Les aventures de Don Juan

Amusing and entertaining swashbuckler has Don Juán (Errol Flynn in his self-mocking best) saving Queen Margarita (Viveca Lindfords) who secretly loves her champion from her evil First Minister , (the British Robert Douglas) . He , then swashbuckles his way across England and Spain in effort to win her heart . At the end Don Juan finds a worthy fencing adversary in the treacherous Duc of Lorca (actually , Duke of Lerma , favorite of King Felipe III) at an exciting final duel .

Errol's last spectacular and overwhelming epic features impressive duels , elegant costuming , impressive production design , marvelous gowns , and loads of action . It is so crammed with fights and action , there hardly seems to be a set-piece that doesn't start or end with a duel , fencing or brawl . This was the major ¨Sword and Swagger¨ film mounted by First National Pictures and Warner Brothers for its superstar of swashbucklers , Errol Flynn . Errol is still nearly at his most agile and deft style . Errol Flynn was 38 when he made this movie , but his wild lifestyle had diminished his health and made him less able to perform his own stunts, as he had in earlier films . Previously , Flynn made his best swashbucklers and played successes as ¨Captain Blood¨ , ¨Adventures of Robin Hood¨, ¨The prince and the pauper¨ , ¨Sea Hawk¨, ¨The private lives of Elizabeth and Essex¨ , ¨Gentleman Jim¨ . Flynn performed splendidly the mass battle royal at the ending and the ultimate romantic gesture for the queen , he certainly gave his enthusiasts something to remember him by . It was all downhill for Errol after this , as he followed his successive flops as ¨The warriors¨, ¨Against all flags¨, ¨The Master of Ballantree¨ and ¨Adventures captain Fabian . Support cast is pretty well , such as Alan Hale Jr as his squire , Rommy Brent playing the silly King Felipe III and Robert Douglas is too good for his baddie role . And other notorious secondaries in brief apparitions as Robert Warwick , Douglas Kennedy , Barbara Bates , Monte Blue , Raymond Burr , Helen Westcott , Fortunio Bonanova and forthright as well as sympathetic Una O'Connor , as usual .

Richly costumed , including luxurious gowns and in glamorous Technicolor by cameraman Elwood Bredell . Breathtaking and luxury set design and art design by Edward Carrere and Harry Platt , though mostly interiors . Thrilling and evocative musical score by the great maestro and prolific Max Steiner . The picture is not a masterpiece , but being made with huge confidence and fair play by Vincent Sherman . Vincent directed all kinds of genres : drama , suspense , Western , biography , such as ¨Cervantes¨, ¨Lone Star¨, ¨Affair in Trinidad¨, ¨The Young Philadelphians , ¨Ice palace¨, ¨All through the night¨ , ¨Underground¨. Being his best films : ¨Mr Skeffington¨and this ¨Adventures of Don Juan¨.

THE ADVENTURES OF DON JUAN was intended as something of a 'comeback' film for Warner Bros. resident 'bad boy', combining the heroic elements of 'ROBIN HOOD' and 'THE SEA HAWK' with Errol Flynn's well-established (by 1948) reputation as a hell-raising womanizer. Unfortunately, the color production, Flynn's first swashbuckler in nearly a decade, was not a box office hit, but the comic adventure is today embraced by his many fans as one of his best roles!

It was not an easy film to make, as Flynn's carousing and disappearances (officially called 'sicknesses') stretched the filming, and forced frequent reshooting. Director Vincent Sherman, cinematographer Elwood Bredell, and editor Alan Crosland often had to 'cut-and-paste' snippets of many takes to achieve a decent performance from the star, and careful lighting had to be used to play down the increasingly obvious effects of the star's hedonistic lifestyle. (The closing scene, featuring then wife Nora Eddington, was shot nearly a year before the remainder of the film, and the change in the Flynn's physical appearance is clearly evident.) At 38, the star, who always hated being called a 'pretty boy' (to the extent that his home had few mirrors) was aging rapidly.

All this being said, Flynn tried to give the film the best he could. It had been a landmark film for his friend/mentor John Barrymore, in the first Warners' film with sound, employed for music and special effects only, in 1926 (THE JAZZ SINGER would introduce 'talkies' a year later). It reunited him with friend and frequent costar Alan Hale, who, at 56, was still a popular character actor, and whose son, Alan Jr., was starting to make his mark around town (he would eventually be best known as the Skipper in 'Gilligan's Island'). The script for DON JUAN, in development since 1939, passed through many hands, including uncredited help by William Faulkner and Robert Florey, with the end result being marvelously tongue-in-cheek. The score, by the legendary Max Steiner, became an instant classic, and would be reused, years later, in George Hamilton's ZORRO, THE GAY BLADE. This was a film which, despite Errol Flynn's self-destructive lifestyle, had enough talent involved to still stand up as one of the better films of the 1940s.

The plot involves roué Don Juan, tossed out of England after breaking up a 'diplomatic' wedding (a VERY funny scene), returning home to Spain to find evil Duke de Lorca (the sublimely nasty Robert Douglas) controlling weak King Phillip, and taxing the population to near starvation, with only the beautiful Queen Margaret standing in his way. Flynn quickly dispatches a de Lorca press gang, earning the Count's hatred, and the Queen's attention...and Don Juan finds himself truly falling in love, for the first time, with the youthful monarch (played by the radiant Viveca Lindfors). Assigned as a fencing master at the Academy, the legendary lover draws the ire of the Queen by stating his feelings for her, then is manipulated into another disastrous diplomatic blunder, involving, of course, another woman. On the run, he discovers de Lorca's ultimate scheme (manipulating the Crown into war), and with the help of the students of the Academy, he must save the King and Queen.

