Le Massacre de Fort-Apache

Lieutenant-Colonel Owen Thursday arrives at a frontier fort to take up his new command. His harsh, unbending philosophy of soldiering creates something of a stir in the regiment. His pretty daughter Philadelphia causes a rather different commotion.

The headstrong commander refuses to listen to the advice of his loyal captain, Kirby York, who knows frontier life and enjoys a rapport with the indian chiefs. The two officers are both strong characters, and their differing ideas inevitably lead to a clash.

Cochise and his braves are willing to accommodate the white man so long as their concerns are handled with diplomacy. Unfortunately, the high-handed approach of Lieutenant-Colonel Thursday cause relations to deteriorate, and conflict ensues.

In the course of the 1940's and 50's, director John Ford returned repeatedly to this subject-matter, John Wayne in Monument Valley with the US cavalry, fighting redskins and singing Irish folksongs. The stirring anthem in this movie is "The Girl I Left Behind Me", sung as the regiment rides out in full panoply to meet Cochise - although "She Wore A Yellow Ribbon" gets an airing, too.

The cavalry regiment itself is a protagonist in the story, regarded as a living entity by its members. When Captain York is promoted to Colonel and commands the regiment, he makes a powerful speech stressing the continuity and tradition which have made the regiment great. The sense of hierarchy is strong. This is a world of order in which army regulations govern even the way an officer presents his calling-card. Soldiers can quote the regulations by heart. This well-regulated military force will, we feel, impose civilisation on this wild frontier.

Examples of the regiment's rigid code keep recurring. The NCOs' dance has its own elaborate protocol, which not even Colonel Thursday dares to flout. Feelings over the O'Rourke marriage reach boiling-point, but everyone adheres to the rules of military courtesy. Washington's Birthday is celebrated as a regimental occasion. The Irish sergeants are all related by blood and marriage, and as their exuberant fraternal greetings subside, military discipline asserts itself effortlessly.

"I'm not a martinet," protests Colonel Thursday, the most extreme martinet imaginable. He is inflexible in his enforcement of the military code, and too stubborn and wrongheaded to listen to the advice of his officers, who are experienced frontier campaigners. He completely misses the presence of Cochise's war party because he has no combat experience and doesn't know to watch the skyline for dust clouds. In addition, Thursday is a terrible snob. He calls young Michael O'Rourke a 'savage' for a perceived laxity of discipline, and sets his face against the marriage of Michael and Philadelphia because of "the barrier between your class and mine". He is dismayed that the son of a sergeant should have passed through West Point, and needlessly offends Cochise by talking down to him.

And yet even Owen Thursday has a human side. We gather that there is some personal secret between him and Captain Collingwood, and we almost smile when the armchair collapses under him. Most tellingly, Thursday returns to the beleaguered redoubt after he has been rescued. He redeems himself by rejoining his soldiers in the thick of the fighting.

When young Philadelphia Thursday (Shirley Temple) studies Michael O'Rourke in her purse mirror, we know that these two will be the love interest. Also, as this incident illustrates, the womenfolk of Fort Apache tend to run the show in this masculine enclave. The Thursday residence is somewhat joyless, especially when compared with Aunt Emily's cosy quarters. The women brush aside the colonel's seniority and call in Mrs. O'Rourke to refurnish the place. In one of the film's good jokes, no fewer than eight Mrs. O'Rourkes answer the call. There is a touching scene when the regiment moves out and the women are left together. Mrs. Collingwood is torn, because her husband has his safe posting back east and needn't go into battle, but she knows how important it is for him to prove his courage. The womenfolk urge her to call him back, but she reluctantly allows him to ride out.

John Ford laced many of his films with Irish humour, and "Fort Apache" is no exception. The ubiquitous Victor McLaglen plays Sergeant Festus Mulcahy, and he and the O'Rourkes run the fort - that is, whenever they are not in the jailhouse on charges of drinking and brawling. Outrageously, Mulcahy promotes a raw recruit to corporal, simply because he's Irish. Quincannon virtually lives in the jailhouse, but he has a fine tenor voice, so he is released from custody in order to serenade the young lovers with his rendition of "Genevieve". When the dishonest trader Meacham has his whisky stock confiscated and marked for destruction, the sad faces of the sergeants make a comical picture, and the subsequent 'destruction' is even funnier.

