The Greed of William Hart

Atmospherically lit but studio-bound and talky. Having made several Old Mother Riley films with Arthur Lucan, Tod Slaughter must by comparison have seemed to director Oswald Mitchell like a Method actor; and although he cackles diabolically a couple of times his performance actually seems rather subdued set beside his thirties villains and Robert Newton's Bill Sykes the same year.

Aubrey Woods as poor 'Daft Jamie' came fresh from playing Smike the previous year in Cavalcanti's 'Nicholas Nickleby'; while it would be another twenty years before Eddie Malin became a familiar face on TV as Walter Tattersall in 'Nearest and Dearest'.

In an attempt to clean up the soundtrack, which is rather scratchy and noisy, a digital audio remastering was done. The problem with this remastering is that between every line of dialog (where the background soundtrack noise would be audible) has now been reduced to absolute silence. The effect is jarring when you watch the movie as the dialog appears to start and stop. It is bad enough when listening via regular TV speakers but when run through an amplified system it becomes unnerving. Additionally, when there is background music in these segments between dialogue the music sounds incredibly muted. The same problem exists on Alpha Video's companion DVD "Sweeney Tood" so beware. These movies are 70+ years old and some leniency must be allowed when viewing these old prints. In this case, those who transfer these items to digital should have left well enough alone.

Now whilst this not on a par with Val Lewtons The Bodysnatchers,it has a lot going for it,despite the pennypinching production.Of course Todd Slaughter is the chief attraction.Enjoyable ham cut from the bone.

Greed of William Hart, The (1948)

* 1/2 (out of 4)

Tod Slaughter, Britain's biggest horror star, makes one of his final appearances in this film also known as Horror Maniacs. The history behind the film is actually a lot more interesting than the film itself. This was originally called The Crimes of Burke and Hare with those two names used in the film. However, the British censors objected and a relative of Hare threatened to sue so they had to dub the names, which cost so much money that the producer's couldn't afford a music score. As for the film, it's a pretty dull take on the Burke and Hare story with Slaughter very dry up until the end when he goes so over the top that you can't help but laugh. Clearly this was meant to challenge The Body Snatcher but doesn't come close.

Under an hour in length, this film about two bodysnatchers named Wally Hart and Mr. Moore(obviously meant to be Burke and Hare)showcases the immense talent of British ham Tod Slaughter, one of the truly forgotten kings of horror. It is weak in plot development, and it has little action, but the film does a good job creating the atmosphere of the poor and wicked in Edinburgh during a time when bodies were needed for medical use. A lot more could have been done with the film, but taken as it is, it is entertaining just as a vehicle in which to see Tod Slaughter cackle and gesture about. It is not Slaughter's best, however, but he does have moments as an amoral ressurectionist who kills for money with no compunction or moral barrier at all. The rest of the cast is average at best, and the film suffers from a very evident low budget. This was one of Slaughter's last "big" films. It is a shame that he was never given a budget for a film that would have made him more popular with audiences today. So few people have seen his films, and this film seems to be somewhat obscure. I recommend the film based on his presence(not performance).