Appointment with Murder

The remarkable John Calvert stars as The Falcon in "Appointment with Murder" from 1948. This was one of three Falcon films made in 1948 by Calvert.

In this film, The Falcon (now called Michael Waring) is working for an insurance company and is sent to Europe to trace some paintings. He becomes involved with art forgers and the murder of an art forger in Italy.

A note about the name - supposedly The Falcon's name here is Michael Waring but it sounded in the film like Watling every time someone said it.

Calvert was debonair and sophisticated, but the movies aren't as much fun as the films with George Sanders. This film was very dry without the usual humor seen with The Falcon.

Calvert's actual career was that of a magician. He was the inspiration of Siegfried and Roy, and Mrs. Houdini said he was second to Harry as far as talent. Throughout his life, he traveled extensively doing magic shows, teaching, and occasionally doing a bit of acting.

Calvert was invited to perform his magic act both on Broadway in New York City and at the London Palladium Theatre on his 100th birthday. He died at the age of 102.

The movie may lack visual style, but the two leads, Calvert & Craig, certainly don't. They wear their wardrobes like statuesque models that make for an eye-catching duo. Plot-wise the screenplay should have been junked-- no suspense, no whodunit, and barely any interest, unless, that is, you care whether the classic paintings are original or not. In fact, the narrative plays sloppily with the idea bouncing it around for 67-minutes. At the very least, a re-write was in order, but then the budget production may have been on a hurry-up schedule.

On the plus side is comparatively decent acting, especially from the lively Craig who steals the show, at least in my little book. Also picking up a payday is the versatile Ben Welden who has a real knock-down-drag-out with Calvert. I also like the way the detective shows his battle scars for the rest of the film, something Hollywood usually erased in the next scene. Also, watch for the deliciously eccentric James Griffith just starting out and as a detective, no less. There're also a few good location shots of downtown LA circa 1948.

But on the whole, the detective flick fails to register, thanks mainly to a boring screenplay.

APPOINTMENT WITH MURDER is a late entry in a long-running series of films about The Falcon, an international crime fighter who tours the globe bringing various criminals to justice. I haven't seen any of these films before - at least, I don't think I have - so I wasn't sure what to expect from this one.

What I got was a murky little potboiler with a few neat action sequences to recommend it, but a film which is overall let down by a convoluted plot line and a poor choice of hero. The pockmarked John Calvert has a face that is permanently contorted into a sneer, so he ends up looking more like a villainous henchman than the hero of the piece. By contrast one of this movie's chief villains looks like a cuddly teddy bear so you can't take him seriously as a menacing figure.

The plot is about the hunt for a couple of stolen and priceless paintings but it doesn't really amount to much apart from lots of back and forth sort of stuff with the authorities and some tacked-on romance type material. You have to laugh at the way the police don't bother getting involved in the proceedings and corpses are left laying around at various intervals. I didn't mind the brief fight scenes but overall APPOINTMENT WITH MURDER is a letdown.

This is the 15th of the 16 Falcon films, and the second starring John Calvert as the Falcon. There are no witty lines in this film at all, which is entirely without humour, and it is all played absolutely straight. There is no pet dog, as the rather inadequate dog of the previous film has been dropped without explanation, and Calvert does not try to be 'cute' this time. (In the previous film he did a few magic tricks with things appearing and disappearing in his hands, which were not very good either, and they have been ditched too.) The story is about two stolen paintings by the renaissance artist Andrea Mantegna (1431-1506), the intrigues, two murders, and other attempted murders, connected with them. Are they fakes? Are they real? Some of the characters believe one thing and some believe the other. No less than two corpses are left lying while the characters go off and do other things. In one case, the Falcon flies to America leaving a dead man lying in a room in Milan. And in the other case, a hotel desk clerk's corpse is left lying behind his desk, entirely forgotten by both the Falcon and the police as they leave the hotel. Evidently, the script writer did not remember that murder victims cannot be disposed of simply by turning a page in the script, but require people to collect and bury their bodies. This is another extremely low budget effort, and an undistinguished one. Calvert has the annoying habit of grinning most of the time, for no particular reason. Either he was sternly lectured as a child to 'smile, Jonnny, smile', or some acting coach told him he must lighten up, so that he thought contorting his face in inappropriate grins was the way to do it. You know how some dogs attempt to imitate the smiles of their owners, well Calvert is like a dog who does that. As for this film, undemanding fans of old mystery films will find it interesting for the complexities of the story.

This is the second of John Calvert's three "The Falcon" features released on 24 NOV 48.

You may recognize many of the actors from the time. That is part of the fun in watching; this includes the third Falcon, John Calvert, who might not be as revered as the first two Falcon actors.

-------- Michael Waring aka The Falcon (John Calvert) is hired by an insurance company to retrieve two stolen paintings. In the process, he travels to Italy and encounters murder.

The plot thickens when many people are double-crossed and even the paintings are suspected to be forgeries.

Will the Falcon succeed? Or there just might be another murder!