Ford is a master of composition. York rides out to parley with Cochise and is engrossed in dialogue, leaving Thursday stranded and excluded. We hear the thunder of hooves offscreen before we see the charge, and its impact is magnified accordingly. In the sequence where York and Beaufort ride to negotiate with Cochise, the screen is filled with stunning images of rock and sky. The charging cavalry are cleverly 'lost' in their own dust, which closes behind them like a curtain, ending the scene.

Wayne is curiously subdued in this film. This is partly because he plays a conscientious subordinate, and partly because the confrontation with Fonda is eclipsed by other plot developments.

An American Western; A story about an arrogant and stubborn Civil War hero Lieutenant Colonel Owen Thursday who arrives in Arizona to assume command of the Fort Apache outpost and clashes with level-headed Captain Kirby York. This is the first of three remarkable films director John Ford made about the United States Cavalry fighting Apache, Sioux, and Cheyenne. This film deals with topics such as leadership, responsibility, heroism, and legend, and one of the first films to present a more authentic and sympathetic view of Native Americans. It is characterised by a superb example of military academy officer stiffness and a martinet approach to soldiering; there is further interest is in his meeting a more organic Western community at the isolated outpost. The character, Lt. Col. Owen Thursday, was inspired by General George Armstrong Custer and his ill-fated stand at Little Big Horn. Immaculate and painstaking detail was given to the story's period and setting. Henry Fonda and John Wayne gave the drama vigour. Ford's direction achieved broad scope, employing a non-linear narrative using digressions from the main storyline to help produce the atmosphere of a military outpost, making the main theme about moral ambiguity in warfare powerful.

I think that a list of John Wayne's five best pictures has to include Fort Apache. It's the first and best of the cavalry trilogy that he did with John Ford. Oddly enough he has less screen time here than in the other two, due to the fact that he was co-starring with another big Hollywood name in Henry Fonda.

It's first and foremost the story of a clash between two men who see the United States Army in very different terms. Fonda is a former general who's seen glory in the Civil War, but has been shunted aside. He wants to get back on top in the worst way. He's exiled to Fort Apache in the Arizona territory while the big headlines concerning the Indian wars are going to the campaign against the plains Indians which was true enough.

Wayne has also seen some glory in the Civil War. But he's a professional soldier and just wants to live long enough to retire. In fact Ward Bond who is the sergeant major at the post has also dropped down in rank, he was a major in the Civil War and a Medal of Honor winner. This was a common occurrence at the end of the Civil War. During the war, promotions came swiftly because of battlefield service. Something called a brevet rank was instituted a kind of temporary promotion. You could be a brevet brigadier general and have an actual rank of something like major. After the Civil War as the U.S. Army shrunk to its pre-war size, soldier reverted to previous ranks. This was something John Ford was keenly aware of when he made Fort Apache.

Ford's stock company was never better. Even minor bit parts are woven nicely into the whole story. And his photography of Monument Valley, it's beauty and vastness was never better even when he used color. Look at the scenes with John Agar and Shirley Temple riding and with Wayne and Pedro Armendariz on their way to parley with Cochise. Really great cinematography.

Ford had a couple of inside comments in the film. In a scene where Henry Fonda is getting an incomplete message from the post telegrapher, the telegrapher who might have strolled in from a Cagney-O'Brien film informs his commander that the message was interrupted "in the middle of the last woid." With both Irish and southern recruits in Fort Apache, a Brooklynese telegrapher would not have been out of place.

George O'Brien and Anna Lee, play Sam and Emily Collingwood who both knew Henry Fonda's Owen Thursday way back in the day. It's hinted that O'Brien had a drinking problem and that's why he's at Fort Apache, but he's looking for a transfer out. It comes as the regiment is moving out against Cochise.

Charles Collingwood was the second in command to Admiral Nelson at Trafalgar. Nelson became a British hero martyr, historians know about Charles Collingwood. When newspapermen at the end of Fort Apache remark about men like "Collingworth"not being remembered, it was John Ford making a statement about the worth of all the men who contribute their lives to defend their nations not just the leader heroes.

That remark by the way is the stage for one of John Wayne's finest acted scenes in his career. A soliloquy photographed through a cabin window about the life of the professional soldier, the camaraderie, the toughness, the bravery required of these men and how they deliver for their nation.

