The Blind Goddess

The film is introduced in Prague with a spectacular murder, which is made to look like a suicide, which alerts the mind to what happened in Prague in 1948, when the film was released, as the communists took over the government by a coup involving the defenestration of Jan Masaryk and the death of Eduard Benes. However, this story happens entirely in London and involves corruption, as money intended for fugitives and displaced persons is channelled elsewhere, which alerts the always honest Michael Denison, who informs the prime minister, which leads to a libel case in court. The plot is complicated, it's difficult to follow all the meanderings, but the cast is outstanding all the way: Eric Portman as the advocate, Hugh Williams as the lord on trial, Claire Bloom in an early but shining performance and Anne Crawford as the spider in the web. The psychology of sensitive relationships is highly developed here. It's a great court-room drama with some political implications making it an interesting time document.

I rated this movie 5/10 mainly because of the actors & actresses in leading parts whom I admire, especially Eric Portman and Anne Crawford after their characters romance in "Millions like Us" (1943), Michael Denison as Algernon Montcrief in "The Importance of being Earnest" (1952) and Claire Bloom in her first leading role.However the plot is a dull one and too talky which other users above have noted and with their opinions I concur. There is not enough locational footage to relieve the somewhat claustrophobic setting, as the film seems to be 95% shot in the film studio.I like to see daylight occasionally in my favourite films!

Eric Portman was ideal for this part. His clipped phraseology and static style of acting suited his character - barrister "Sir John Dearing" down to a T. He is called up to prosecute "Waterhouse" (Michael Denison) who has been accused by "Lord Brasted" (Hugh Williams) of trying to blackmail him for the enormous sum of £20,000. Having reach the upper echelons of the British government, accusations of large scale bribery and embezzlement force a court case that grips the land. There are letters, accusations of infidelity, forgeries and a courtroom informality that I found quite enjoyable for just under ninety minutes. The ending has a sort of stiff-upper-lip convenience about it which rather disappoints, but the rest of this drama is well propped up by a solid cast - Anne Crawford and Nora Swinburne primary amongst them - and the courtroom intrigues have just enough complications to keep it interesting.

Another of those grim 1940s films with good actors but awful tedium.

Set in overstuffed victorian London houses though I dodn't notice an aspidistra.

It is films like this that killed the British film industry.

Good if you like court-room dramas, also good if you like very long movies because this one positively drags - despite an excellent cast consisting of the wonderful Anne Crawford. If all the boring bits were cut out, this would be one fast paced and snappy little thriller. It starts off promising, with the murder that is done up to look like a suicide, but then fails to deliver anything quite as good until almost the very end. A little romance is of course woven into the plot, and most of the fun comes from young Claire Bloom.