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La machine à tuer les méchants

Titre original : La macchina ammazzacattivi
  • 1952
  • Tous publics
  • 1h 23min
NOTE IMDb
6,7/10
1 k
MA NOTE
La machine à tuer les méchants (1952)
ComédieFantaisie

Ajouter une intrigue dans votre langueA photographer in a small fishing village is visited by a man who claims to be Saint Andrea. The Saint gives him a special camera device to solve the village's ills - by taking a photograph ... Tout lireA photographer in a small fishing village is visited by a man who claims to be Saint Andrea. The Saint gives him a special camera device to solve the village's ills - by taking a photograph of an existing picture, the photo subject dies.A photographer in a small fishing village is visited by a man who claims to be Saint Andrea. The Saint gives him a special camera device to solve the village's ills - by taking a photograph of an existing picture, the photo subject dies.

  • Réalisation
    • Roberto Rossellini
  • Scénario
    • Sergio Amidei
    • Giancarlo Vigorelli
    • Franco Brusati
  • Casting principal
    • Gennaro Pisano
    • Marilyn Buferd
    • William Tubbs
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,7/10
    1 k
    MA NOTE
    • Réalisation
      • Roberto Rossellini
    • Scénario
      • Sergio Amidei
      • Giancarlo Vigorelli
      • Franco Brusati
    • Casting principal
      • Gennaro Pisano
      • Marilyn Buferd
      • William Tubbs
    • 9avis d'utilisateurs
    • 21avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
  • Photos9

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    + 4
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    Rôles principaux14

    Modifier
    Gennaro Pisano
    Gennaro Pisano
    • Celestino Esposito
    Marilyn Buferd
    Marilyn Buferd
    • Ragazza americana…
    William Tubbs
    • Padre della ragazza americana
    • (as Bill Tubbs)
    • …
    Helen Tubbs
    • Madre della ragazza americana…
    Giovanni Amato
    • Sindaco del paese…
    Clara Bindi
    • Giulietta Del Bello
    Giacomo Furia
    • Romano Cuccurullo
    Joseph Falletta
    Pietro Carloni
    Camillo Buonanni
    Aldo Giuffrè
    Aldo Giuffrè
    Aldo Nanni
    Gaio Visconti
    Carlo Giuffrè
    Carlo Giuffrè
    • Réalisation
      • Roberto Rossellini
    • Scénario
      • Sergio Amidei
      • Giancarlo Vigorelli
      • Franco Brusati
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs9

    6,71K
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    10

    Avis à la une

    9planktonrules

    A delightful and highly original comedy.

    "La Macchina Ammazzacattivi" ("The Machine That Kills People") is an amazing film. It proves, along with De Sica's "Miracle in Milan", that a Neo-Realist film can be funny as well as surreal. What I mean by 'Neo-Realist' is that there was a style of film popularized just before WWII ended and it continued into about the mid-1950s. Because the studios were broke, they had to content themselves with making films without stars--using locals as well as local buildings and streets instead of sets. Most of these films are rather serious in tone, but this film (as well as the De Sica film) are ridiculously non-serious--and are both charming to boot.

    The film is set in a small Italian town. Celestino is a photographer who thinks he's seen the dead patron saint of the village, St. Andrew. This 'saint' bestows on Celestino a great power--a magical camera that can kill! Fortunately, Celestino isn't blood-thirsty. But, when the leaders of the town all show themselves to be a greedy and selfish lot, he reluctantly (at first) uses this gift to punish the wicked. Eventually, however, Celestino goes too far--and this leads to one of the strangest endings I can recall seeing in an Italian film. Suffice to say that I won't say more, as I don't want to spoil the surprise--but it's worth it!

    This is a very odd film in that the director, Roberto Rossellini, lost interest in the movie and left it on the shelf. Somewhere along the line, the studio had another director finish it and the film was released--and practically everyone hated it! But, today it's been restored and is a classic. I think that the dark comedy was just ahead of its time, as the film played badly then but works great today due to changing sensibilities. All I know is that I thought the film was wonderful--and it's definitely the best Rossellini film I have seen--and it's filled with many wonderful moments.
    7boblipton

    The Rossellini Touch

    Rossellini had a wry sense of humor that showed up particularly in L'AMORE and his life of Francis of Assisi. Unfortunately for him, film making is a commercial art, and when people want to see a film by Roberto Rossellini, they want a drama. So this comedy, which owes a lot to E.T.A. Hoffman and Ernst Lubitsch (the preface even borrows from Lubitsch' DIE PUPPE) confounded the audiences. They expected a serious, small scale tragedy, and so didn't laugh. They stayed away and the film vanished for almost half a century. If you wanted a black comedy, you went to see a Billy Wilder film. Rossellini went back to doing what his audiences expected of him.

    It's a pity. This is not a ground-breaking film for Rossellini, but it is a beautifully photographed and well-acted comedy with some wonderful pick-up shots.

    If you see this movie, I suggest that you go in without any expectation of seeing a Rossellini film. Just give it the chance that you would give a film by some one you've never heard of before. On those terms, I expect you'll enjoy it a lot.

    Aren't those the terms we should offer every movie?
    6henry8-3

    The Machine That Kills Bad People

    The photographer in a small seaside village is visited by a spirit who gives him the power to kill people if he uses his camera to photograph photographs of his intended victims.

    Rossellini had created a strange and enjoyable moral comedy with the photographer deciding who is bad and who isn't and losing sight of his strict moral compass as he goes about his business. The comedy is quite broadly mixed with some extreme, almost slapstick elements. The cast is enormous and you quickly get to recognise and enjoy the company of both good and bad as in any village. An eccentric pleasure.

    Histoire

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    Le saviez-vous

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    • Anecdotes
      Filmed in 1948. Not released until 1952.
    • Gaffes
      The drummer directly in front of the orchestra conductor keeps sneaking looks at the camera.
    • Connexions
      Featured in Jolanda e Rossellini (1995)

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    FAQ13

    • How long is The Machine to Kill Bad People?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 14 mai 1952 (Italie)
    • Pays d’origine
      • Italie
    • Langues
      • Italien
      • Anglais
    • Aussi connu sous le nom de
      • The Machine to Kill Bad People
    • Lieux de tournage
      • Amalfi, Salerno, Campania, Italie
    • Sociétés de production
      • Tevere Film
      • Universalia Film
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 23min(83 min)
    • Couleur
      • Black and White
    • Rapport de forme
      • 1.37 : 1

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