Amour en croisière

Jane in beautiful voice. Melchior wonderful. Brent cute and funny. Miss Dean (Dene?) powerful, sweet and beautiful. The 'boy with funny faces' a laugh riot. Exterior shot of ship looking quite modern. I realized that 1948 was only 36 years after Titanic demise, and of course people were comfortable again in going by ship. By 1948, people were flying commercially, but big boats were still very popular. A plane flight, however, wouldn't have the time needed for story development, though. Miss Dean's fiancé was very handsome, I thought. I loved all the tons of flowers he sent her, that took up so much space in her stateroom. Jane scrubbing floors on her hands and knees: pretty hard on the knees. If going by liner, it might as well have been luxury, so good thing Jane got out of those scrubbing clothes and into better looking outfits. Jane was so outgoing and cheeky in trying to get an audience with Melchior. It is good that he was so nice to her, and so accommodating. It would be a dream come true for any singer.

The story may be schmaltzy, but this movie is so charming and refreshing I find it impossible not to like. It looks lovely, with evergreen cinematography, beautiful costumes and lovingly-rendered ship. And the music is like a treasure trove, just utterly amazing to listen to, The Peanut Vendor and Wintersturme are particularly wonderful. The movie runs 98 minutes or so, and for me it is a 98 minutes well spent, the film does move briskly and is full of charm, exuberance and freshness. The direction is able, as is the script. And yes I loved the performances, Jane Powell is just a gem in this film. She looks utterly gorgeous with a darling, beautiful face and she sings wonderfully. Her duets with Lauritz Melchoir are lovely, he may have the stronger voice but she blends pretty well with him. George Brent is more than a pretty face as well, he is funny and he is cute, and Lauritz Melchoir as Olaf Eriksen(aka. My Sinatra) is a sheer delight. Hardly surprising as here he has a homely and warm presence with a huge ringing voice, no wonder he was considered one of the greatest Wagnerian tenors of the twentieth century because his Wintersturme was really powerful. Overall, a real treasure with wonderful music and performances. 10/10 Bethany Cox

MGM's musicals are meant to be enjoyed and this one sure is. Simple plot of daughter of captain (JANE POWELL and GEORGE BRENT) stows away on his liner. Typical funny business and misunderstandings pursue and it all comes out just fine in the end. But of course!! Remember, LUXURY LINER is an MGM entertainment, not message film. JANE POWELL excel is her performance and the beautfiful FRANCES GIFFORD (whom I never head of) is one great leading lady. Wish she had made more films. Good music helps this unbelievable story line just fine. There seems to have been some footage left on the cutting room floor as a couple of scenes don't make sense, and where does JANE get all that wardrobe when she stows away with a shirt and pair of jeans?? Oh well, again, remember, it's an MGM musical. Doesn't have to make sense, just entertain, which it certainly does. A must see for fans of this ilk.

"Luxury Liner" is a film that surprised me. Although it is chock full of opera singing, I still loved it! Surprise, surprise, surprise!

When the story begins, a cruise ship captain (George Brent) is about to go out to sea once again. His VERY precocious daughter (Jane Powell) stows away and spends much of her time telling various ridiculous lies, trying to set up a woman with a future husband as well as trying to get a world famous opera singer (Lauritz Melchior) to listen to her sing. While this might sound pretty annoying, Powell is marvelous as this character....very likable in spite of being a busy-body! The reason is that the film is very charming and well written...and comes off much like an episode of "The Love Boat"...but with opera music! Well worth seeing and very cute.

This movie is pap, but it's pleasant enough pap and offers some wonderful musical moments. The plot is a sit-com all about a girl (Jane Powell) who stows away on the luxury ocean liner her daddy (George Brent, in his second outing in a film with this title!) just happens to captain. Havoc ensues, of course -- the details are beside the point. The real point is that Xavier Cugat is on board with his orchestra -- and lots of surprise musical guests. Audiences in the 40s knew quite well what to expect from this sort of thing -- The Xavier Cugat/Jose Iturbi Musical -- lots of "Latin-style" fun, eye-dazzling Technicolor, and tunes galore. This one is no worse than any of them, and for a few reasons may actually be a bit better. Here's the really great thing about this pic: One of the musical "surprises" on the ship turns out to be operatic tenor Lauritz Melchior! Melchior's voice was one of the finest of his era, and his Wagnerian outing here ("Winter Storms," from Die Walküre) gives a hint of just what a pleasure he was in his prime. His performs duets with Powell from the Viennese repertoire, but she's no match for his power and finesse. Also, Marina Koshetz sings a FAAAAAABulous rendition of Cole Porter's "I've Got You Under My Skin."

All in all, worth the time it takes to watch.