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6,3/10
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MA NOTE
Anabel Sims est déterminée à trouver le mari idéal. Elle pense l'avoir trouver en la personne de Madison Brown, un charmant pédiatre. Elle élabore donc un plan pour lui mettre le grappin des... Tout lireAnabel Sims est déterminée à trouver le mari idéal. Elle pense l'avoir trouver en la personne de Madison Brown, un charmant pédiatre. Elle élabore donc un plan pour lui mettre le grappin dessus et l'épouser.Anabel Sims est déterminée à trouver le mari idéal. Elle pense l'avoir trouver en la personne de Madison Brown, un charmant pédiatre. Elle élabore donc un plan pour lui mettre le grappin dessus et l'épouser.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 1 nomination au total
Eddie Albert
- Harry Proctor
- (non crédité)
- …
Jean Andren
- Customer
- (non crédité)
Chet Brandenburg
- Cafe Patron
- (non crédité)
Arnolda Brown
- Customer
- (non crédité)
Helen Brown
- Dignified Woman
- (non crédité)
Rosalie Coughenour
- Model
- (non crédité)
Avis à la une
It's just another day at work for shop girls Betsy Drake and Diana Lynn, who over lunch decide that Every Girl Should Be Married. Especially after Betsy sees just the man she ought to be married to in the person of Cary Grant. Ironically enough that's exactly whom she did marry in real life.
But back to this film, Betsy stalks and pursues him with the charm of an innocent child and as relentless as a jungle cat. These kind of films are kind of hard to pull off because if not done right you do come over like a stalker. Still Drake is successful enough to make you believe in her innocence.
In fact for a film that stars Cary Grant and Franchot Tone, the real lead in the film is Betsy Drake. Grant does get in a few good moments however, the best being when he in his capacity as a noted pediatrician, Drake takes his audience away with her questions about his bachelorhood. Grant's reaction shots are priceless.
Twelve years earlier Grant and Tone co-starred with Jean Harlow in Suzy with the billing completely reversed. It was at MGM and Tone's studio and Grant wasn't as big a name then. In those years their careers had completely reversed and Tone was now usually a second lead, but in this he was his usual rich playboy, the parts now he'd become used to being typecast in.
In those same years Grant left his original studio at Paramount and his career pattern had him going back and forth from RKO and Columbia. Every Girl Should Be Married was Cary Grant's final film at RKO, a studio where he'd done such things as Bringing Up Baby, The Awful Truth, Mr Favorite Wife, and Mr. Lucky to name a few. Every Girl Should Be Married ain't quite up to the standards of these classics, but it has its moments.
But back to this film, Betsy stalks and pursues him with the charm of an innocent child and as relentless as a jungle cat. These kind of films are kind of hard to pull off because if not done right you do come over like a stalker. Still Drake is successful enough to make you believe in her innocence.
In fact for a film that stars Cary Grant and Franchot Tone, the real lead in the film is Betsy Drake. Grant does get in a few good moments however, the best being when he in his capacity as a noted pediatrician, Drake takes his audience away with her questions about his bachelorhood. Grant's reaction shots are priceless.
Twelve years earlier Grant and Tone co-starred with Jean Harlow in Suzy with the billing completely reversed. It was at MGM and Tone's studio and Grant wasn't as big a name then. In those years their careers had completely reversed and Tone was now usually a second lead, but in this he was his usual rich playboy, the parts now he'd become used to being typecast in.
In those same years Grant left his original studio at Paramount and his career pattern had him going back and forth from RKO and Columbia. Every Girl Should Be Married was Cary Grant's final film at RKO, a studio where he'd done such things as Bringing Up Baby, The Awful Truth, Mr Favorite Wife, and Mr. Lucky to name a few. Every Girl Should Be Married ain't quite up to the standards of these classics, but it has its moments.