In a later film John Ford uses the line that in the west "when the legend becomes fact, print the legend." Henry Fonda's quest for martial glory was a blunder, but his story for the sake and tradition of his regiment is whitewashed and he becomes an inspiration.

Of course some of the lowbrow comedy that one expects from John Ford is here aplenty with the four drinking sergeants and their efforts to make soldiers out of the recruits. Led by Victor McLaglen, the quartet rounds out with Dick Foran, Jack Pennick, and Pedro Armendariz. See how they dispose of the contraband they are charged with destroying and its consequences.

Fort Apache also takes the side of the Indian here. Cochise played by an impassive Miguel Inclan is a figure of strength and dignity. Later on Jeff Chandler in another film brought speech to the dignity and that role launched his career. Cochise is the only true major figure in the film. He bedeviled the U.S. Cavalry for over a decade in Arizona Territory with guerrilla tactics Mao Tse Tung would have envied.

Fort Apache is a grand ensemble film and you will not be bored for one second in watching it.

Director John Ford's first entry in his cavalry trilogy is this excellent film about life on a military outpost far from the glamorous theaters of the Indian Wars on the northern plains. The film touches on character development of the officers and enlisted men on the post, family relationships and the class distinctions among the military social order. Henry Fonda is great as a bitter, unhappy colonel who feels unappreciated by the military hierarchy and is displeased by his assignment to the isolated desert areas. John Wayne gives the film just the right balance as a captain who looks out for his men and knows Indians. Ford has his regular cast on board for the film, and John Agar and Shirley Temple handle the romantic clinches. The pace is slowed somewhat by comedy bits that add nothing to the film's substance. The black and white camera work is stunning and the music is reflective and melancholy.

First entry in trilogy cavalry including glorification of military life , familiar drama , love and sentimental nostalgia with interesting character studio of a varied assortment of individuals . This is the initial outing in John Ford's trilogy cavalry continuing ¨ She wore a yellow ribbon¨ and ¨Rio Grande ¨ based on stories by James Warner Bellah . It's a first-rate Western masterfully directed by the great John Ford . This is a great Western drama, John Ford's lusty realization and a real classic . Commandant Owen ( Henry Fonda ) is a new and rigid Colonel who arrives along with his young daughter (Shirley Temple) in a fort nearly to Mexican frontier. Owen decides to do a name for himself by beginning a war with the Apaches Chiricaguas and Mezcaleros led by Cochise , against the advice of his two experienced captains ( John Wayne , George O'Brien ). Then the commandant of the far outpost - who has a difficult relationship to his underlings - leads a dangerous campaign against the Indians .

This classic picture ranks as one of the best of John Ford's work. It contains Ford's usual themes as familiar feeling , a little bit of enjoyable humor, a community decided to build the civilization on a virgin territory , friendship and and sense of comradeship among people . Furthermore , ample shots on cloudy and nebulous skies , prairies and mountains filmed at Monument Valley and Professor Valley. Interesting screenplay portraying in depth characters and brooding events with interesting issues running beneath script surface is written by Frank S. Nugent based on a story by James Warner Bellah , booth of whom are John Ford's habitual . Spectacular scenes when the Apaches Indian-Chiricagua and Mezcaleros-spontaneously attack the unit in its last stand .

This excellent film featuring a magnificent performance by whole casting . Awesome John Wayne in a larger-than-life character . Enticing and intimate Shirley Temple , Irene Rich , Anna Lee in sensible roles with sensational performances . Excellent co-starring cast , introducing John Agar - subsequently remembered as the lieutenant in 'she wore a yellow ribbon' , here his first main role . Good cinematography by William H. Clothier and Archie Stout reflecting splendidly marvelous outdoors from mythical Monument Valley , a place that Ford was often to revisit and he befriends Indians tribes . Emotive and vivid score by Richard Hageman based on traditional music ; it contains a wonderful song that is sung on some touching scenes among sweet glances of John Agar and Shirley Temple . In the movie appears all habitual Ford's friends as War Bond , Dick Foran ,Jack Pennick , Hank Worden , Grant Withers , Jack Pennick , Guy Keebe, Pedro Armendariz and , of course , the great Victor McLagen as grumpy sergeant in charge of training the new recruits . The movie is stunningly produced by Merian C Cooper - Argosy Pictures Production- and magnificently filmed by Ford with direction assistant by Cliff Lyons . Avoid a horrible version shown in computer-colored . Rating : Very good, better than average.