Featuring a great early appearance by Raymond Burr (as a de Lorca henchman), and a stirring final duel between Flynn and Douglas (expanded from the 1926 version, and featuring an astonishing climactic stairway jump, performed by stuntman and future 'Tarzan' Jock Mahoney), THE ADVENTURES OF DON JUAN is a gloriously adventuresome romp. Sadly, it didn't save Flynn's flagging career, but it certainly has earned a place among his classic films!

They truly don't make 'em like this anymore (more's the pity). Errol Flynn plays the role he spent his whole life "training" for -- Don Juan -- in this spectacular Warner Brothers adventure film. There is so much to recommend this film; it's a shame American audiences didn't respond to it the way European audiences did at its initial release. Flynn does his best work in years as Don Juan, ably supported by perennial sidekick Alan Hale and Robert Douglas as the evil Duke De Lorca. The costumes are amazing, the sets splendid, the Technicolor never looked better -- but to top it all off, the swordplay, choreographed by the legendary maestro Fred Cavens (Adventures of Robin Hood, The Mark of Zorro) is second to none. From the brief duels with jealous husbands to the scenes in the fencing academy to the final rapier and dagger brawl (capped by a spectacular leap performed by stuntman Jock Mahoney) the sword work here is awesome. (btw, historical fencing fans should note the use of Thibaults' Mysterious Circle on the wall of the fencing school, completely appropriate since this is the Spanish school of rapier play). Future Perry Mason Raymond Burr has a memorable role as one of the villains in this court intrigue adventure, and Viveca Lindfors is excellent as the Queen, but it is Flynn, with his wit, panache and blade skill, who dominates, just as it should be. For terrific entertainment in the classic Hollywood tradition, take a look at The Adventures of Don Juan! UPDATE 2/9/07 This film will soon be available on a new DVD in the second Errol Flynn collection box set, along with another good Flynn film, The Dawn Patrol.

I've always been a huge fan of Flynn's movies. When he was into the role, he was as good an actor as anybody. Of his swashbucklers, the "BIG THREE" were always Captain Blood, The Adventures of Robin Hood and The Sea Hawk. But two movies often omitted from a list of his best are The Adventures of Don Juan and The Master of Ballantrae. Don Juan is a movie in the vein of Burt Lancaster's Crimson Pirate or The Flame and The Arrow, being a tongue-in-cheek swashbuckler that scores on several points. Flynn was clearly comfortable with light comedy; it featured some great "bad guy" work by Robert Douglas; and, despite production problems caused BY Flynn's excesses, the editing in of sequences from Robin Hood and Elizabeth and Essex worked very well. The fencing scenes were thoroughly enjoyable! All in all, I would recommend this film to anybody who is a fan of the genre.

The most eagerly awaited Flynn movie has at last made it to DVD! Unavailable for some years except on a VHS tape and an obscure over priced Korean disc it, thankfully, is back in the Warner Bros. stable where it belongs. The wait was worth it for the disc is simply pluperfect! With rich vibrant three-strip Technicolor and sharply defined images it is a joy to behold! Flynn is terrific in the title role of the great lover and roue. Not withstanding perhaps a nod to the actor's own lifestyle the part was nevertheless taylor made for him. And although it was said at the time that he was slowing down and that he hit the booze while filming there is no evidence of it on screen. The great swashbuckler cuts a fine figure in his many fabulous costume changes throughout the picture. These costumes - designed by the great Travilla - won the 1948 Acadamy Award for best costume design.

The supporting cast were well chosen too! Robert Douglas is great as Flynn's adversary - the evil Duke DeLorca. His dark eyes blackened even more to make him look that bit extra villainous. Alan Hale is once again Flynn's faithful sidekick but after 12 movies this was to be their final picture together. He died the following year. The female lead is taken by the beautiful Swedish actress Vivica Lindfors. Here she plays Margaret Queen of Spain and the one true love of Juan. Lindfors' final film was "Stargate" in 1994! She died in 1995 at the age of 75.

"The Adventures of Don Juan" is well directed by Vincent Sherman and is probably his best remembered movie. The atmosphere, the colour and the sets in the court scenes are really very impressive. But now and then the film gets a little bogged down with some palace intrigue until the picture's famous set piece - the brilliantly staged sword-fight on the magnificent palace staircase. It ranks as one of the cinema's finest duels and Flynn will always be remembered for it even though that amazing leap with the knife was performed by stuntman and B picture actor Jock Mahoney.

Then, of course there is the music by Max Steiner - one of his very best scores! Particularly splendid is his music for Juan's Parade into London with its masterful use of bells and chimes. Also the wistful Ballade which accompanies Juan on his many and various balcony climbings, the driving action music for the fight in the palace and the gorgeous love theme for the scenes with Juan and the Queen especially for the sequence near the end. Here the theme is heard in full bloom as the lovers say farewell to each other forever ("I shall be the only one who knew, for just a little while, that there was no Queen"). Interestingly Flynn's usual swashbuckling composer Erich Wolfgang Korngold - who had served him brilliantly on past successes such as "Captain Blood", "The Adventures Of Robin Hood" and "The Sea Hawk" -was originally slated to score "The Adventures Of Don Juan" as far back as 1945, but by the time the picture went into production the esteemed composer had left Hollywood and returned to his birthplace Vienna. As brilliant a composer as Korngold was it's difficult to imagine he would have topped Steiner's exceptional score. But alas we will never know!

So quite a wonderful disc all round with good extras consisting of a commentary by director the late Vincent Sherman and Flynn authority Rudy Behlmer, a trailer and some instantly forgettable old fashioned shorts but the movie is all, so enjoy. En Garde!