This is a sweet little film with a few laughs.. I don't think anyone should worry about Cary Grant being stalked by poor little Anabel, I find her a sweet change from the Gold-Diggers in some of my favorite movies.. such as "Gentlemen Prefer Blondes" and "How to Marry a Millionaire" Instead of being after a millionaire, poor Anabel is just after a husband ... plain and simple. Yes, she may take a few more pains to win her man than most of us.. but that is just part of the humor of the movie. If you are just starting to watch classics like this one.. please give the two films mentioned above a try, and also definately "Bringing up Baby" which also stars Cary Grant as the poor target of another lovesick loony.. this one played by a cute young Kathrine Hepburn. It is a crazy ride.. but give it a chance.
Ha ha this movie is great! I've never been a Cary Grant fan, but he won me over in this one. This movie is all around funny. Now of coarse the girl in the movie is kinda a stalker, but that's what makes it so great. Watch it, it's cute!
Lonely department store shopgirl Anabel Sims (Betsy Drake) gets hit by love-at-first-sight when she sees pediatrician Dr. Madison Brown (Cary Grant). The only problem is, he doesn't feel the same way, but she's determined to make it happen, even as she's pursued by the rich owner (Franchot Tone) of the store where she works.
This is primarily a showcase for Betsy Drake, so those who don't like her persona are likely to enjoy this less than I did. She and Grant were dating at the time, and they'd marry shortly after the film was released. Despite the seeming control one would assume Don Hartman had, seeing as he received three credits (writing, producing, directing), the truth seems to be that others were really calling the shots. Studio owner Howard Hughes monkeyed around with things so much that studio chief Dore Schary quit. Hughes allowed Grant to rewrite the script and have final say on all subsequent creative decisions, which Grant willing accepted since he wanted to highlight Drake. Things worked out in the end, as this ended up being RKO's most profitable film of the year. I thought that it was funny, and I found Drake charming. Grant doesn't get to shine as much, unfortunately.
This is primarily a showcase for Betsy Drake, so those who don't like her persona are likely to enjoy this less than I did. She and Grant were dating at the time, and they'd marry shortly after the film was released. Despite the seeming control one would assume Don Hartman had, seeing as he received three credits (writing, producing, directing), the truth seems to be that others were really calling the shots. Studio owner Howard Hughes monkeyed around with things so much that studio chief Dore Schary quit. Hughes allowed Grant to rewrite the script and have final say on all subsequent creative decisions, which Grant willing accepted since he wanted to highlight Drake. Things worked out in the end, as this ended up being RKO's most profitable film of the year. I thought that it was funny, and I found Drake charming. Grant doesn't get to shine as much, unfortunately.
Every Girl Should Be Married is one of my favorites. It's a lighthearted romantic comedy from the 40's, not a stalker movie. Although I'll admit that it could be remade as a 90's stalker movie if someone wanted to.
It's more about the single-minded determination of one young woman to nab the man she wants. The only part of it that might keep you up nights is wondering whether or not your wife was that scheming in her plan to marry you.
I think Betsy Drake and Cary Grant were hilarious. The scene where Cary Grant's character is delivering a speech to the Lady's group is a classic. I wish that it would come out on DVD so that I could delete it from its permanent spot on my TiVo.
It's more about the single-minded determination of one young woman to nab the man she wants. The only part of it that might keep you up nights is wondering whether or not your wife was that scheming in her plan to marry you.
I think Betsy Drake and Cary Grant were hilarious. The scene where Cary Grant's character is delivering a speech to the Lady's group is a classic. I wish that it would come out on DVD so that I could delete it from its permanent spot on my TiVo.
Le saviez-vous
- AnecdotesThe only film in which Cary Grant and Betsy Drake appeared together before their marriage. They would make only one more film together: Cette sacrée famille (1952).
- GaffesWhen the insurance man shows the new car to Anabel on the street, the pole of the microphone is reflected against a window behind the actors.
- Citations
Dr. Madison Brown: How in the world did Eve ever get Adam when she had no other woman to help her with the subtle little touches?
- Versions alternativesAlso available in a computer colorized version.
- ConnexionsFeatured in The Screen Writer (1950)
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- How long is Every Girl Should Be Married?Alimenté par Alexa
Détails
- Durée
- 1h 25min(85 min)
- Couleur
- Rapport de forme
- 1.37 : 1
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