Les guerriers dans l'ombre

Surprisingly tense account of allied forces operating behind enemy lines in WWII France, infiltrating enemy strongholds and generally destabilising the occupation in collaboration with resistance fighters. Canadian Robert Beatty and Scot Gordon Jackson are the principals protagonists, teaming up with Simone Signoret in an elaborate game of cross and double cross, evading the Germans while they attempt to rescue one of their own.

Great cast with Jack Warner as the convivial commando (belying his autumn age), while Jackson and Beatty are the more intense agents, the former engaging in a rather unlikely romance with Signoret's character, herself a highly capable spy and willing to pull the trigger as required. Burly JRJ is the puppet master overseeing the covert operations, while Paul Dupuis has a memorable role as a turncoat doing everything he can to aid and abet the allied rearguard.

There's two or three very memorable moments in this film, and a relative surfeit of violence for its late-forties vintage - the Signoret-Warner scene is quite brutal and unexpected. Good use of sets and exteriors, and while there's a few clichés, I found it quite an addictive film that holds the attention pretty well.

this is an excellent film of the mid Ealing period Critchton's tight direction and Bridgewaters music intertwined with each characters role in the film is truly marvellous! as time has passed all but one of the cast members have died, with the exception of Giselle Preville who plays Julie the wireless operator. i have watched this film many times and cannot get enough of the opening score by Bridgewater. i throughly recommend this film as an all time Ealing great, although many Ealing aficionados will probably not agree, as it received a very Luke warm reception in 1948 possibly due to public tiredness of all things to do with war.

Despite the usual budgetary restrictions, this manages to convey a sense of the danger and great sacrifice made by these brave people who fought for our freedom. Charles Crichton brings out the human story rather than the all-action tale of some movies. Scenes with John Slater visiting his wife seems slightly corny now, but then must have seemed so close to events (just 3 years after the end of WW2). And the outcome later makes it all the more poignant. I thought a movie like this would be good to show in schools, as a part of history lesson. I love all those character actors they were part of my childhood, and they were such real actors and people. (Take note Arnold, et al) And I still haven't got over Jack Warner's Max (our own Dixon of Dock green) who would have adam 'n' eved it!

I am a great fan of WWII movies, especially the ones concerning the resistance. To me, there is nothing better than a good film about the underground - British, Dutch, French, whatever, and "Against The Wind" is a good one. It takes a while to get going; there are many scenes setting up the planned rescue in Belgium and some time is spent on character development. A team of five are in the plan, and, of course, one is a double agent working for the Nazis.

As in many such movies, the Nazis are slow-witted bumblers, which always adds to my enjoyment even if a caricature. The action here is fast-paced and is in the second half of the picture and is one reason for my rating. The other reason is Simone Signoret, who I consider the best actress to ever grace the silver screen. She is aided and abetted by an able cast including Robert Beatty, Jack Warner and Gordon Jackson. If you are a fan of spy movies you should catch this one.

Simone Signoret shines as does James Robertson Justice. In fact JRJ I have been impressed by JRJ often yet his acting is rarely praised.

A modern film about the SOE would be welcome.