.

      Serafin: You do care. You do care!

      Manuela: No, I don't! No, I don't!

      Serafin: Manuela, you love me! You love me!

    • Connexions
      Edited into American Masters: Gene Kelly: Anatomy of a Dancer (2002)
    • Bandes originales
      Nina
      (uncredited)

      Written by Cole Porter

      Performed by Gene Kelly

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    FAQ

    • How long is The Pirate?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 28 septembre 1949 (France)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • El pirata
    • Lieux de tournage
      • Metro-Goldwyn-Mayer Studios - 10202 W. Washington Blvd., Culver City, Californie, États-Unis
    • Société de production
      • Metro-Goldwyn-Mayer (MGM)
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 3 700 000 $US (estimé)
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 42 minutes
    • Couleur
      • Color
    • Rapport de forme
      • 1.37 : 1

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